Showing 421 - 440 results of 684 for search '"Novella"', query time: 0.08s Refine Results
  1. 421

    Nazwa miejscowa Skalbmierz 1 w noweli i Szkalmierz... w rękopiśmiennym słowniczku gwarowym Adolfa Dygasińskiego w świetle genezy toponimu i dokumentacji źródłowej by Elżbieta Koniusz

    Published 2013-11-01
    “…The author discusses the nineteenth-century variants of the toponym Skalbmierz/ Szkalmierz that occur in the works of Adolf Dygasiński: a novella whose action takes place in Skalbmierz, and the title of the manuscript of Słowniczek gwarowy od Szkalmierza [Dictionary of Dialects of Szkalmierz] given to Jan Karłowicz. …”
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    Article
  2. 422

    The troubling wilderness : the psychological uses of the sublime and frontier in illustrated children’s books by Lo, Yi Min

    Published 2016
    “…It will examine literature closely related to children – the award-winning picture book Where The Wild Things Are by Maurice Sendak and Antoine Saint-Exupéry’s well-known illustrated novella The Little Prince as ecological texts. It argues that wilderness in these stories embody what William Cronon highlights as the two branches of definition, the sublime and the frontier to be conquered.…”
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    Final Year Project (FYP)
  3. 423

    From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen by Ping Zhu

    Published 2020-09-01
    “…This paper discusses how Liu Cixin’s 2000 novella “The Wandering Earth” was adapted into a family melodrama that ultimately reinforces the authority of the Father and the nation-state. …”
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    Article
  4. 424

    Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman” by Michaela Keck

    “…Taking my cue from Hans Blumenberg’s notion of the “work on myth,” according to which myth is always in the process of revision, this article explores Alcott’s reconfiguration of the Psyche and Pygmalion myths in her novella “A Marble Woman” in conjunction with the nineteenth-century context of women’s quest for self-possession in marriage. …”
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    Article
  5. 425

    «Decameron» IV 1. Una lettura di «Tancredi e Ghismonda» secondo l'autografo hamiltoniano by Teresa Nocita

    Published 2019-07-01
    “…Rileggendo la novella IV 1 secondo la paragrafatura originaria, trasmessa dal codice autografo del Decameron, ms. …”
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  6. 426

    La fabrique d’un fleuve by Marc Porée

    “…Four tales inspired by the novella are briefly examined, in quest of a never-to-be found « agencement », linking a river, a big man and a missing people. …”
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    Article
  7. 427

    ‘Their travels were real travels’: History and fiction in J.M. Coetzee’s “The Narrative of Jacobus Coetzee” and in European exploration narratives in Southern Africa by María Jesús López Sánchez-Vizcaíno

    Published 2015-06-01
    “… My aim in this paper is to analyze J.M. Coetzee’s early novella “The Narrative of Jacobus Coetzee,” included in his first book Dusklands (1974), focusing on the way it points to the inextricability between history and fiction in exploration narratives, and to the impossibility of giving an objective account of truth, free from the constraints of discourse and ideology. …”
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    Article
  8. 428

    ‘Here gather daily those young eaglets of glory’: Robert Louis Stevenson, the Savile Club and the Suicide Club by Robert-Louis Abrahamson

    Published 2015-06-01
    “…Robert Louis Stevenson, one of these young men of promise, relished the social opportunities of the club, especially the company of fellow bohemians but was also aware of the limitations of the club, and its potential for complacency and false posturing. His novella ‘The Suicide Club’, depicting a club similar to the Savile, satirises the artificiality of the club, and of all such clubs, and of the superficial respectability of the members’ bohemian pretensions, which shelter the ‘gentlemen’ from a genuine and fulfilling engagement in the battlefield of life.…”
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  9. 429

    De Escalot a Shalott : la damisela en su trama by Susana G. Artal

    “…Although the poem “The Lady of Shalott” by Lord Alfred Tennyson has been seen as a break in that tradition, the comparison of that poem with its direct source, the novella 82 of Cento Novelle Antiche, and with the French roman allows to draw a thematic line relating the three texts between them.…”
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    Article
  10. 430

