Pedagogical applications of the cognitive research on music improvisation by MIchele eBiasutti

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Principles of baroque music: Improvisation, ornamentation, polyphony by Stojanović-Kutlača Svetlana

“…The three basic principles of baroque music, improvisation, ornamentation and polyphony, are all rooted in the idea of music harmony, whose 'key' has been hidden in figured (thorough) bass. …”
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Cognitive modeling, ecological psychology, and musical improvisation by Kevin J. Ryan

“…Jeff Pressing’s cognitive model of musical improvisation will also be a central link between these elements. …”
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Expertise in musical improvisation and creativity: the mediation of idea evaluation. by Oded M Kleinmintz, Pavel Goldstein, Naama Mayseless, Donna Abecasis, Simone G Shamay-Tsoory

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Types, Styles, and Spaces of Possibility : Phenomenology and Musical Improvisation by Atkinson Mitchell

“…I show that improvised music has a phenomenal structure which is enriched by the communicative and “ real‐time” nature of improvised music. Improvised music can be seen as an exploration of a possibility space rendered by the juxtaposition of the musical types afforded by a performance environment (instrumentation, harmonic and melodic traditions, etc.). …”
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The role of emotion in musical improvisation: an analysis of structural features. by Malinda J McPherson, Monica Lopez-Gonzalez, Summer K Rankin, Charles J Limb

“…In this study, we examined the structural features of unconstrained musical improvisations generated by jazz pianists in response to emotional cues. …”
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The Virtual is Material: Music Improvisation in Post-Digital Ecologies by Adam Pultz Melbye, John Bowers, Paul Stapleton

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Collaborative resonant writing and musical improvisation to explore the concept of resonance by Charlotte Lindvang, Inge Nygaard Pedersen, Lars Ole Bondo, Stine Lindahl Jacobsen, Hanne Mette Ridder, Bolette Daniels Beck, Gustavo Gattino, Niels Hannibal, Ulla Holck, Jens Anderson-Ingstrup

“…The process of collaborative writing led to the discovery or development of a ninestep procedure including different collaborative resonant writing procedures and musical improvisation, as well as of a series of metaphors to explain therapeutic interaction, resonant learning and ways of resonant exploration.…”
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EEG Correlates of Middle Eastern Music Improvisations on the Ney Instrument by Mohammad Yaghmour, Padmakumari Sarada, Sarah Roach, Ibrahim Kadar, Zhivka Pesheva, Ali Chaari, Ghizlane Bendriss

“…In addition, studies on music improvisations using scales other than the major and minor chords are scarce. …”
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An observation of a negative effect of social cohesion on creativity in musical improvisation by Adrian Kempf, Mathias Benedek, Andrea Schiavio

“…We therefore conducted two studies exploring the association between social cohesion and creativity within the domain of musical improvisation, a prime example of creative performance, which usually plays out in social contexts. …”
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Satisficing Goals and Methods in Human-Machine Music Improvisations: Experiments with Dory by Stefano Kalonaris

“…However, in the context of free musical improvisation, it is probably not desirable to interact with a musical partner which one can largely anticipate or predict, because this might hinder the critical re-examination of one’s improvisational practice, to the detriment of an open-endedness that is crucial in this particular form of musical expression. …”
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Deep gradient reinforcement learning for music improvisation in cloud computing framework by Fadwa Alrowais, Munya A. Arasi, Saud S. Alotaibi, Mohammed Alonazi, Radwa Marzouk, Ahmed S. Salama

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“Immunology of music”? A short introduction to cognitive science of musical improvisation by Witold Wachowski

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Probabilistic Extension to the Concurrent Constraint Factor Oracle Model for Music Improvisation by Mauricio Toro

“…“A Concurrent Constraints Factor Oracle (FO) model for Music Improvisation” (Ccfomi) is an improvisation model specified on ntcc. …”
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Temporal dynamics of uncertainty and prediction error in musical improvisation across different periods by Tatsuya Daikoku

“…Abstract Human improvisational acts contain an innate individuality, derived from one’s experiences based on epochal and cultural backgrounds. Musical improvisation, much like spontaneous speech, reveals intricate facets of the improviser’s state of mind and emotional character. …”
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Neural substrates of interactive musical improvisation: an FMRI study of 'trading fours' in jazz. by Gabriel F Donnay, Summer K Rankin, Monica Lopez-Gonzalez, Patpong Jiradejvong, Charles J Limb

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Impaired Maintenance of Interpersonal Synchronization in Musical Improvisations of Patients with Borderline Personality Disorder by Katrien Foubert, Tom Collins, Tom Collins, Jos De Backer

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The Multiple-Demand System in the Novelty of Musical Improvisation: Evidence from an MRI Study on Composers by Jing Lu, Jing Lu, Jing Lu, Hua Yang, Hua Yang, Hui He, Seun Jeon, Changyue Hou, Alan C. Evans, Dezhong Yao, Dezhong Yao

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Author Correction: Temporal dynamics of uncertainty and prediction error in musical improvisation across different periods by Tatsuya Daikoku

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Developing Students’ Readiness for Musical Improvisation in the Context of Selected Assumptions of Edwin E. Gordon’s Music Learning Theory by Maciej Kołodziejski

“…The article is also a subjective presentation of the values inherent in the theory of music learning in the context of developing the above-mentioned readiness for music improvisation in students of different ages. Developing readiness for musical improvisation involves assimilating tonal and rhythm patterns into the students’ musical vocabulary so that they can participate in musical dialogue with others. …”
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