Jeffrey C. Stewart's <i>The New Negro. The Life of Alain Locke</i> by David Östlund

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Re-Presentation of African American Womanhood in Three Works of the New Negro Visual Arts Movement by Ivana Takáčová

Subjects: “…New Negro…”
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“The Whole Ensemble”: Gwendolyn Bennett, Josephine Baker, and Interartistic Exchange in Black American Modernism by Suzanne W. Churchill

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Infants of the Spring (1932): Cutting across the Stage of Harlem’s Black Bohemia by Elisa Cecchinato

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‘Watching the Waters’: Tropic flows in the Harlem Renaissance, Black Internationalism and other currents by Jak Peake

“…The term became the hegemonic around the early 1970s, displacing similar, yet distinct, alternatives including the New Negro, the New Negro movement and the Negro/Black Renaissance. …”
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Exalting Negro Womanhood: Black Women Poets and Harlem Renaissance Magazines by Deborah M. Mix

“…New Negro magazines such as <i>The Messenger</i>, <i>Opportunity</i>, and <i>The Crisis</i> regularly featured photographs and short descriptions of Black women designed to highlight their role as both moral centers and aspirational figures. …”
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The early struggle of black internationalism: intellectual interchanges among American and French black writers during the interwar period by Gaetan, M

“…It explores the role of national and transnational frames of reference in the definition of the New Negro movement during the 1920s as well as in its reception by French black intellectuals during the 1930s. …”

The impact of Hubert Henry Harrison on black radicalism, 1909-1927 by Kwoba, B

“…In a time of urbanization, migration, lynching, and segregation, he subsequently developed the World War I-era New Negro movement by spearheading its first organisation, newspaper, nation-wide congress, and political party.…”

FROM “NEGRO” TO “AFRICAN AMERICAN”: THE EVOLUTION OF BLACKS’ IDENTITY REFERENT IN AMERICA by Kouadio Germain N’Guessan

“…Throughout their American experience, they have been successively referred to as “Negro,” “New Negro,” “Blacks” and finally “African Americans.” …”
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“NOT SOUTH”: THE GREAT MIGRATION IN LANGSTON HUGHES’ “ONE-WAY TICKET” by Adriano Elia

“…Born in Joplin, Missouri, in 1902, Langston Hughes became the most significant personality of the New Negro Movement, later called the Harlem Renaissance. …”
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The lost revolution : capitalism, democracy and black citizenship in early twentieth-century America's biggest race conflicts by Butler, Katonio A. (Katonio Arthella)

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