    Writing/Reading the Victorian Past through Spiritualist Séances in A. S. Byatt's "The Conjugal Angel" by Lejla Mulalić

    Published 2010-05-01
    “…Byatt rereads the Victorian past in her novella “The Conjugal Angel” by using Victorian spiritualism as a multilayered metaphor for dynamic communication between the past and present. …”
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    Article
  11. 431

    Change of Heart / by Deveraux, Jude, 1947-, author 294108

    Published 2014
    “…In the hugely popular, New York Times bestseller A Holiday of Love, Jude Deveraux wrote a novella about two kids playing matchmakers—Eli and Chelsea, best friends who were determined to find true love for Eli’s bighearted mother. …”
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  12. 432
  13. 433

    Réclusion et intersubjectivité dans les léproseries du XIXe siècle by Fabio Vasarri

    Published 2021-11-01
    “…A novella inspired by a true story, Xavier de Maistre’s Le lépreux de la cité d’Aoste (1811) had a considerable influence throughout the 19th century, from Romanticism to Aestheticism. …”
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    Article
  14. 434

    Mariama Ba’s So long a letter and the educational empowerment of Muslim women by Rizwana Latha

    Published 2004-04-01
    “…An examination of this issue in the novella would seem to indicate that the marginalization of Muslim women in this and other countries could be alleviated by a religious education which would investigate the differences between Islamic principles and cultural practices as one of its key focus areas. …”
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    Article
  15. 435

    « In the presence of absence » : la remémoration dans The Conjugial Angel d’A. S. Byatt by Camille Fort

    Published 2005-11-01
    “…This article attempts a reading of A. S. Byatt’s novella, which exploits a historical and literary heritage (Alfred and Emily Tennyson’s dual effort to mourn Arthur Hallam) so as to question the relationship between mourning and writing. …”
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  16. 436

    ‘HEARTS OF DARKNESS’ IN SHINING INDIA. MAPS OF ECOLOGICAL UN-SUSTAINABILITY IN THE NORTH-EAST by Rossella Ciocca

    Published 2017-11-01
    “…Indeed, in India’s complex, uneven and contradictory patterns of economic and technological progress, perspectives of development prove highly controversial. In Surface, a novella written in 2005 by Siddhartha Deb, set in the Northeastern region and seemingly modeled upon Conrad’s colonial archetype Heart of Darkness, a post-millennial social community of investors, executives, administrators, traders, politicians, journalists, social workers and rebels, inhabit a very complex, and ‘dark’, territorial reality.…”
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  17. 437

    The Vagina, the Ear, and the Eye: Bodily Orifices and Sight in Miguel de Cervantes’s “El Celoso Extremeño” by Silvia Arroyo

    Published 2023-10-01
    “…The complex mythological web of Miguel de Cervantes’s <i>novella</i> “El celoso extremeño” has been extensively explored by scholars. …”
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  18. 438

    Images of Time and Timelessness: A Musical Reading of Death in Venice by Marlies De Munck

    Published 2014-04-01
    “…A phenomenological reading of Luchino Visconti’s adaptation of the novella complicates this plainly dualistic opposition. …”
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  19. 439

    The interaction between ‘history’ and ‘story’ in Roman historiography: the rhetorical construction of the historical image of Nero by Christoph Kugelmeier

    Published 2019-09-01
    “…It can be shown that he in those of the books of his Annals which concern the reign of Nero makes use of rumours, insinuations and even fictional elements, especially of the ancient novel and novella (examples for this will be taken mostly from Ann. …”
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  20. 440

    The musical magic of ambiguity in Benjamin Britten’s <i>Death in Venice</i> by B.M. Spies

    Published 2001-06-01
    “…This essay investigates the blurred musical significations in Benjamin Britten’s Death in Venice, an opera based on Thomas Mann’s important novella Der Tod in Venedig. The discussion of multiple meanings links up with two categories of ambiguity as set out by William Empson in his Seven Types of Ambiguity, that is two or more meanings which do not agree among themselves, but combine to make clear a more complicated state of mind, and two opposite meanings that show a fundamental division in the mind of the protagonist. …”
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