Byzantium rediscovered / by 258048 Bullen, J. B.

Correction: Haddad et al. Reviving Alexander Calder’s <i>Man-Eater with Pennants</i>: A Technical Examination of the Original Paint Palette. <i>Heritage</i> 2021, <i>4</i>, 1920–19... by Abed Haddad, Megan Randall, Lynda Zycherman, Ana Martins

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Studies of meaning in art by Sweeney, James Johnson, Rothschild, Edward F.

“…V 1 Plastic redirections in 20th century painting / James Johnson Sweeney -- v 2 The meaning of unitelligibility in modern art / Edward F. Rothschild…”

Cesar PElli : MONOGRAPHS IN CONTEMPORARY ARCHITECTURE / by Pastier, John, 1939-, author 264516

“…Embassy in Tokyo, and the Museum of Modern Art to study the style and works of the contemporary American architect.…”

Exploring the private universe of Henri Matisse in The Red Studio by Abed Haddad, Gianluca Pastorelli, Annette S. Ortiz Miranda, Loa Ludvigsen, Silvia A. Centeno, Isabelle Duvernois, Caroline Hoover, Michael Duffy, Anny Aviram, Lynda Zycherman

“…The grouping includes three paintings from the collection of the Statens Museum for Kunst (Le Luxe II, 1907, Nude with White Scarf, c. 1909, and Bathers, c. 1909), one painting from the collection of The Metropolitan Museum of Art (Young Sailor II, 1906), a painting from a private collection (Cyclamen, c. 1911), and a glazed and hand-painted earthenware plate from the collection of the Museum of Modern Art (Untitled (Female Nude), 1907). The six paintings were investigated using technical (X-radiography, ultraviolet-induced fluorescence, infrared reflectography) and chemical imaging (MA-XRF) and, in some cases, spectroscopic techniques (FORS, SEM–EDS, Raman, SERS, and μ-FTIR), to better elucidate Matisse’s materials and working techniques for this selection of paintings; the plate was also analyzed using MA-XRF. …”
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Reviving Alexander Calder’s <em>Man-Eater with Pennants</em>: A Technical Examination of the Original Paint Palette by Abed Haddad, Megan Randall, Lynda Zycherman, Ana Martins

“…<i>Man-Eater with Pennants</i>, a rarely exhibited sculpture in Alexander Calder’s oeuvre, was commissioned by The Museum of Modern Art (MoMA) and installed in 1945. To exhibit the large standing mobile in <i>Alexander Calder: Modern from the Start</i> (2021), the derelict sculpture had to be remediated; this initiated a collaborative investigation with conservation scientists, conservators, curators, and the Calder Foundation into the original paint colors hidden beneath layers of repaint. …”
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Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing by Abed Haddad, Laura Neufeld, Ana Martins

“…Abstract The exhibition Cézanne Drawing at The Museum of Modern Art (MoMA) brought together an exceptional group of works on paper from public and private collections across the globe. …”
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Complex Relationships: A Materials Study of Édouard Vuillard’s <i>Interior, Mother and Sister of the Artist</i> by Abed Haddad, Diana Hartman, Ana Martins

“…<i>Interior, Mother and Sister of the Artist</i> (1893) underwent at least one restoration treatment before being acquired by the Museum of Modern Art (MoMA) in 1934. The painting was treated again in 1954, but no analysis was carried out to understand the artist’s methods and materials at that time. …”
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Technologies as a Mediator between Creator and Audience in Postmodern Art Practices by Polina KHARCHENKO, Asmati CHIBALASHVILI, Igor SAVCHUK, Victor SYDORENKO, Іvetta KHASANOVA

“…At first, it was "pure" experimentation, aimed at expanding the range of new expressive components and testing them. Afterwards, modern art products created within this direction are mature and complete. …”
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Seni Lukis Bali Dari Perspektif Modernisasi by I Dewa Putu Merta

“…Spiese, merging with the classical esthetic which bearing aperiod of art in Bali that is known as Seni Lukis Bali Modern (Bali Modern Art Painting) The period is also the beginning of Modern Art in Bali. …”
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<i>Jazz</i> Colors: Pigment Identification in the Gouaches Used by Henri Matisse by Ana Martins, Anne Catherine Prud’hom, Maroussia Duranton, Abed Haddad, Celine Daher, Anne Genachte-Le Bail, Tiffany Tang

“…The results were consistent across the three copies investigated: a portfolio in the collection of the Museum of Modern Art in New York and two books in the collection of the Musée National d’Art Moderne in Paris. …”
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Bauhans at Weimer, 1919-1923 [kasetvideo]

Constructing Modernism Periodically: T. E. Hulme’s Essays on Art in The New Age by Dominika BUCHOWSKA

“…This article analyses essays on modern art written by T. E. Hulme and published originally in The New Age magazine between December 1913 and July 1914. …”
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Max Ernst’s <i>Woman, Old Man, and Flower</i> (1923–24): Four Paintings in One Revealed by Technical Imaging by Ana Martins, Ellen Davis, Talia Kwartler

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Niestymulująca tradycja: wpływ temperamentu na preferencje w sztuce by Joanna Rządkowska, Alicja Paracka, Natalia Frankowska

“…The results showed significant differences in preferences for traditional and modern art, depending on the degree of harmonization of the temperamental structures. …”
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Non-stimulating tradition: The Effect of Temperament on Painting Art Preferences by Joanna Rządkowska, Alicja Paracka, Natalia Frankowska

“…The results showed significant differences in preferences for traditional and modern art, depending on the degree of harmonization of the temperamental structures. …”
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International design annual idea 55

Architecture of bridges/ by 424989 Mock, Elizabeth (Bauer)

The architecture of Japan / by 358436 Drexler, Arthur

Mario Botta / by 401130 Wrede, Stuart