Memory, Trauma and Forgetting in Northern Irish Drama by Anthony Roche

“…I propose to look at this subject in relation to the trauma engendered by decades of violence in two Northern Irish plays: Quietly (2012) by Owen McCafferty, set in the post peace process climate of 2009 but harking back to a violent incident in the same location thirty-five years earlier; and Frank McGuinness’s Carthaginians (1988), a canonical play about one of the central events in ‘the Troubles’, Bloody Sunday of 30 January 1972, but set more than a decade later.…”
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The Northern Irish hunger strikers as cultural icons by Erja Simuna

“…This article examines the 1981 Northern Irish hunger strike to find out what iconic attributes are connected with the hunger strikers. …”
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DISENGAGING FROM TERRORISM: A NORTHERN IRISH EXPERIENCE by Neil Ferguson

“…This article explores the disengagement and deradicalization experiences of Northern Irish loyalist paramilitaries from the Ulster Volunteer Force (UVF) and Red Hand Commando (RHC). …”
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Quantifying Land Fragmentation in Northern Irish Cattle Enterprises by Georgina Milne, Andrew William Byrne, Emma Campbell, Jordon Graham, John McGrath, Raymond Kirke, Wilma McMaster, Jesko Zimmermann, Adewale Henry Adenuga

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Sam Thompson, Stewart Parker, and the lineage of northern Irish drama by Marilynn Richtarik

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Politics as Usual? Theatre, the Northern Irish Assembly, and the Romanticization of Normality by Eleanor Owicki

“…This article explores the treatment of Northern Irish electoral politics in two plays featuring Members of the Legislative Assembly (MLAs) as major characters. …”
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(Un)settlement: political parody and the Northern Irish peace process by Mark Phelan

“…This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As "parodies of esteem", both plays challenge the ultimate electoral victors of the peace process (the Democratic Unionist Party and Sinn Féin) as well as critiquing the cant, chicanery and cynicism that have characterised their political rhetoric and the peace process as a whole. …”
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Geological carbon storage in northern Irish basalts: prospectivity and potential by Graham D. M. Andrews

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Invoking Beckett: Samuel Beckett’s legacy in Northern Irish poetry by Simpson, H

“…Contemporary Northern Irish poets have repeatedly, even obsessively, invoked Samuel Beckett’s name in their work, from Paul Muldoon’s mock-heroic ‘His Nibs Sam Bethicket’ and Derek Mahon’s ‘Beckett’s bleak reductio’, through Leontia Flynn’s grotesque blazon of Beckett’s ‘palpitations, panic attacks, diarrhoea’ and Padraic Fiacc’s assurance that ‘Beckett welcomes you to Paris’, to Howard’s Wright’s foul-mouthed ‘Beckett in Belfast’. …”

Visualising Peace: Northern Irish Post-conflict Cinema and the Politics of Reconciliation by Richard Kirkland

“…This article seeks to build upon the range of critical work in this area that has identified the unique contours of the Northern Irish settlement and aims to interrogate some areas of policy and practice that encapsulate its contradictions, silences, and ellipses. …”
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Home-Grown Politics: The Politicization of the Parlour Room in Contemporary Northern Irish Drama by Megan Minogue

“…Often unheard by the predominantly male presence in Northern Irish politics, these women find their voice in the domestic comfort of their homes, with the support and encouragement of other women. …”
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Attitudes Toward Testicular Cancer and Self-Examination Among Northern Irish Males by Rachel Kathryn Roy MSc, Karen Casson PhD

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Classics education in Northern Irish primary schools; curriculum policy and classroom practice by Amber Taylor, Arlene Holmes-Henderson, Sharon Jones

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<b>(Un)settlement: political parody and the Northern Irish peace process</b><br> by Mark Phelan

“…This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As "parodies of esteem", both plays challenge the ultimate electoral victors of the peace process (the Democratic Unionist Party and Sinn Féin) as well as critiquing the cant, chicanery and cynicism that have characterised their political rhetoric and the peace process as a whole. …”
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‘Does Your Heart Ache with the Truth of the Past?’: Victims and Trauma in Northern Irish Culture by Shane Alcobia-Murphy

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Monological Drama to Reshape the Northern Irish Identity: A Night in November by Marie Jones by Virginie Privas

“…The author explores this possibility through the psychological evolution of a Northern Irish Protestant who comes to lack references in terms of identity. …”
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‘Turning One Sort of Poetry into Another’: Medbh McGuckian’s Captain Lavender and the Surface Reader by Richard Kirkland

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Identifying and characterising adverse childhood experiences (ACE) in a Northern Irish military veteran population by Cherie Armour

“…There has however been research on childhood adversities, polyvictimisation profiles, and associated outcomes as reported in the general Northern Irish population. The rates of adversity were high comparative to reports from other countries and one potential explanation for this is the prolonged period of civil conflict experienced by residents, including children, of Northern Ireland. …”
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A Cross-Sectional Study of Myopia and Morning Melatonin Status in Northern Irish Adolescent Children by Jane M. Fulton, Sarah C. Flanagan, Julie J. Sittlington, Diego Cobice, Sara Dobbin, Sara J. McCullough, Gareth Orr, Patrick Richardson, Kathryn J. Saunders

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[Un]Succesful "Metabolization" of the Northern Irish War: The Post-Troubles Trauma in Glenn Patterson's Writing by Bartnik Ryszard

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