A BIBLIOGRAHIC SURVEY OF SIBERIAN LITERATURE ON TURKIC MUSIC /SİBİRYA’DA TÜRK MUSİKİSİ ÜZERİNE YAZINSAL BİR İNCELEME by Feza Tansuğ

“…In addition to reviewing books published by Turkic authors, this article includes some relevant works by Russian musicologists. However, the works authored by Siberian scholars abroad was excluded from this survey. …”
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Canon musical y canon musicológico desde una perspectiva de la música chilena by Luis Merino Montero

“…The canonizing was carried out by musicologists, composers or less frequently by performers, usually in a totally unrelated manner. …”
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'Ma mère l’oye' and the misfortunes of the musical canon by Maurizio Giani

“…One of the worrying aspects in this survey of mostly negative judgments is the fact that, among these boorish critics of the Musical Canon, there are also esteemed musicologists, who seem to enthusiastically support the primitivism of so many immature critics of “classical stuff”, mimicking their jargon and hostility towards highbrow culture. …”
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The Influence of German Musicology in the Work of Francisco Curt Lange by Barbara Alge

“…It also builds on former studies of Lange’s biography by focusing on his exchange with musicologists in the German-speaking world. It examines the role of German musicology in Lange’s work on one hand, and the role of Lange’s work in German-language musicology on the other. …”
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THE MAIN PROBLEMS OF MODERN RESEARCH ON CHAMBER INSTRUMENTAL MUSIC IN RUSSIA, UKRAINE AND BELARUS by CABACOV, DMITRII

“…In the center of the author’s attention are the problems of chamber instrumental music in the Eastern European countries: the renewal of the musical language, the genre and stylistic searches, the significant compositional achievements in the field of chamber music. Young musicologists rely in their research on the works of L. …”
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The spatiality of sounds. From sound-source localization to musical spaces by Nicola Di Stefano

“…The proliferation of and interest in concepts of musical space make the question of why composers, philosophers, and musicologists have used spatial concepts for music – which is typically considered a temporal and ephemeral art form – a relevant issue in the multidisciplinary research on music. …”
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Etnografia musicale e colonialismo italiano: contributi sul folclore dei territori d’oltremare dall’epoca liberale al fascismo by Isabella Abbonizio

“…Published essays including ethnographical transcriptions prepared by ethnographers, officials, musicians and musicologists are my privileged sources of analysis. …”
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Scoring the ballo fantastico: supernatural characters and their music in Italy’s ballets during the Risorgimento by Matilda Ann Butkas Ertz

“…This topical music is an important part of Italy's musical-theatrical participation in romanticism. While musicologists have largely focused on Italy's operas and dance scholars on French ballet for the nineteenth century, this article begins to bridge the gap with a focus on Italian ballet music.…”
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Toward a New Comparative Musicology by Savage, Patrick E., Brown, Steven

“…Ever since the field of comparative musicology was redefined as ethnomusicology in the mid-twentieth century, musicologists have all but abandoned many features of its original research agenda, not least the overarching goal of cross-cultural musical comparison. …”
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Recombinant Melody: Ten Things to Love About Willaert's Music by Peter Schubert

“…Willaert's music was much celebrated in its own time. Today, however, musicologists find little to praise outside of its sonorous richness and sen-sitivity to text. …”
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The Pleasure of Making Sense of Music by Vuust, P, Kringelbach, M

“…The neural mechanisms that allow for music to be considered as meaningful by humans are, however, poorly understood. Some musicologists have proposed that the creation of anticipatory structures modifying figure/ground relations is at the heart of what allows music to be meaningful and to convey emotion. …”

The Creative and Research Process in Letters of Mario de Andrade and Luciano Gallet by Flávia Camargo Toni

“…The situation of this analysis is uncommon since there are few musicologists who compiled letters of this kind during the interwar period (1918/1939). …”
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Die Entstehung der Entstehung by Thomas Christensen

“…Today, the context of Dahlhaus’s monumental book may not be clear to all readers, as it engages in dialogue (sometimes explicitly, often implicitly) with a number of other (mainly German) musicologists who were writing during the two decades immediately preceding its publication about questions related to the origins of harmonic tonality. …”
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Caught on the Back Foot: epistemic inertia and visible music by Philip Tagg

“…The paper concludes that musicologists working in popular music have failed to make such inroads into conventional musicology that popular music and art music are treated equally. …”
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Impressionism in Serbian Music by Virđinia TOTAN, Petruța Maria COROIU

“…Although musicological studies do not display very important differences in attitude when it comes to defining impressionist compositions, musicologists’ opinions sometimes diverge. However, taking into consideration the extent to which the comparative method and the stylistic analysis, applied to music, can be conditioned by subjective experiences, the discrepancies can be said to be almost negligible. …”
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The theory of polystylism as a tool for analysis of contemporary music in the postsoviet cultural space: some terminological aspects by Baiba Jaunslaviete

“…In the research conducted by various English-speaking musicologists, the term polystylism appears rarely and mostly in relation to Schnittke’s own music, whereas the related concepts of collage and borrowing are covered much more comprehensively. …”
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«Non ho scritto una tragedia, ma un drama per le scene di Venezia»: i libretti di Adriano Morselli per il San Giovanni Grisostomo (1688-1692) by Nicola Badolato

“…This allows us to consider Morselli’s libretti as an example of a poetic trend, only partially studied by theatrologists and musicologists, which flourished in Venetian opera during the last quarter of the 17th century. …”
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Digital images of medieval music documents: Transforming research processes and knowledge production in musicology by Eden, G, Jirotka, M

“…Musicologists who study medieval music manuscripts were up until recently required to travel to the libraries and museums where these documents or their fragments are physically held. …”

Digital images of medieval music documents: transforming research processes and knowledge production in musicology by Eden, G, Jirotka, M

“…Musicologists who study medieval manuscripts were up until recently required to travel to the libraries and museums where these documents or their fragments are physically held. …”

A Reflection on the Aesthetics of Indian Music, With Special Reference to by Santosh Kumar Pudaruth

“…Indian thinkers and musicologists have gone a step further in declaring that Indian classical music ( Raga-Sangita ) is the most appropriate means for attaining aesthetic experience and delight, and the most suitable pathway, if not, downright, short-cut, toward self-realization or realization of the Ultimate Reality or Truth. …”
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