Showing 1 - 7 results of 7 for search '"Nagisa Ōshima"', query time: 0.32s Refine Results
  1. 1
    Nagisa Oshima: cine, vanguardia y política en torno a 1960

    Nagisa Oshima: cine, vanguardia y política en torno a 1960 by M. E. Mestman

    Published 2016-06-01
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  2. 2
    Film oparty na faktach. Imperium zmysłów Nagisy Ōshimy po latach – z polskiej perspektywy

    Film oparty na faktach. Imperium zmysłów Nagisy Ōshimy po latach – z polskiej perspektywy by Piotr Skrzypczak

    Published 2014-12-01
    Subjects: “…nagisa ōshima…”
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    Article
  3. 3
    Cine japonés. El imperio de los sentidos

    Cine japonés. El imperio de los sentidos by Mariela Álvarez

    Published 1985-10-01
    Subjects: “…Nagisa Oshima…”
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  4. 4
    Rituals Within Walls: Thinking Post-War Japan’s History through Cinematic Allegories of Everyday Life

    Rituals Within Walls: Thinking Post-War Japan’s History through Cinematic Allegories of Everyday Life by Ferran de Vargas

    Published 2023-10-01
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  5. 5
    La Nuberu Bagu y el nuevo Japón

    La Nuberu Bagu y el nuevo Japón by Antonio Santos

    Published 2020-04-01
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  6. 6
    Successful allogeneic bone marrow transplantation after massive gastrointestinal bleeding in a patient with myelodysplastic syndrome associated with intestinal Behçet-like disease

    Successful allogeneic bone marrow transplantation after massive gastrointestinal bleeding in a patient with myelodysplastic syndrome associated with intestinal Behçet-like disease by Arata Ishii, Shokichi Tsukamoto, Tatsuzo Mishina, Shintaro Izumi, Yurie Nagai, Miki Yamazaki, Yutaro Hino, Kensuke Kayamori, Nagisa Oshima-Hasegawa, Tomoya Muto, Shio Mitsukawa, Yusuke Takeda, Naoya Mimura, Chikako Ohwada, Chiaki Nakaseko, Jun-ichiro Ikeda, Emiko Sakaida

    Published 2021-01-01
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  7. 7
    As dimensões políticas da reflexividade épica em O Enforcamento

    As dimensões políticas da reflexividade épica em O Enforcamento by Pedro Maciel Guimarães, Pedro Tinen

    Published 2020-11-01
    “…Este artigo examina a maneira com que O Enforcamento (Nagisa Oshima, 1968) emprega a reflexividade crítica e técnicas de anti-ilusionismo, componente do projeto político particular à geração sessentista do cinema moderno japonês, como instrumentos integrantes à formulação do pensamento historiográfico da noção de um ‘cinema nacional' japonês. …”
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