Reconstructing a Life: Charles ‘Buddy’ Bolden by Dumescu Patricia-Dorli

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A. van Breda, L. Dalen Gilhuys, '100 Jaar' jazz in Den Haag. Het New Orleans van de Lage Landen by R.M. Schenkels

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A. van Breda, L. Dalen Gilhuys, '100 Jaar' jazz in Den Haag. Het New Orleans van de Lage Landen by R.M. Schenkels

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Sounding Affective Consensus by Benjamin Barson

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Understanding place after Katrina : predatory planning and cultural resistance in New Orleans Tremé Neighborhood by Nagel, Kiara L

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“King Porter Stomp” and the Jazz Tradition by Jeffrey Magee

“…Speaking in a measured, orotund baritone, Morton explored his past at a leisurely, dignified pace, but he was eager to set the record straight on one particular subject: that he had “personally originated jazz in New Orleans in 1902” (ibid.:84). Historians have since shown the origins of jazz to be more complicated than Morton allowed (Gushee 1994; Panetta 2000), but none can refute the story of his most popular and enduring composition, “King Porter Stomp”. …”
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Theory, place, and opportunity : black urbanism as a design strategy for the potential removal of the Claiborne Expressway in New Orleans by Zewde, Sara

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Musical Literacy and Jazz Musicians in the 1910s and 1920s by David Chevan

“…In 1988, I conducted a telephone interview with the African American New Orleans clarinet player Willie James Humphrey about his tenure from 1925 to 1932 in the riverboat band led by Fate Marable. …”
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Review of Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oak-land: University of California Press. by Tracy McMullen

“…Deveaux attributed this primarily to textbooks, which reinforced the narrative of neat stylistic decades (1920s New Orleans jazz, 1930s Swing, 1940s Bebop, etc.) and the institutionalization of jazz studies within colleges and universities. …”
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