Wouter Kloek and the Attribution of Louis Vallée's Silvio with the Wounded Dorinda in the National Gallery of Art, Washington by Arthur K. Wheelock, Jr.

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Tension Between Everyday Practice and the New Museology Theory: A Case of the National Gallery of Art in Vilnius by Stoškutė Neringa

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Virtual Museum Experience for Critical Thinking Development: First Results from the National Gallery of Art (MOOC, US) by Antonella Poce

“…The present paper describes a research conducted within the MOOC «Teaching Critical Thinking through Art», created by the National Gallery of Art in Washington (DC), under the scientific supervision of the Harvard Project Zero researchers, pioneers of Visual Thinking Strategies within the museum context. …”
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Transforming and revealing a footprint of place : new National Gallery of Art Project, San Jose, Costa Rica by Abbo, Mayer S

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Low molecular weight varnishes. Interview to E. René de la Rie, National Gallery of Art, Washington, DC. by Ruth Chercoles Asensio, Ana Ordoñez, Lourdes Domedel

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Joan Miró: La escalera de la evasión. Londres, Tate Modern, 14 abril-11 septiembre 2011; Barcelona, Fundación Joan Miró, 13 octubre 2011- 25 marzo 2012; Londres, National Gallery of Art, 6 mayo-12 agosto 2012 by Paula Barreiro López

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Sobre el quinto marqués de Villafranca, Camillo y Giulio Cesare Procaccini by Joan Bosch Ballbona

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Winslow Homer watercolors / by Cooper, Helen A. 538069, National Gallery of Art (U.S.) 538072, Amon Carter Museum of Western Art 538073, Yale University. Art Gallery 538075

Reaction of Pb(II) and Zn(II) with Ethyl Linoleate To Form Structured Hybrid Inorganic–Organic Complexes: A Model for Degradation in Historic Paint Films by Margaret G. MacDonald, Michael R. Palmer, Matthew R. Suchomel, Barbara H. Berrie

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Jasper Johns : an allegory of painting, 1955-1965 by 269673 Weiss, Jeffrey

Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper by John K. Delaney, Damon M. Conover, Kathryn A. Dooley, Lisha Glinsman, Koen Janssens, Murray Loew

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A Big Splash in Shallow Waters by Henrik Holm

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An alternative approach to mapping pigments in paintings with hyperspectral reflectance image cubes using artificial intelligence by Tania Kleynhans, Catherine M. Schmidt Patterson, Kathryn A. Dooley, David W. Messinger, John K. Delaney

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Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis by Kathryn A. Dooley, E. Melanie Gifford, Annelies van Loon, Petria Noble, Jason G. Zeibel, Damon M. Conover, Matthias Alfeld, Geert Van der Snickt, Stijn Legrand, Koen Janssens, Joris Dik, John K. Delaney

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Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments by Silvia A. Centeno, Charlotte Hale, Federico Carò, Anna Cesaratto, Nobuko Shibayama, John Delaney, Kathryn Dooley, Geert van der Snickt, Koen Janssens, Susan Alyson Stein

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Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017 by Marina Tyquiengco

“…Exhibition Review Exhibition catalog: Tina Baum, Defying Empire: 3rd National Indigenous Art Triennial. Canberra: National Gallery of Art, 2017. 160 pp. $39.95 (9780642334688)   Exhibition schedule: National Gallery of Australia, Canberra, ACT, May 26, 2017 – September 10, 2017…”
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The Aesthetics of Collaboration: Complicity and Conversion at MIT’s Center for Advanced Visual Studies by John R. Blakinger

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The Work of Art as Religious Enactment. Georges de la Tour’s The Repentant Magdalene by David Jasper

“…Cet essai porte sur La Madeleine repentante qui appartient à la collection de la National Gallery of Art, Washington D.C.. Le tableau est abordé ici dans la tradition théologique du personnage de Marie-Madeleine et examiné en tant qu’œuvre où se joue le processus liturgique de repentance, confession puis expérience de l’absolution, ce qui permet à l’observateur de participer à ce processus. …”
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Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring by Annelies van Loon, Abbie Vandivere, John K. Delaney, Kathryn A. Dooley, Steven De Meyer, Frederik Vanmeert, Victor Gonzalez, Koen Janssens, Emilien Leonhardt, Ralph Haswell, Suzan de Groot, Paolo D’Imporzano, Gareth R. Davies

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Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring by John K. Delaney, Kathryn A. Dooley, Annelies van Loon, Abbie Vandivere

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