Sense and intention: reading science fiction worlds and characters by Ismail @ Hamdan, Shahizah, Omar, Noritah

“…The texts included in the analysis are China Mieville’s novel Perdido Street Station, Ted Chiang’s novella “Liking What You See: A Documentary” as well as two short stories - Mike Resnick’s “The Elephants on Neptune” and Michael Swanwick’s “The Dead”.…”
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Measurements of neutrino oscillation parameters from the T2K experiment using $$3.6\times 10^{21}$$ 3.6 × 10 21 protons on target by K. Abe, N. Akhlaq, R. Akutsu, A. Ali, S. Alonso Monsalve, C. Alt, C. Andreopoulos, M. Antonova, S. Aoki, T. Arihara, Y. Asada, Y. Ashida, E. T. Atkin, M. Barbi, G. J. Barker, G. Barr, D. Barrow, M. Batkiewicz-Kwasniak, F. Bench, V. Berardi, L. Berns, S. Bhadra, A. Blanchet, A. Blondel, S. Bolognesi, T. Bonus, S. Bordoni, S. B. Boyd, A. Bravar, C. Bronner, S. Bron, A. Bubak, M. Buizza Avanzini, J. A. Caballero, N. F. Calabria, S. Cao, D. Carabadjac, A. J. Carter, S. L. Cartwright, M. G. Catanesi, A. Cervera, J. Chakrani, D. Cherdack, P. S. Chong, G. Christodoulou, A. Chvirova, M. Cicerchia, J. Coleman, G. Collazuol, L. Cook, A. Cudd, C. Dalmazzone, T. Daret, Yu. I. Davydov, A. De Roeck, G. De Rosa, T. Dealtry, C. C. Delogu, C. Densham, A. Dergacheva, F. Di Lodovico, S. Dolan, D. Douqa, T. A. Doyle, O. Drapier, J. Dumarchez, P. Dunne, K. Dygnarowicz, A. Eguchi, S. Emery-Schrenk, G. Erofeev, A. Ershova, G. Eurin, D. Fedorova, S. Fedotov, M. Feltre, A. J. Finch, G. A. Fiorentini Aguirre, G. Fiorillo, M. D. Fitton, J. M. Franco Patiño, M. Friend, Y. Fujii, Y. Fukuda, K. Fusshoeller, L. Giannessi, C. Giganti, V. Glagolev, M. Gonin, J. González Rosa, E. A. G. Goodman, A. Gorin, M. Grassi, M. Guigue, D. R. Hadley, J. T. Haigh, P. Hamacher-Baumann, D. A. Harris, M. Hartz, T. Hasegawa, S. Hassani, N. C. Hastings, Y. Hayato, D. Henaff, A. Hiramoto, M. Hogan, J. Holeczek, A. Holin, T. Holvey, N. T. Hong Van, T. Honjo, F. Iacob, A. K. Ichikawa, M. Ikeda, T. Ishida, M. Ishitsuka, H. T. Israel, K. Iwamoto, A. Izmaylov, N. Izumi, M. Jakkapu, B. Jamieson, S. J. Jenkins, C. Jesús-Valls, J. J. Jiang, P. Jonsson, S. Joshi, C. K. Jung, P. B. Jurj, M. Kabirnezhad, A. C. Kaboth, T. Kajita, H. Kakuno, J. Kameda, S. P. Kasetti, Y. Kataoka, Y. Katayama, T. Katori, M. Kawaue, E. Kearns, M. Khabibullin, A. Khotjantsev, T. Kikawa, H. Kikutani, S. King, V. Kiseeva, J. Kisiel, T. Kobata, H. Kobayashi, T. Kobayashi, L. Koch, S. Kodama, A. Konaka, L. L. Kormos, Y. Koshio, A. Kostin, T. Koto, K. Kowalik, Y. Kudenko, Y. Kudo, S. Kuribayashi, R. Kurjata, T. Kutter, M. Kuze, M. La Commara, L. Labarga, K. Lachner, J. Lagoda, S. M. Lakshmi, M. Lamers James, M. Lamoureux, A. Langella, J.-F. Laporte, D. Last, N. Latham, M. Laveder, L. Lavitola, M. Lawe, Y. Lee, C. Lin, S.