The Road Movies' Space Dynamics in the 70s: Richard C. Sarafian, Monte Hellman and Terrence Malick by Filipa Rosário

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A travers deux métafilms contemporains : les espaces numériques, nouveaux territoires de l'ontologie cinématographique by Julien Achemchame

“…Through the examples of two major metafilmic works of contemporary American cinema, David Lynch's Inland Empire(2006) and Monte Hellman's Road To Nowhere (2010), which have both been produced with new digital technologies, we study how they present an industry of cinema which, through mise en abyme of its own system of representation or projection and many intertextual quotes, appears in search of its own ontology, through the circulation of images. …”
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