Insecure Bratislava: Between Initiation and Imitation (Ivan Horváth: Laco a Bratislava [Laco and Bratislava]) by Vladimíra Mravcová

“…The article focuses on the image of Bratislava during the first Czechoslovak Republic as presented in Ivan Horváth’s novella Laco a Bratislava. The city is viewed through the prism of the protagonist’s revaluation of his ideals and as a site of the possibilities it provides on the personal and social level. …”
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La problemàtica de “les relacions vida-imatge, cinema-cultura i escriptura literària-escriptura cinematogràfica” en l’obra de Jaume Fuster by Magdalena Wegner

“…En conseqüència, resulta que l’aspecte intertextual de la novel·la va facilitar el procés de la consolidació del gènere negre i policíac als Països Catalans. …”
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Beastly Modernisms: The Question of Animal Speech and Psychology in James Joyce and Virginia Woolf by Annalisa Federici

“…While the question of a sharp divide between human and nonhuman animals along the axis of speech can be traceable to the anthropocentric tradition of western humanism and not least to such a possible source as Cervantes (whose novella “The Dialogue of the Dogs” is listed as part of both Joyce’s Trieste library and the library of Leonard and Virginia Woolf), the idea of expanding the typically modernist focus on inner life by also including other forms of subjectivity may have derived from the coeval, burgeoning fields of zoology, ethology and comparative psychology. …”
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Reproduction Beyond Hu/Man Extinction: Detoxifying Care in Latin American Anthropocene Fictions by Allison Eleanor Mackey

“…In order to recuperate an alternative model of care from its anthropocentric lineage, I examine how Anacristina Rossi’s feminist sci-fi story ‘Abel’ and Samantha Schweblin’s gothic horror novella <i>Distancia de Rescate</i> (2014) perform radical critiques of the idea of reproductive bodies, while at the same time opening out to signal non-binary possibilities of life, offering species-level critique while at the same time remaining rooted in local geographies. …”
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Shadow Lives: Disrupting Gender Patterns in Kate O’Brien’s Mary Lavelle and Maeve Brennan’s The Visitor by Edward O’Rourke

“…In this essay, I consider Kate O’Brien’s novel Mary Lavelle (1936), alongside recently uncovered drafts of Brennan’s roughly contemporaneous novella, as a challenge to the patriarchal hegemony that emerged in the newly conceived Free State.  …”
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“Devil in Love” by J. Cazotte and “The Elemental Spirit” by E.T.A. Hoffmann: Symbolic and Psychological Interpretation of Motive of Temptation by N. M. Ilchenko, Yu. A. Marinina

“…Cazotte “The Devil in Love” and the late novella of the German romanticist E.T.A. Hoffmann’s “Elemental Spirit”, in which, as in a “magic mirror”, recurring fantastic events of the temptation of heroes by evil spirits are presented. …”
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Multi-Genre Strategies of “Walking with Pushkin” by A. Terts (A. Sinyavsky) by O. V. Bogdanova, E. A. Vlasova

“…The authors demonstrate that along with the genre definitions of “novel”, “novella”, “essay”, the narrative is mediated by the techniques of “philological prose” and scientific discourse. …”
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Semiotics of guilt in two Lithuanian literary texts by Loreta Mačianskaitė

“…The presented paper aims at highlighting two other mechanisms of such kind — guilt and repentance. The novella Isaac (1960–61) by Antanas Škėma, the Lithuanian writer in exile, is about a Lithuanian patriot who kills a Jew called Isaac during the years of German occupation. …”
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HERMAN MELVILLE’S “BENITO CERENO” AND THE SUBVERSION OF THE SLAVERY IDEOLOGY by Roxana MIHELE

“…The current paper aims to analyse in Herman Melville’s novella the interplay between the ambiguous narrative voice limited by Amasa Delano’s racially charged perception of events and the auctorial presence in the text. …”
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The motif of Palánk in the poetics of Ballek´s Agáty /Black Locusts/ by Kristína Krnová

“…The function change of the mentioned elements of Agáty´s motif structure is regarded as a result of a long-term process, which is obvious from the analysis of the poetics typical of the novella collection Južná pošta (1974, Southern post) and the novel Pomocník (1977, Assistant), which are both related to Agáty through their spacetime settings and migration of the characters. …”
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The Heterotopic Ranch: A Foucauldian Reading of John Steinbeck’s Of Mice and Men by Soumaya BOUACIDA, Mohamed BOUSSEKAA & Bochra BOUTERAA