-K. Lin, R. P. Litchfield, S. L. Liu, W. Li, A. Longhin, K. R. Long, A. Lopez Moreno, L. Ludovici, X. Lu, T. Lux, L. N. Machado, L. Magaletti, K. Mahn, M. Malek, M. Mandal, S. Manly, A. D. Marino, L. Marti-Magro, D. G. R. Martin, M. Martini, J. F. Martin, T. Maruyama, T. Matsubara, V. Matveev, C. Mauger, K. Mavrokoridis, E. Mazzucato, N. McCauley, J. McElwee, K. S. McFarland, C. McGrew, J. McKean, A. Mefodiev, G. D. Megias, P. Mehta, L. Mellet, C. Metelko, M. Mezzetto, E. Miller, A. Minamino, O. Mineev, S. Mine, M. Miura, L. Molina Bueno, S. Moriyama, S. Moriyama, P. Morrison, Th. A. Mueller, D. Munford, L. Munteanu, K. Nagai, Y. Nagai, T. Nakadaira, K. Nakagiri, M. Nakahata, Y. Nakajima, A. Nakamura, H. Nakamura, K. Nakamura, K. D. Nakamura, Y. Nakano, S. Nakayama, T. Nakaya, K. Nakayoshi, C. E. R. Naseby, T. V. Ngoc, V. Q. Nguyen, K. Niewczas, S. Nishimori, Y. Nishimura, K. Nishizaki, T. Nosek, F. Nova, P. Novella, J. C. Nugent, H. M. O’Keeffe, L. O’Sullivan, T. Odagawa, T. Ogawa, R. Okada, W. Okinaga, K. Okumura, T. Okusawa, N. Ospina, R. A. Owen, Y. Oyama, V. Palladino, V. Paolone, M. Pari, J. Parlone, S. Parsa, J. Pasternak, M. Pavin, D. Payne, G. C. Penn, D. Pershey, L. Pickering, C. Pidcott, G. Pintaudi, C. Pistillo, B. Popov, K. Porwit, M. Posiadala-Zezula, Y. S. Prabhu, F. Pupilli, B. Quilain, T. Radermacher, E. Radicioni, B. Radics, M. A. Ramírez, P. N. Ratoff, M. Reh, C. Riccio, E. Rondio, S. Roth, N. Roy, A. Rubbia, A. C. Ruggeri, C. A. Ruggles, A. Rychter, K. Sakashita, F. Sánchez, G. Santucci, C. M. Schloesser, K. Scholberg, M. Scott, Y. Seiya, T. Sekiguchi, H. Sekiya, D. Sgalaberna, A. Shaikhiev, F. Shaker, A. Shaykina, M. Shiozawa, W. Shorrock, A. Shvartsman, N. Skrobova, K. Skwarczynski, D. Smyczek, M. Smy, J. T. Sobczyk, H. Sobel, F. J. P. Soler, Y. Sonoda, A. J. Speers, R. Spina, I. A. Suslov, S. Suvorov, A. Suzuki, S. Y. Suzuki, Y. Suzuki, A. A. Sztuc, M. Tada, S. Tairafune, S. Takayasu, A. Takeda, Y. Takeuchi, K. Takifuji, H. K. Tanaka, Y. Tanihara, M. Tani, A. Teklu, V. V. Tereshchenko, N. Teshima, N. Thamm, L. F. Thompson, W. Toki, C. Touramanis, T. Towstego, K. M. Tsui, T. Tsukamoto, M. Tzanov, Y. Uchida, M. Vagins, D. Vargas, M. Varghese, G. Vasseur, C. Vilela, E. Villa, W. G. S. Vinning, U. Virginet, T. Vladisavljevic, T. Wachala, J. G. Walsh, Y. Wang, L. Wan, D. Wark, M. O. Wascko, A. Weber, R. Wendell, M. J. Wilking, C. Wilkinson, J. R. Wilson, K. Wood, C. Wret, J. Xia, Y.-H. Xu, K. Yamamoto, T. Yamamoto, C. Yanagisawa, G. Yang, T. Yano, K. Yasutome, N. Yershov, U. Yevarouskaya, M. Yokoyama, Y. Yoshimoto, N. Yoshimura, M. Yu, R. Zaki, A. Zalewska, J. Zalipska, K. Zaremba, G. Zarnecki, X. Zhao, T. Zhu, M. Ziembicki, E. D. Zimmerman, M. Zito, S. Zsoldos, T2K Collaboration

