Magical Realism in Neil Gaiman’s Coraline by Hosseinpour Saeede, Department of English Language and Literature, Semnan University (Iran). Nahid Shahbazi

“…In this regard, the main concern of the present article is to sift the characteristic features of magical realism within Neil Gaiman’s Coraline (2002) through the application of Wendy B. …”
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Neil Gaiman’s “Façade” and Patronal Feminism by Renaud Beeckmans

“…Robert Loss looks at Neil Gaiman's Dream Country as a meditation on femininity, power and imagination that nevertheless expresses a "patronal feminism".…”
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The Role of Intertextuality in Neil Gaiman’s American Gods by Irina RAȚĂ

“…The American cultural identity and the essence of modern America are concepts difficult to describe and define. Neil Gaiman, a highly acclaimed British writer, tried to capture, in his award-winning novel, American Gods, the “real” America, and its elusive cultural identity. …”
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The Importance of Space and Time in Neil Gaiman‟s Novels by Irina RAŢĂ

“…Neil Gaiman is a renowned British author of fantasy, science fiction novels, children‟s books and short stories. …”
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The motifs of death and resurrection in Neil Gaiman’s works by Irina RAȚĂ

“… Renowned for his reliance on the rich literary tradition in the form of references to poetry, prose, and popular culture, Neil Gaiman reimagines and reinterprets sources from myth and traditional folklore and modern, contemporary folklore to meet his own ends and match new contexts. …”
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Os mitos nórdicos segundo Neil Gaiman by Leandro Vilar Oliveira

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Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking by Čipkár Ivan

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Memory and Identity in The Ocean at the End of the Lane by Neil Gaiman by Irina RAȚĂ

“…In his novel The Ocean at the End of the Lane (2013), Neil Gaiman has succeeded in telling another spellbinding ―fairy-tale‖ for adults. …”
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Modern day myths in Neil Gaiman's American Gods by Mohamed Roslan, Syed Mikhail, Noor, Rohimmi, Jujar Singh, Hardev Kaur

“…In particular, this thesis analyses American Gods by Neil Gaiman by drawing upon Claude Lévi-Strauss' and Vladmir Propp's structuralist ideas and to see how the original myths were substituted, modulated or transfigured to be presented as metamyth or myth transformed. …”
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The Revenge of Augustus: Caesar, Octavian and History in Neil Gaiman’s "August" by Aleksandra Klęczar

“… Revenge of Augustus: Caesar, Octavian and History in Neil Gaiman’s "August" The paper discusses the reception of Roman history in Neil Gaiman’s graphic short story August. …”
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Naming as Human Agency in Terry Pratchett and Neil Gaiman's Good Omens by Clair J. Hutchings-Budd

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Adapting the Story of Suibhne in Neil Gaiman’s <em>American Gods</em> by Victoria Yee Wei Wen

“…Neil Gaiman’s depiction of America as a mythic place in American Gods explores “the soul of America” – what immigrants brought with them to America and what they found there. …”
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Neil Gaiman’s Use of Antiquity in Television Series: American Gods and Calliope by Elżbieta Olechowska, Marta Pszczolińska

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“Only the Gods are Real”: The Mythopoeic Dimension of Neil Gaiman’s American Gods by Rață Irina

“…This paper aims to address the mythopoeic aspect of Neil Gaiman’s American Gods, so as to disclose the elements of American cultural identity embedded in the novel. …”
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A AMBIVALÊNCIA MATERNA EM CORALINE DE NEIL GAIMAN (2003) by Thays Eloize Leme Bonato (Unioeste)

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Rape and Revenge in Graphic Detail: Neil Gaiman's "Calliope," in The Sandman Comic Series by Justine Gieni

“…Neil Gaiman's ability to weave fantasy, fairytales, folktales, mythology, canonical literature, and Gothic horror into his creative medium has played a significant role in elevating graphic literature as a subject for scholarly discourses. …”
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‘The Swallowed Beloved’: Corporeality and Incorporation in Neil Gaiman’s <i>The Graveyard Book</i> by Kristina West

“…In keeping with the focus of this special edition of <i>Humanities</i> on the political child, this article builds on investigations into constructions of the child body in literature and society to examine how portrayals of the child body in Neil Gaiman’s <i>The Graveyard Book</i> repeatedly slip under the varying perspectives of the adults; that is, how adult politics are always at play in understandings of children and childhood both within and outside of the text. …”
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Watching (through) the Watchmen: Representation and Deconstruction of the Controlling Gaze in Neil Gaiman’s The Sandman by Daniele Croci

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Modern myth for a global world : Neil Gaiman’s The Sandman and mythic bricolage by Yee, Victoria Wei Wen

“…The modern myth then, as Neil Gaiman’s The Sandman narrative exemplifies, is no longer a myth only for a specific audience, but for a global audience. …”
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Sustaining the imaginative life: mythology and fantasy in Neil Gaiman’s <i>American gods</i> by M. Slabbert, L. Viljoen

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