“…Foucault defined a heterotopia as a space which is separated from ordinary places, yet it reflects the realities these places belong to.Therefore, this study illustrates how the ranch in Steinbeck’s novella constitutes a heterotopic space to mirror the American society. …”
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Μία χελιδὼν ἔαρ οὐ ποιεἶ?* (a proposito della prima applicazione <br>dell'art. 18 st. lav. modificato dalla l.92/12 al licenziamento disciplina­re illegittimo)<br> *Una rondine non... by Calogero Massimo Cammalleri

“…<p class="western"><span style="font-family: 'Nimbus Roman No9 L', 'Times New Roman', serif;"><span style="font-size: x-small;"><em>L'articolo, prendendo spunto dall'ordinanza del Tribunale di Bologna, analizza criticamente il tema, introdotto dalla novella all'art. 18 st. lav., della differenziazione delle sanzioni contro il licenziamento illegittimo in finzione della ti­pologia di illegittimità. …”
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Paris as Real and Fantastic Space in Depiction of E. T. A. Hoffmann and Ch. Baudelaire by N. M. Ilchenko, J. A. Marinina

“…The article discusses the depiction of Paris in E. T. A. Hoffmann’s novella “Das Frӓulein von Scuderi,” 1818 and in Ch. …”
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Do you read what I read? A message-oriented approach to translating science fiction : a case study of Terminus by Wang, Zhaoyu

“…Set out from an empirical study that examines the complete translation process of the sci-fi novella “Terminus”, this dissertation seeks to identify an effective approach that incorporates the essential components for consideration, both intra-textual and extra-textual, in the translation of literary genres. …”
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The All-Knowing Narrator's Mental Sanctuary by Yeo, Nicole Yew Min

“…In the year 1946, German author Anna Seghers wrote her semi-autobiographical novella The Outing of the Dead Schoolgirls during her exile in Mexico (during 1941 to 1947). …”
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The paradox of the narrative event in John Barth's "Lost in the Funhouse" by Abu Jweid, Abdalhadi Nimer Abdalqader, Ali Termizi, Arbaayah

