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Artifacts of Collaboration at the National Museum of the American Indian
Published 2015-03-01Subjects: Get full text
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Native Empowerment, the New Museology, and the National Museum of the American Indian
Published 2014-07-01“…The National Museum of the American Indian in Washington, DC ― the first national museum devoted solely to the presentation and support of the indigenous cultures of the Americas ― opened its doors to the public on 21 September 2004. …”
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A New Kid on the Block. Le National Museum of the American Indian
Published 2004-06-01Get full text
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George Gustav Heye and the National Museum of the American Indian - Collecting the Collector
Published 2012-03-01“…On September 21, 2004 the National Museum of the American Indian (NMAI) opened its doors to the public. …”
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Multiplying sites of sovereignty through Community and Constituent Services at the National Museum of the American Indian?
Published 2009-03-01“…The first introduces the National Museum of the American Indian and outlines its aspiration to become an ‘intermediary institution’. …”
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Identifying VOCs in exhibition cases and efflorescence on museum objects exhibited at Smithsonian’s National Museum of the American Indian-New York
Published 2020-11-01“…Abstract Two mass spectrometry (MS) methods, solid-phase microextraction gas chromatography (SPME–GC–MS) and direct analysis in real time (DART-MS), have been explored to investigate widespread efflorescence observed on exhibited objects at the Smithsonian’s National Museum of the American Indian in New York (NMAI-NY). Both methods show great potential, in terms of speed of analysis and level of information, for identifying the organic component of the efflorescence as 2,2,6,6-tetramethyl-4-piperidinol (TMP-ol) emitted by the structural adhesive (Terostat MS 937) used for exhibit case construction. …”
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A Pathway Home: Connecting Museum Collections with Native Communities
Published 2019-11-01Subjects: Get full text
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Isotopic composition of lead white pigments on qeros: implications for the chronology and production of Andean ritual drinking vessels during the colonial era
Published 2020-07-01“…Here, we present lead (Pb) isotope measurements of lead white pigments from 20 colonial qeros from the collections of the National Museum of the American Indian, the American Museum of Natural History, the Brooklyn Museum of Art, the Metropolitan Museum of Art, and in a private collection. …”
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Officially Indian: Symbols That Define the United States
Published 2018-05-01“…Ganteaume Washington, DC: National Museum of the American Indian, Smithsonian Institution, 2017; 192 pp.; 50 color illus.; ISBN: 978-1-5179-0330-5; Hardcover: $28.00 Reviewed by: Kristine K. …”
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Are Indians in America's DNA?
Published 2019-10-01“…Monika Siebert and Marina Tyquiengco on: Americans National Museum of the American Indian January 18, 2018–2022 Washington, D.C. …”
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Craniofacial morphology does not support a pre-contact Carib “invasion” of the northern Caribbean
Published 2021-08-01Get full text
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Technical analysis of four archaeological andean painted textiles
Published 2016-07-01“…This project investigates the materials and manufacturing techniques used to create four archaeological Andean painted textiles in the collection of the National Museum of the American Indian, Smithsonian Institution. The textiles are attributed to Peru but have minimal provenience. …”
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The Story of <i>Elaeagia</i> Resin (<i>Mopa-Mopa</i>), So Far
Published 2023-05-01Get full text
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Sequential villages and settling down on the southeast U.S. coast
Published 2024-03-01Get full text
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Rapatrier les moyens de transmettre sa culture : l’engagement des jeunes de Mashteuiatsh et de Kitigan Zibi dans les processus de rapatriement
Published 2021-01-01“…Il se concentre sur des projets menés entre les institutions des communautés ilnu de Mashteuiatsh et anishinabe de Kitigan Zibi, le projet de recherche Nika-Nishk sur le rapatriement des patrimoines autochtones et le National Museum of the American Indian (NMAI) de Washington. Les auteures et auteur présentent d’abord les communautés et la manière dont celles-ci contribuent à rapatrier les moyens et le contenu de leur transmission culturelle, pour revenir ensuite plus spécifiquement sur l’engagement des jeunes au sein du projet de recherche Nika-Nishk ainsi que sur le potentiel de ces activités tant pour les jeunes concernés et pour les cochercheurs que pour les musées. …”
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