Making Connections: Reading Barbara Kingsolver’s Works from an Ecofeminist Partnership Ethics Perspective by Abhra Paul, Vidya Sarveswaran

“…Following this line of thought, this paper studies Barbara Kingsolver’s fiction and nonfiction, namely, High Tide in Tucson (1995), Small Wonder (2003), Prodigal Summer (2000), Flight Behaviour (2012), and Animal Dreams (1990) through the lens of Ecofeminist Partnership Ethics (Carolyn Merchant 2014) and foregrounds the interrelationship between women, women-nature, and human-nature. …”
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Murder and Aesthetics in Patricia Highsmith’s Deep Water by Robert Lance Snyder

“…Highsmith’s mordantly unsettling narrative anticipates the mimetic fascination with murder in postmodern popular culture that ever since Thomas De Quincey’s 1827 satirical essay on the subject has abounded in fiction, nonfiction, and film. Writing against the grain of post-World War II conformism, Highsmith proleptically addresses issues of maladaptation in her portrait of a repressed sociopath who attempts to mask his inner rage via the sublimation of aesthetic pursuits.…”
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Notes on Narrative as Medium and a Media Ecology Approach to the Study of Storytelling by Lance Strate

“…In particular, major changes in the nature of character and plot accompany the shift from orality to literacy, and writing and especially printing make possible new forms of tragedy as opposed to comedy, prose as opposed to poetry, and fiction as opposed to nonfiction. Storytelling continues to mutate through the introduction of new media, with increasingly greater emphasis on narrative as an environment, especially one associated with social interaction and gaming.…”
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Translation and mountaineering, a first case study. Nea Morin and Janet Adam Smith between collaborative translation and cordée féminine by Saroldi, A

“…Moreover, it provides instances of how the awareness of translation processes can expand and deepen the analysis of gendered dynamics in mountaineering nonfiction. Finally, it shows how mountaineering studies can benefit from translation studies in order to become more aware of its dissemination processes and international dynamics, and how translation studies can benefit from mountaineering studies to fully comprehend and capture the depth of its involvement, dependence, and interaction with the non-literary world.…”

Gaya Kewartawanan Baru Dalam Novel Pilihan Abdullah Hussain by Samat, Talib

“…Xlll The first chapter explains the introductory part of this thesis, while the second chapter discusses the appearance and the development of the theory of this new journalism style, the philosophy behind it, important figures of this new journalism style and nonfiction novel,definition and characteristics of this new journalism style, and the difference between the new journalism style and the conventional style of journalism.…”
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Escritores investigadores: ¿literatura de investigación? by Paula Klein

“…Because of the new intersections and permeability of frontiers between fiction and nonfiction proposed by these texts, because of the political-social commitment they mobilize, and because of the relational force and pragmatic effects they aspire to produce in the real, their projects merit an analysis in aesthetic, ethical and political terms.…”
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Escritura de la intemperie: literatura y no ficción en el (micro)relato patagónico by Laura Pollastri

“…This paper develops a reading from the notion of microfiction and fragment, and its relation with the "story of the facts" and with the nonfiction (Ana María Amar Sánchez). …”
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A Chat with Patricia Leavy on “RE/INVENTION: METHODS OF SOCIAL FICTION” BY PATRICIA LEAVY (2023) by Christina Flemming

“…As a leading artful scholar, Leavy shines a light on the slippage between fiction and nonfiction, and the long history of merging scholarship with the literary arts. …”
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Kouno Fumiyo's Hi no tori ('Bird of the Sun') series as documentary manga: Memory and 3.11 by Flores, L

“…This article argues that in its unique presentation of visual and textual elements, the Hi no tori series employs the medium of documentary comics to negotiate the complex critical spaces in between fiction and nonfiction, past and present, presence and absence, visibility and invisibility and, importantly, between forgetting or the fading of memories (fūka) and reconstruction (fukkō). …”

Living in the Telling by Hine Funaki-Cole, Liana MacDonald, Johanna Knox, Daniel McKinnon