“…This article explores, via a postmodern approach, how Barth dealt with the intricate relationship between postmodern fiction and its modern counterpart by constructing a subjective narrative event in his novella, "Lost in the Funhouse". It examines the transparent and correspondent representation of the narrative event as a category of Barthian critique of modern literary exhaustion, and how Barth appropriates remedial recycling for fictional conventions. …”
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Expanding HIV clinical monitoring: the role of CD4, CD8, and CD4/CD8 ratio in predicting non-AIDS eventsResearch in context by Javier Martínez-Sanz, Jorge Díaz-Álvarez, Marta Rosas, Raquel Ron, José Antonio Iribarren, Enrique Bernal, Félix Gutiérrez, Andrés Ruiz Sancho, Noemi Cabello, Julián Olalla, Santiago Moreno, Sergio Serrano-Villar, Inma Jarrín, David Dalmau, M. Luisa Navarro, M. Isabel González, Federico Garcia, Eva Poveda, Jose Antonio Iribarren, Félix Gutiérrez, Rafael Rubio, Francesc Vidal, Juan Berenguer, Juan González, M. Ángeles Muñoz-Fernández, Inmaculada Jarrín, Cristina Moreno, Marta Rava, Rebeca Izquierdo, M. Ángeles Muñoz-Fernández, Elba Mauleón, Joaquín Portilla, Irene Portilla, Esperanza Merino, Gema García, Iván Agea, José Sánchez-Payá, Juan Carlos Rodríguez, Livia Giner, Sergio Reus, Vicente Boix, Diego Torrus, Verónica Pérez, Julia Portilla, Juan Luís Gómez, Jehovana Hernández, Ana López Lirola, Dácil García, Felicitas Díaz-Flores, M. Mar Alonso, Ricardo Pelazas, M. Remedios Alemán, Víctor Asensi, María Eugenia Rivas Carmenado, Tomás Suarez-Zarracina, Federico Pulido, Rafael Rubio, Otilia Bisbal, M. Asunción Hernando, David Rial, María de Lagarde, Octavio Arce, Adriana Pinto, Laura Bermejo, Mireia Santacreu, Roser Navarro, Candela Gonzalez, Jose Antonio Iribarren, M. José Aramburu, Xabier Camino, Miguel Ángel von Wichmann, Miguel Ángel Goenaga, M. Jesús Bustinduy, Harkaitz Azkune, Maialen Ibarguren, Xabier Kortajarena, Ignacio Álvarez-Rodriguez, Leire Gil, Lourdes Martínez, Félix Gutiérrez, Catalina Robledano, Mar Masiá, Sergio Padilla, Araceli Adsuar, Rafael Pascual, Marta Fernández, Antonio Galiana, José Alberto García, Xavier Barber, Vanessa Agullo, Javier Garcia Abellán, Reyes Pascual, Guillermo Telenti, Lucia Guillén, Ángela Botella, Roberto Muga, Arantza Sanvisens, Daniel Fuster, Juan Berenguer, Isabel Gutierrez, Juan Carlos López, Margarita Ramírez, Belén Padilla, Paloma Gijón, Teresa Aldamiz-Echevarría, Francisco Tejerina, Cristina Diez, Leire Pérez, Chiara Fanciulli, Saray Corral, Francesc Vidal, Anna Martí, Joaquín Peraire, Consuelo Viladés, Montserrat Vargas, Montserrat Olona, Anna Rull, Verónica Alba, Elena Yeregui, Jenifer Masip, Graciano García-Pardo, Frederic Gómez Bertomeu, Sonia Espineira, Marta Montero, Sandra Cuéllar, Marino Blanes, María Tasias, Eva Calabuig, Miguel Salavert, Juan Fernández, Inmaculada Segarra, Juan González-García, Ana Delgado, Francisco Arnalich, José Ramón Arribas, Jose Ignacio Bernardino, Juan Miguel Castro, Luis Escosa, Pedro Herranz, Victor Hontañón, Silvia García-Bujalance, Milagros García, Alicia González-Baeza, M. Luz Martín-Carbonero, Mario Mayoral, M. Jose Mellado, Rafael Esteban, Rocío Montejano, M. Luisa Montes, Victoria Moreno, Ignacio Pérez-Valero, Berta Rodés, Guadalupe Rúa, Talía Sainz, Elena Sendagorta, Eulalia Valencia, Carmen Busca, Joanna Cano, Julen Cardiñanos, Rosa de Miguel, Jose Ramón Blanco, Laura Pérez-Martínez, José Antonio Oteo, Valvanera Ibarra, Luis Metola, Mercedes Sanz, Piedad Arazo, Gloria Sampériz, David Dalmau, Marina Martinez, Angels Jaén, Montse Sanmartí, Mireia Cairó, Javier Martinez-Lacasa, Pablo Velli, Roser Font, Mariona Xercavins, Noemí Alonso, Francesco Aiello, María Rivero, Beatriz Piérola, Maider Goikoetxea, María Gracia, Carlos Ibero, Estela Moreno, Jesús Repáraz, Gemma Navarro, Manel Cervantes Garcia, Sonia Calzado Isbert, Marta Navarro Vilasaro, Belen Lopez Garcia, Ignacio de los Santos, Alejandro de los Santos, Jesús Sanz, Lucio García-Fraile, Enrique Martín, Ildefonso Sánchez-Cerrillo, Marta Calvet, Ana Barrios, Azucena Bautista, Carmen Sáez, Marianela Ciudad, Ángela Gutiérrez, Santiago