Effects of plucking force to fundamental frequency of sound and body vibration of sape by Tee Hao Wong, Jedol Dayou

“…Sape is the popular traditional musical instruments in Sarawak, Malaysia. It was normally played to a form of ritualistic music to induce trance by the local indigenous people. …”
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Attitune music: The econometrics of jazz by Soon, Jan Jan

“…Attitune’s major service was in the provision of music lessons, in a range of music genres and musical instruments. Its management team comprised two founding partners, Michael Lee & Amond Chong, who were also the music school’s music instructors. …”
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Contesting Global Forces Through Cultural Hybridisation:Javanese Cover Versions of Western Songs on Youtube by Yusuf, Iwan Awaluddin, Utami, Pratiwi

“…This article examines the ways in which cover songs on YouTube using traditional language and musical instruments serve as responses to the global music industry. …”
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The Role of African American Music in E. L. Doctorow’s The March by Marek Gajda

“…Furthermore, it takes into account which musical instruments are employed and considers their significance in the book with regard to their symbolic meaning. …”
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The correlations between body posture parameters and physical fitness characteristics of male and female pupils playing the accordion and the Western concert flute by Mateusz Apanowicz

“…Summary As regards the players of musical instruments, the most frequent correlations with the characteristics of physical fitness were observed among female pupils of class III, IV, V and male pupils of class I, moderately frequent relationships were recorded among female students of II, VI and male students of class II, III and the fewest correlations were noticed among female pupils of class I and male pupils of class IV and V. …”
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Assessment of Preservice Music Teachers’ Multicultural Personality: Multicultural Music Education Perspective by Shu Chen, Kwan Yie Wong

“…Gender, educational level, and experience playing musical instruments have no statistically significant effect on the multicultural personality of preservice music teachers.…”
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Cerámica monocroma esgrafiada/incisa de la Gran Nicoya (siglos i-xvi d.C.) by Gilles Desrayaud

“…Containers, figurines and musical instruments are decorated with fine figurative modellings and geometrical patterns of complex symbolical significances. …”
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Aristides Quintilianus. De Musica, II 1–5. Introduction, Russian translation and notes. by Nadezhda Lyamkina

“…The first book largely deals with the technical side of the Aristoxenian harmonics, rhythmic, and metrics; the most original and well structured second book focuses on the educational and therapeutic value of music, the ethical and emotional (‘male and female’) characters of melody as well as the peculiarities of various musical instruments; while the last third presents a metaphysical outlook, influenced by (Neo-)Pythagorean and Platonic inclinations of the author, and includes the ‘Pythagorean’ number theory (the division of kanon, concordant relations, etc.) and ‘physics’ (presented as a correlation between musical and physical realms, mostly in Platonic terms). …”
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Traditional Perspective of Mental Disorders Through Kebangru'an Music by Dina Khaerunnisa

“…Moral values are seen as philosophical values in musical instruments and ritual materials. The aesthetic value is seen in the strains of the gending in the kebangru'an music. …”
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Development of Sericulture in the Eastern Adriatic during the Austrian Administration by Marija Gjurašić, Tea Đurović

“…As silk was used for a variety of purposes, not only in making luxury clothes, wallpapers, and other expensive textile items, but also in papermaking and the production of musical instruments and fishing gear, it became a much desired commodity, which the Chinese exported along the Silk Road routes all the way to the Mediterranean. …”
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Post Impressions: Music Writing as Bent Travelogue by Hollis Taylor

“…Thus, an American woman and an Australian man set out to explore and perform on the giant musical instruments covering the continent of Australia: fences. …”
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Developing a Model of Supplementary English Materials Based on Local Content by Nurliana Nurliana

“…The first unit was about descriptive text, particularly about describing things which included traditional musical instruments and weapons from Central Kalimantan. …”
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Post Impressions: Music Writing as Bent Travelogue by Hollis Taylor

“…Thus, an American woman and an Australian man set out to explore and perform on the giant musical instruments covering the continent of Australia: fences. …”
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Stylistic Patterns in Oral Literature by Babila J. Mutia

“…This rhythm is articulated by dance, the accompaniment of drumming, ringing of bells, and the playing of a host of assorted musical instruments. This employment of rhythm demonstrates how the individual performer has the flexibility to treat the themes in her own way and, in so doing, expressing her emotions in the words and melodies she chooses. …”
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A RELAÇÃO ENTRE CANTO E MITO NO RITO AIKEWÁRA by GILMAR MATTA DA SILVA

“…In the group of tradicional knowledges that include the most varied fields of the knowledge of the indigenous people the song (music) doesn't present a status differentiated as it happens in our society, but it is associated to other practices as the construction of the musical instruments, the narration of the myths, the performance of the dances and rituals. …”
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University music teachers' exposure to noise and hearing loss by A. Delgado, F. Carvalho, R. B. Melo

“…Musical instruments and singers' voices can reach high sound pressure values representing a risk to hearing health, which is of particular relevance for music teachers. …”
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The origins of music by Anton Killin

“…The oldest known musical instruments appear in the archaeological record from 40,000 years ago (40 Kya) and from these we can infer even earlier musical artefacts/activities, as yet unrepresented in the archaeological record. …”
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Ricognizione su Hermes = Inquiry on Hermes by Stefano Cristante

“…All the considered characteristics converge to make Hermes the prototype of the communicator, the god who protects and invents the communication itself – from writing to musical instruments – intended as a chance for human beings to promote innovation and change. …”
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Le croisement des arts dans la poésie de Léopold Sédar Senghor by Abderrahim TOURCHLI

“…As an element that structures his poems, the music becomes sensitive thanks to the various musical instruments that the poet uses for the diction. …”
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Lugares para el ocio en el Burgos del XVIII. Una aproximación socio-económica by Francisco José SANZ DE LA HIGUERA

“…</p><p>ABSTRACT: Either in their private homes or in the garitos set up in the city for such purposes, some people from Burgos had the opportunity to enjoy some time of pastime and leisure in a daily way, circunstance absolutely prohibited for most of the population. Musical instruments, table of catch and other game tools appear in documents as unmistakable signs of the existence of spaces and time devoted to public or prívate entertainment.…”
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