FRANCISCO CURT LANGE E O MODERNISMO MUSICAL NO BRASIL: IDENTIDADE NACIONAL, POLÍTICA E REDES SOCIAIS ENTRE OS ANOS 1930 E 1940 by Loque Arcanjo Jr.

“…</span> <span class="hps">This</span> <span class="hps">musicologist</span> <span class="hps">is thought of as</span> <span class="hps">the</span> <span class="hps">center of a network</span> <span class="hps">of sociability</span> <span class="hps">between</span> <span class="hps">musicians from different</span> <span class="hps">aesthetic</span> <span class="hps">perspectives.…”
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Music in Serbian literary magazine and Yugoslav ideology by Vasić Aleksandar N.

“…In 1911 the Croatian Opera spent almost two weeks in Belgrade performing; the composer and musicologist, Miloje Milojević began to develop the idea of union with Slavs from the South in a critical analysis he rendered of their performance. …”
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The Life Way and Oeuvre of I. S. Polskiy (On the Occasion of the 95th Anniversary of the Artist’s Birthday) by I. I. Polska

“…Its representatives are hundreds of workers of science, culture and art, including well-known Ukrainian and Russian composers, scientists and artists, performers and musicologists, teachers and professors establishments of all levels. …”
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Prince of zeta by Petar Konjović: Opera in five/four acts on the 125th anniversary of the composer's birth by Mosusova Nadežda

“…Being a highly skilled writer, poet musicologist and essayist (he wrote four books and a great number of articles on music and the theatre, and translated opera librettos of Wagner and Moussorgsky), Konjović felt free to introduce some daring alterations to the literary works he used for his music dramas. …”
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Getting Back to the Source, Virtually: RISM as a Tool in the Digital Environment by Jennifer A. Ward

“…Since the release in 2010, RISM has launched several initiatives to bring musicologists closer to the primary source materials they are researching. …”
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Vladimír Helfert a jeho působení na Masarykově univerzitě by Petr Macek

“…His legacy has been recognized by several further generations of musicologists until present.…”
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Baltic musicological conferences: National music historiographies and transnationalism by Stanevičiūtė Rūta

“…Starting from 1967, when the first conference took place, the annual meetings of the Baltic musicologists soon became a transnational space for the professional exchange and crosscultural discussion. …”
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A model for annotating musical versions and arrangements across multiple documents and media by Lewis, D, Shibata, E, Saccomano, M, Rosendahl, L, Kepper, J, Hankinson, A, Siegert, C, Page, KR

“…</p> <p>This model is implemented in Linked Data and illustrated in a prototype application in which musicologists annotate vocal arrangements of the Allegretto from Beethoven’s Seventh Symphony from multiple sources.…”

Dimitrie Suceveanu evocat în cercetările muzicologilor români by Alexandru Plian

“…Dimitrie Suceveanu Evoked in the Research of the Romanian Musicologists This paper proposes a foray into the musicological studies written between 1919-2019 that mention about Dimitrie Suceveanu and his contribution to the romanization process in XIXth century. …”
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Methodological bases of knowledge ofessence andspectfity of music in scientific creativity B. Asafiev by L.O. Smirnova, T.M. Kozina

“…Astaffiev and his rules musical of didactis. which have continuation and recognition in modem worts musicologists of Ukraine and outside of her. …”
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<i>Narrative</i> as a term in narratology and music theory by Smiljana Narančić Kovač, Iva Kovač

“…Music theoreticians and musicologists consider its application in music scholarship with a theory of the musical narrative in view. …”
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THE INSTRUMENTAL CONCERTO AS OBJECT OF SCIENTIFIC RESEARCH by ANDRIEŞ VLADIMIR

“…Dolinscaia and other musicologists. The article was written on the basis of the materials of the doctoral thesis „Concerto for Viola and Orchestra: Methods of Study” worked out under the supervision of the late scientist and university professor Vladimir Axionov.…”
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Czech Music Semiology by Lubomír Spurný

“…In the 70s and 80s, a group of musicologists worked in this team, which was later called the "Prague team for music semiology". …”
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Bach: Luther’s Musical Prophet? by Rebecca Lloyd

“…Most would agree that Luther provides a vital context for interpreting Bach’s sacred music.Perhaps it is unsurprising that musicologists have turned to Luther when interpreting Bach. …”
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Pachelbels d-Moll-Ciacona als strukturelles Vorbild für eine Aemulatio: zur Form der Passacaglia in c-Moll von J. S. Bach by Katarina Larissa Peach

“…Many musicologists have discussed the influence of Buxtehude’s ostinato compositions on Johann Sebastian Bach’s Passacaglia in C minor, BWV 582. …”
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Focus – Quale futuro per la storia della musica nelle scuole italiane? by Lorenzo Bianconi, Antonio Caroccia, Giovanni Giuriati, Claudio Toscani, Agostino Ziino

“…This paper illustrates the important contribution of Italian university musicology to the training of future music educators, emphasizing the formative role of the history of music (or musics) not only for future musicians or musicologists, but for the training of all students. …”
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Musicology in Ukraine before 24 February 2022. Institutions – Publications – Research by Olena Berehova

“…Its aim is to provide international readers with basic information on institutions, publications, the most active musicologists and their research. Although musicological research in Ukraine has a long tradition, this text focuses only on current musicology. …”
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Hudební kultura v Krnově do poloviny 17. století by Helena Kramářová

“…The focus of this paper is on musical culture of Krnov during Renaissance, because the musicologists haven't turned attention to this subject yet. …”
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Some Thoughts about Professional Fields of Ethnomusicologists in Museums by Lewy, Matthias

“…It is of utmost importance to consider the growing responsibility of any kind of musicologists in the context of a wider presentation of historical facts and social relationships that are the contents of exhibitions in museums. …”
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Coelho, Victor and Keith Polk. 2016. Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy. Cambridge: Cambridge University Press. by Jonathan Ligrani

“…Despite the ubiquity and significance of these sounds, musicologists have overlooked their presence in the landscape of Renaissance scholarship.…”
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