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  1. 381

    The ‘Ulama and the Religio-Political Developments in Modern India by Rizwan Malik

    Published 1988-12-01
    “…The reason for ‘ulama to take so long to appear on the political horizon of India was one of principle and expediency, that stopped the ’ulama from hurling futiiwa of condemnation at the East India Company when it eventually superseded Mughal power in India. Until 1790, penal justice in Bengal continued to be dispensed under the revised Shari’ah forms of Aurengzeb’s time. …”
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  2. 382

    الألوان ودلالتها فى الحضارة الإسلامیة مع تطبیق على نماذج من المخطوطات العربیة by Dr. Hanan Abdel Fattah Motawea•

    Published 2017-01-01
    “…The Arab school also extended to North Africa and Andalusia. The Mughal photographer initially began to draw the sad subjects that were more depressing than The war of war and fighting and perhaps the reference to the spirit of the era filled with wars and sedition and intrigues and spread the acts of vandalism, killing and torture artist chose the dark colors such as dark brown and dark blue as well as red and yellow as well as the use of black color a lot, reflected the few manuscripts that reached us from Andalusia that it adopted in its color scheme on bright colors.…”
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  3. 383

    Visual Elements of Islam Prophet (PBUH) life events in religious paintings of Jameá- al-Tawarikh by Mahnaz Shayestehfar, .. ..

    Published 2016-09-01
    “…In Moghul era, because of the kings’ tendency toward Christianity and Christian factors, influences of byzantine painting was observed in the illustrations; but what is clearly evident with the Il-khans era is the strong influence of Chinese art, particularly the Yuan and Sung period, on Mughal painting. One could claim that Il-khans is the period of conflicting elements of Chinese, Iranian, Byzantine, and Arabic art. …”
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