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Capitalism, Ecosocialism and Reparative Readers in Ursula Le Guin’s <i>The Word for World Is Forest</i> by Sneharika Roy

“…In its sensitivity to the spectrum of negative affect covering anticipatory anxiety about forestalling pain, symmetrical suspicion, and fear of humiliation, the novella offers an uncanny prefiguration of paranoid practices. …”
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INTERVIEW: MOHAMMED SENOUSSI by Mohammed SENOUSSI

“…For instance, shall we simply define Joseph Conrad’s Heart of Darkness as the first modernist work, i.e., defining the novella and explaining its form and techniques? Or shall we discuss its functionalities? …”
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Investigating the readability of literary texts translations: A step towards formulating the ‘Nativity Hypothesis’ by Mahmoud Afrouz

“…The corpus selected for analysis was the Persian Modern novella The Blind Owl. The original work was written by the most widely-known Persian short-story writer Sadeq Hedayat (1903-1951) and it was translated by Bashiri (the SL native translator) in 2016 and Costello (the TL native translator) in 1957. …”
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La visione della basileia nel pensiero storico di Pietro Patrizio by Laura Mecella

“…Questa posizione collima con le direttive espresse nella Novella 62 de senatoribus; contrariamente a molti intellettuali coevi, Pietro sembra così pienamente condividere l’impronta autoritaria del regime giustinianeo.…”
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«El castigo sin venganza» frente a la tradición literaria by Juan Ramón Muñoz Sánchez

“…Así, se repasa la deuda que el texto contrae con sus intertextos principales, la novella I 44 de Matteo Bandello y su traducción indirecta al castellano, así como con el mito de Fedra, el de la madrastra enamorada del alnado. …”
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An “Entirely Personal” Success: Intertextuality and Self-Reflexive Ironies in Henry James’s “Pandora” by Sabrina Vellucci

“…Yet the ironies in “Pandora” are multi-layered, often self-reflexive, and can be further interpreted in the light of James’s controversial adaptation of his famous novella for the stage. In this framework, well-known Jamesian <i>topoi</i> appear both as a (self-)parody and a metaliterary dialogue James engages with his readers and critics. …”
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Tejiendo espacios queer en Latinoamérica: el travestismo en Herrera Velado y Donoso by Jonathan Eli Melgar

“…En esta investigación comparada, me propongo explorar los personajes travestis en “La corrección de menores (Manuscrito de un escolar)”, un poema que pertenece a Mentiras y verdades (1923) por el salvadoreño Francisco Herrera Velado (1876–1966), y El lugar sin límites (1966), una novella del chileno José Donoso (1924–1996). Al comparar ambos textos, mi intención no es de contrastar los niveles de sofisticación o estética, sino identificar una línea de textos queer en Centroamérica que podrían abrir un nuevo espacio dentro de los estudios queer en Latinoamérica. …”
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The Otherworlds of the Mind: Loci of Resistance in Ursula K. Le Guin’s The Word for World Is Forest and Voices (Book II of the Annals of the Western Shore) by Gabriela DEBITA

“…The heterotopic spaces in the novella The Word for World Is Forest (one of the works in her Hainish cycle) and in the novel Voices (book II of the Annals of the Western Shore series) serve as loci of resistance: otherworlds mirroring the consciousness of entire cultures fighting for survival. …”
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« KOMM, KÜSS MICH COMPUTER / KOMM, PROGRAMMIERE MICH » by Bruno Dupont

