Showing 1 - 20 results of 45 for search '"Odeón"', query time: 0.08s Refine Results
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    Le retour des odéons ou la lecture théâtralisée comme performance by Françoise Gomez

    Published 2021-12-01
    “…The Return of Odeons or Dramatised Reading as Performance The actor is by tradition a transmitter of texts: this role is not new. …”
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    Cinema memories in 3D modelling and virtual reality storytelling: The Odeon cinema in Udine by Eleonora Roaro

    Published 2021-08-01
    “…The final output of the project is the Virtual Reality reconstruction of the Odeon cinema’s architecture and habits of cinemagoing that, thanks to an immersive experience via the Oculus Rift headset, could evoke and simulate historical spectatorship that dealt both with the moment of watching a movie and its peripheral practice. the development of the project, at least four different perspectives on the Odeon cinema converged to form the basis of the VR reconstruction: the literature on the topic, the consultation of public and private archives, the oral sources, and photographs taken on site. …”
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    Improved Room Acoustics Quality in Meeting Rooms: Investigation on the Optimal Configurations of Sound-Absorptive and Sound-Diffusive Panels by Laura Labia, Louena Shtrepi, Arianna Astolfi

    Published 2020-06-01
    “…Acoustic measurements have been carried out in the existing untreated rooms with ODEON 13 room acoustics measurement and prediction software, and the Adobe Audition plugins Aurora. …”
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    An Evaluation of the Effect of the Architectural Design of Concert Halls On Holistic Acoustic Quality by Burak Uzun, Fatma Zerhan Yüksel Can

    Published 2020-12-01
    “…The 3 most frequently used hall types, the traditional shoebox, the revised shoebox, and the vineyard style plan, were modeled with provisions for similar volume, audience capacity, volume per listener using Odeon software, version 15 (Odeon AS, Kongens Lyngby, Denmark). …”
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    Les tours de la machine et les détours du langage : Le Marchand de Venise mis en scène par Luca Ronconi by Carole Guidicelli

    Published 2008-03-01
    “…In his 1987 staging of Shakespeare’s Merchant of Venice at the Théâtre National de l’Odéon in Paris, Luca Ronconi adopted structuralist principles and thus highlighted the shifts of meaning between love and money, thanks to an original choice and direction of the actors on the one hand, and to the use of implements and machines (winch, hoist, counterweight, scales, glass kiln, weaving loom) linked to the trade and industry of Venice, on the other. …”
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