“…We, as Māori Indigenous scholars (doctoral students, researchers, and academics), bring together our stories, in the forms of creative nonfiction and poetry located in Aotearoa New Zealand and Te Whenua Moemoeā Australia, to tell the ways we navigate colonial spaces while also imagining our desired future. …”
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The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema by Pethő Ágnes

“…Blurring the line between fiction and nonfiction, Hogg depicts the paradoxical nature of (post)trauma and the emotional turmoil of mourning feeding into artistic creativity. …”
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The Saving Grace of America’s Green Jeremiad by John Gatta

“…Featured in creative nonfiction, jeremiad expression surfaces in various forms. …”
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The nature and frequency of relative clauses in the language children hear and the language children read: a developmental cross-corpus analysis of English complex grammar by Hsiao, Y, Dawson, N, Banerji, N, Nation, K

“…Within text, relative clause usage increased with intended age, and were more frequent in nonfiction than fiction. The types of relative clause structures in text co-occurred with specific lexical properties, such as noun animacy and pronoun use. …”

Modern National Historiography оn the Attitude of Russian Society to the Entente Allies by Samokhina Galina

“…The attention is paid to the historiography of the foreign political ideas of liberal and conservative leaders represented in political discourse, nonfiction works and periodicals. Liberals and conservatives were not only the object of public judgements – they formed them as well. …”
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Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory by Mario Slugan

“…In the second, I argue that although fiction is a temporally unstable category, it is possible to distinguish between fiction and nonfiction at a given moment in time. I conclude with a call to applying Kendall L. …”
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Strangers in the Village by Monika Gehlawat

“…This essay is an intermedial study that reads fiction, nonfiction, language-based conceptual art and mixed media, as well as contemporary politics and social media in order consider the nuances of the African-American experience from the postwar period to our contemporary moment. …”

ABOUT THE PRINCIPLES OF FORMATION OF «CREATIVE TASKS» FOR SCHOOL LITERATURE OLYMPIAD

“…According to his own experience the author suggests the following set of principles of successful creative task: 1) it is necessary to include the «communicative intrigue» in the task; 2) one has to model such a vital and at the same time culturally significant situations where appeal to literary works becomes really relevant; 3) the task should provide an opportunity to demonstrate the reader's freedom in choosing the literary material and produce an extension of the cultural context; 4) it is necessary to correlate the level of assignment complexity and the literary material with age characteristics and reader's experience; 5) one must form the comprehension of the literature in relation to other forms of art; 6) teacher needs to actualize the understanding of cultural diversity (fiction and nonfiction, literary and speech genres). Samples of creative tasks can be used to get the participants prepared for different stages of School Olympiad on Literature.…”
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The influence of background music and narrative setting on anthropomorphic judgements of killer whale (Orcinus orca) emotional states and subsequent donation behavior. by Heather M Manitzas Hill, Elena Svetieva, Sarah Dietrich, Emily Gallegos, Jeffery Humphries, Nicolas Mireles, Mario Salgado, Roberto Lara, Jennifer Zwahr

“…Animal documentary films such as Blackfish, considered nonfiction accounts of reality, nonetheless use rhetorical devices to engage viewers and shape their emotional experience for maximum effect. …”
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Is Puffin a Plus for Diversity in Young Adult Literature? The Move from Peacock to Puffin Plus by Karen Sands-O'Connor

“…While Puffin Plus fiction did include more depictions of characters of colour, and nonfiction, short story and poetry collections included authors of colour, issues of race and racism remained largely elsewhere in time or place. …”
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Is reading fiction associated with a higher mind-reading ability? Two conceptual replication studies in Japan. by Yuka Takahashi, Toshiyuki Himichi, Ayumi Masuchi, Daisuke Nakanishi, Yohsuke Ohtsubo

“…Participants read an excerpt either from literary fiction or from nonfiction, or engaged in a calculation task, before completing the RMET. …”
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