“…The literary depiction of a desirable computer has indeed become very frequent in the second half of the 20th century, and can be found in Gert Loschütz’ novella Eine wahnsinnige Liebe (1984). Its protagonist dresses his computer up as a woman in order to experience a love story with it. …”
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“Readers” and “Writers” in Japanese Detective Fiction, 1920s–30s: Tracing Shifts from Edogawa Rampo’s “Beast in the Shadows” to <i>The Demon of the Lonely Isle</i> by Shoko Komatsu, Eric Siercks

“…The essay focuses on two works published at the end of the 1920s and early 1930s: the novella “Beast in the Shadows” and Edogawa’s first long-form serialized novel, <i>The Demon of the Lonely Isle</i>. …”
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Wege zu einer genetischen Narratologie oder. Von der Geburt und dem Abenteuer der Geschichten am Beispiel von Werkgenesen des Autors Arthur Schnitzler by Michael Scheffel

“…In this context the article particularly focuses on the ‘monologue novella’ Fräulein Else, which – albeit completed in the 1920’s and published in 1924 – probably traces back to a note from the 1890’s.…”
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Imagološki pristup u nastavi književnosti: predodžba Roma u noveli Tena J. Kozarca usporedno s trima tekstovima suvremenih hrvatskih autora by Korana Serdarević

“…The teaching method will be demonstrated via close reading of the image of Roma people in the novella Tena by Josip Kozarac, where minority stereotyping takes on the form of discriminatory discourse in narration. …”
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Un tema y tres variaciones: el caso Albert Nobbs by Aurora Piñeiro Carballeda

“…A partir de la teoría de Linda Hutcheon sobre la adaptación, me propongo llevar a cabo una revisión de la novella “Albert Nobbs” (1918 y 1927), del escritor irlandés George Moore, como una fuente que fue adaptada para el ámbito teatral por Simone Benmussa (en 1977), y para el arte cinematográfico por Rodrigo García (en 2011). …”
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Antropologia i literatura: l’ús de Pedra de tartera com a material etnogràfic by Clua i Fainé , Montserrat

“…Primer, es fa una breu aproximació a la relació entre Antropologia i Literatura, per posteriorment explicar la utilitat dels textos literaris com a materials etnogràfics complementaris, centrant-me en el cas de l’ús de la novel·la Pedra de tartera per a les classes que faig d’Antropologia dels Pobles d’Espanya. …”
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BEBERAPA PERISTIWA PENTING DAN TOKOH BERPENGARUH DI NEGARA ARAB DALAM NOVELET SALM� KARYA G�ZĪ �ABDURRAḤM�N AL-QUṢAIBĪ: ANALISIS SEMIOTIK RIFFATERRE... by , HENNY NUR ALIFAH, , Dra. Uswatun Hasanah, M.A.

“…This paper aims to explain the important incidents and influential people in Arabs in the novella Salma> written by GÄ�zÄ« â��AbdurraḥmÄ�n al-Quá¹£aibÄ«. …”

Highly sensitive and stable electrochemical sulfite biosensor incorporating a bacterial sulfite dehydrogenase. by Kalimuthu, P, Tkac, J, Kappler, U, Davis, J, Bernhardt, P

“…This paper describes a highly sensitive electrochemical (voltammetric) determination of sulfite using a combination of Starkeya novella sulfite dehydrogenase (SDH), horse heart cytochrome c (cyt c), and a self-assembled monolayer of 11-mercaptoundecanol (MU) cast on a gold electrode. …”

The city in man: foregrounding psychogeography in The Blind Owl and City of Glass by Lalbakhsh, Pedram, Torkamaneh, Pouria

“…Further, the article illustrates how in Hedayat and Auster’s pieces the city reigns triumphant as the main characters fall victim to hallucination and isolation, or are left with desperate choices: in Hedayat’s novella murder or acceptance of misery and in Auster’s the sudden disappearance from the city and the plot horizons. …”
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Nostalgia and degeneration of splendour in Hedayat’s The Blind Owl by Pedram Lalbakhsh, Pouria Torkamaneh

“…Accordingly, building upon Dennis Walder’s theory of Postcolonial Nostalgias, the authors argue that Hedayat’s novella offers a couple of tales as platforms to nostalgically lament the aforementioned undesirable changes that these individuals had to encounter and endure. …”
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