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Art in the Process of Integrating the Don Host to the Russian State
Published 2019-08-01“…By creating infrastructure, developing church and secular education, the government promoted systemic renewal of culture and Cossacks’ digestion of its forms that were perceived in Russia and Europe as close, identical and related (architecture, painting, choral singing and orchestra music, drama and musical theater). At the early stage of integration into the Russian state, contact forms and democratic nature of the cultural interaction process prevailed. …”
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Identity, Loss, and Singing Transcendence after the End of the World
Published 2023-03-01“… Review-essay of the film opera Upload and the chamber music theater piece The Book of Water by Michel van der Aa. …”
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REORIENTAREA ACTIVITĂŢII TEATRALE ŞI FESTIVALIERE ÎN CONTEXTUL CRIZEI PANDEMICE
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SONATA FOR VIOLIN AND PIANO BY VLADIMIR ROTARU: PECULIARITIES OF THE MUSICAL LANGUAGE, COMPOSITION AND DRAMATURGY
Published 2022-09-01“…The Sonata for violin and piano by Vladimir Rotaru has long been included in the pedagogical repertoire of the class of the chamber ensemble of the Academy of Music, Theater and Fine Arts, as it is distinguished by the originality of the compositional idea and vivid images. …”
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THE BASIL – PLANT PATTERN WITH MULTIPLE VALUES AND SIGNIFICANCES
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The Pathologist as Poet
Published 2016-07-01“…The role of the humanities (eg, philosophy, bioethics, literature, music, theater, religion, anthropology) in medical education has been argued long and hard for decades. …”
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TO THE PROBLEM OF STUDYING THE PROTOTYPES OF THE CLASSICAL GUITAR
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BELTING IN CONTEMPORARY POP MUSIC: ORIGIN, VOCAL TECHNIQUE, EXPRESSIVE POSSIBILITIES
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THE IMPORTANCE OF THE BASE IN SCULPTURE, ITS FORM AND ROLE
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The Dreamer and the Underground Hero of M. Yu. Lermontov and F. M. Dostoevsky in the Light of the Ethical Teachings of A. A. Ukhtomsky
Published 2023-06-01“…The dreamers of both writers are immersed in the world of literature, music, theater, which develops their imagination. However, the characters of Dostoevsky, unlike Lermontov’s one, are able to commit an act and influence reality.…”
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INTERIOR MONOLOGUE IN CINEMATOGRAPHIC ART AS A WAY TO CONVEY THE CHARACTER’S THOUGHTS AND FEELINGS
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THE MEANING OF THE PIANOPART IN THE CYCLE OF INSTRUMENTAL TRIOS INO BY V. A. ROTARU
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PROBLEMS OF THE INTERPRETATIVE TREATMENT OF F. SHOPIN’S WORKS ON THE EXAMPLE OF BALLAD NO.1, OP. 23
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THE EVOLUTION OF THE STAGE DANCE STYLE AND TECHNIQUE: PRINCIPLES AND PECULIARITIES
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