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    Variations on Much Ado About Nothing: Beatrice and Benedick in Target-Language Adaptations by Mateo Marta

    Published 2015-06-01
    “…This article will study variations on Shakespeare’s comedy Much Ado About Nothing, first revising different approaches to its performance in the original language, and then analysing two adaptations which involve translation: a Spanish play, Jacinto Benavente’s Los favoritos, and a French opera, Hector Berlioz’s Béatrice et Bénédict, both inspired by the two most attractive and witty characters in the bard’s text, Beatrice and Benedick, who have been the object of a number of versions and adaptations and therefore encourage exploration in different contexts. …”
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