Set in Stone by Hilliam, Amanda

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Quemadmodum Desiderat Cervus, the Psalm 42 (41): artistic interpretations and imagery. by Rosângela Aparecida da Conceição

“…In addition to textiles, we have the analysis of the Wilton diptych (c.1395-9), belonging to the National Gallery of London, as well as the relief on the altar of the Chapel of the Blessed Sacrament of the Abbey Basilica of Our Lady of the Assumption. …”
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Stik, skær, brænd. Sprækken som (kunst)historisk berøringspunkt i værker af Carla Zaccagnini, Annarosa Krøyer Holm og La Vaughn Belle by Anna Vestergaard Jørgensen

“… On the 10th of March 1914, Mary Richardson went into the National Gallery in London and attacked Diego Velázquez’ Venus del espejo (1647-51) with around seven cuts from an axe before she was stopped by the museum guard. …”
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The postmodern city by Jaccaud, S, Sabine J. Jaccaud

“…A project for a museum of German history in Berlin, the Sainsbury Wing of the National Gallery in London and the Place de Stalingrad in Paris re-work urban historical traces. …”

Motivi biblici nell’opera teatrale di Stanisław Wyspiański e Jerzy Grotowski by Luca Bernardini

“…While writing about Daniel, Wyspiański was inspired by a Rembrandt’s painting, Belshazzar's Feast (1635) preserved at the National Gallery in London. As a matter of fact, the biblical thread of Daniel’s prophetic dream about the subduing of Three Kings (Daniel 7: 24) was exploited by Wyspiański in order to allude to the political predicament of the Polish nation oppressed by the three parting powers: Prussia, Austria and Russia. …”
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