Análise musical de “Portraît de Nadia Boulanger” (1972), de Almeida Prado by Tales Eduardo Pelison Botechia, Tadeu Moraes Taffarello

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Musicians, students, listeners: women and the conservatoire in pre-war Paris and St Petersburg by Rasmussen, S

“…It argues that these relationships not only facilitated women’s involvement in public cultural life, but also impacted their private experience of music and listening, as illustrated by the close musical bond between sisters and conservatoire alumnae, Lili and Nadia Boulanger. …”

CORNEL ȚĂRANU: PROFESSIONAL AND COMPOSITIONAL TRAJECTORY by Cristina ŞUTEU

“…His background is based on an exceptional professional training studying with Sigismund Toduță, Nadia Boulanger, Olivier Messiaen, Karlheinz Stockhausen, György Ligeti. …”
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What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem by Platonova Olesia A.

“…The third part is devoted to studying the origins of Michel Legrand’s stylistic experiments (on the one hand — serious academic education, training with Nadia Boulanger; on the other— work with world-class jazz musicians), as well as to analysing three layers: jazz (improvisation, the nature of arrangements and harmonies on the example of The Umbrellas of Cherbourg), romantic (the application of the features of the genre of piano concerto in The Young Girls of Rochefort) and baroque (the use of the principles of orchestration, polyphonic forms, rhetorical figures in the Donkeyskin). …”
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