The Forging of a “Singapore Sound” in Saxophone Compositions of Zechariah Goh by Leslie Wong Kah Ho, Rattanai Bampenyou

“…The two works for this qualitative study are Images of Tibet for Soprano Saxophone and Piano, and Confluence for Saxophone Ensemble and Mridangam. The findings show that 1) Images of Tibet uses Western formal structures, the technique of thematic development, and Tibetan musical idioms; and 2) Confluence for Saxophone Ensemble and Mridangam employs the Indian Tala, motivic modification technique used in the Fugues of Johann Sebastian Bach, and pandiatonicism as employed in Impressionistic works of Debussy and Ravel. …”
Get full text