Moreno, Santos del Campo, José Luis Casado, Fernando Dronda, Ana Moreno, M. Jesús Pérez, Sergio Serrano, Ma Jesús Vivancos, Javier Martínez-Sanz, Alejandro Vallejo, Matilde Sanchez, Jose Antonio Pérez-Molina, José Manuel Hermida, Enrique Bernal, Antonia Alcaraz, Joaquín Bravo, Ángeles Muñoz, Cristina Tomás, Mónica Martínez, M. Carmen Villalba, Federico García, Clara Martínez, José Hernández, Leopoldo Muñoz Medina, Marta Álvarez, Natalia Chueca, David Vinuesa, Adolfo de Salazar, Ana Fuentes, Emilio Guirao, Laura Viñuela, Andrés Ruiz-Sancho, Francisco Anguita, Jorge Del Romero, Montserrat Raposo, Carmen Rodríguez, Teresa Puerta, Juan Carlos Carrió, Mar Vera, Juan Ballesteros, Oskar Ayerdi, Begoña Baza, Eva Orviz, Antonio Antela, Elena Losada, Melchor Riera, María Peñaranda, M. Angels Ribas, Antoni A. Campins, Mercedes Garcia-Gazalla, Francisco J. Fanjul, Javier Murillas, Francisco Homar, Helem H. Vilchez, Luisa Martin, Antoni Payeras, Jesús Santos, María López, Crisitina Gómez, Isabel Viciana, Rosario Palacios, Luis Fernando López-Cortés, Nuria Espinosa, Cristina Roca, Silvia Llaves, Juan Manuel Tiraboschi, Arkaitz Imaz, Ana Karina Silva, María Saumoy, Sofía Catalina Scévola, Adrián Curran, Vicenç Falcó, Jordi Navarro, Joaquin Burgos, Paula Suanzes, Jorge García, Vicente Descalzo, Patricia Álvarez, Bibiana Planas, Marta Sanchiz, Lucía Rodríguez, Julián Olalla, M José Sánchez, Javier Pérez, Alfonso del Arco, Javier de la Torre, José Luis Prada, Onofre Juan Martínez, Lorena Martinez, Francisco Jesús Vera, Josefina García, Begoña Alcaraz, Antonio Jesús Sánchez Guirao, Alvaro Mena, Angeles Castro, Berta Pernas, Pilar Vázquez, Soledad López, Sofía Ibarra, Guillermo García, Josu Mirena, Oscar Luis Ferrero, Josefina López, M. Mar Cámara, Mireia de la Peña, Miriam Lopez, Iñigo Lopez, Itxaso Lombide, Victor Polo, Joana de Miguel, Carlos Galera, Marian Fernández, Helena Albendin, Antonia Castillo, Asunción Iborra, Antonio Moreno, M. Angustias Merlos, Asunción Vidal, Concha Amador, Francisco Pasquau, Concepcion Gil, Jose Tomás Algado, Inés Suarez-García, Eduardo Malmierca, Patricia González-Ruano, M. Pilar Ruiz, José Francisco Pascual, Elena Sáez, Luz Balsalobre, M. Villa López, Mohamed Omar, Carmen Herrero, M. Amparo Gómez, Miguel Alberto de Zarraga, Desiré Pérez, Vicente Estrada, Nieves Sanz, Noemí Cabello, Jorge Vergas García, Maria Jose Núñez, Iñigo Sagastagoitia, Miguel Górgolas, Alfonso Cabello, Beatriz Álvarez, Laura Prieto, Irene Carrillo, José Sanz, Alberto Arranz, Cristina Hernández, María Novella, M. José Galindo, Ana Ferrer, Antonio Rivero Román, Inma Ruíz, Antonio Rivero Juárez, Pedro López, Isabel Machuca, Mario Frias, Ángela Camacho, Ignacio Pérez, Diana Corona, Ignacio Pérez, Diana Corona, Miguel Cervero, Rafael Torres, Juan Antonio Pineda, Pilar Rincón, Juan Macías, Luis Miguel Real, Anais Corma, Marta Fernández, Alejandro Gonzalez-Serna, Eva Poveda, Alexandre Pérez, Luis Morano, Celia Miralles, Antonio Ocampo, Guillermo Pousada, Lucía Patiño, Carlos Dueñas, Sara Gutiérrez, Elena Tapia, Cristina Novoa, Xjoylin Egües, Pablo Telleria

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Arguments densos by Mª Teresa López de la Vieja

“…Seguint els suggeriments d'una Novel·la, Der Vater eines Mörders, d'A Andersch, tractem d'elucidar la funció cognitiva, fins i tot argumentativa, de la literatura. …”
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A proof of concept for the electro-refinery: Selective electroproduction of acetic acid from t-CNSL waste by using DSA electrode by Mateus C. Medeiros, Suely S.L. Castro, Elisama V. dos Santos, Manuel A. Rodrigo, Carlos A. Martínez-Huitle

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Performance as Transformation: The Laughing Songs of “Death in Venice” in Literature, Film, and Opera by Janina Müller

“…This paper takes as its starting point a scene from the fifth chapter of Thomas Mann’s novella Death in Venice (1912). While Venice is threatened by an outbreak of cholera, a group of Neapolitan street musicians plays in front of Aschenbach, Tadzio, and the other hotel guests. …”
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