My fair lady / [cakera padat] by 271206 Cukor, George

Pygmalion: from Greek Legend to My Fair Lady by Tony T.N. Hung

“…Besides being one of the most popular plays and musicals of all time, Shaw's Pygmalion and its musical offshoot My Fair Lady will always hold a special fascination for teachers and linguists, in particular teachers of phonetics. …”
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My Fair Lady Entre L’Egyptianisation Théâtrale et l’Adaptation Cinématographique by Hanane Hassan El Dibe

“… My Fair Lady Between Theatrical Egyptization and Film Adaptation Adapting stage techniques to cinematic functioning is one of George Cukor's major challenges in his grandiose production of My Fair Lady. …”
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MULTIMODAL AND INTERMEDIAL CIRCULATION OF LITERARY TEXTS: A NEW PERSPECTIVE ON GENDER RELATIONS IN THE CINEMATOGRAPHIC ADAPTATION OF PYGMALION, MY FAIR LADY by Líliam Cristina Marins

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Season of Discontent to “Seasons of Love”: Broadway Musicals in a Time of #MeToo by Jeffrey Eric Jenkins

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US-Hungarian Relations Ten Years After 1956 by Tibor Glant

Subjects: “…United States-Hungarian relations, Cold War, 1956 Revolution and War of Independence, Vietnam War, My Fair Lady, Kirk Douglas, Edward Alexander, János Kádár, Hungarian art, USIA, cultural diplomacy…”
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Initial indications for the semiotics of a movie genre: the musical film by Ciro Flamarion Cardoso

“…In order to study the incidence of said phenomenon, three musical filmes are analysed: South Pacific (Josha Logan, 1958), West Side story (Robert Wise and Jerome Robbins, 1961), and My fair lady (George Cukor, 1964). The analyses are made to show how varied can be the ways in which the hypotheses we derived from Lotman appear; these hypotheses speak of the forms to integrate, or contrarywise to clearly separate, the subtexts which in the film are acted, from those which are sung or danced.…”
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