Collaborative onscreen and offscreen play: examining meaning-making complexities by Lisa Kervin, Irina Verenikina, Maria Clara Rivera

“…An instance of onscreen and offscreen play is deconstructed to show the meaning-making complexities for child participants. …”
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Bande dessinée, formats, hors-champ : l’enseignement des blow books by Jan Baetens

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Traumatic Horror Beyond the Edge: It Follows and Get Out by Tarja Laine

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Imagining the Past: Ken Russell, Biography and the Art of Making History [Conference] (2014) by Kevin M. Flanagan

Subjects: “…offscreen film festival…”
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Macro-engagement in mHealth: Exploring user engagement beyond the screen by Camila Villegas Mejía, Danielle Remmerswaal, Rutger C.M.E. Engels, Geke D.S. Ludden, Marilisa Boffo

“…A qualitative analysis of their data through a grounded theory approach highlighted a wide array of offscreen behaviors and strategies that complement a behavior change process offscreen. …”
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Ambienti non difendibili. "Parasite" di Bong Joon-Ho by Giuseppe Russo

“…The frame composition and the camera movements look always appropriate to show the conquer of the inner spaces in the big and luxurious house of Park family, though there has been a carelessness of the offscreen, which could perform a major function in a movie of this genre.…”
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MUSIC RADIO-JOURNALISM by Dubovtceva Ludmila I.

“…In addition, important links in music journalism are defined the auxiliary "offscreen" editor's job and keeping the original sound archive. …”
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“Iconic and Beyond Reproach”: The Socio-Aesthetic Relevance of Riverdale by Paola Brembilla, Chiara Checcaglini

“…Fourth, we explore the interplay between onscreen representation and offscreen self-representation of the actresses. Finally, we argue that the visual surface of the show becomes a tool to express commercial appeal and empowering values, which are not mutually exclusive.…”
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MEDIAMUSIC ORIGINS by Chernyshov Alexander V.

“…In the early twentieth century, a clear prototype of mediamusic playing by the music of "silent" films, which has been divided on the on-screen and offscreen sound layers, the method of compilation, the basics of synchronization between musical sound and off-music montage-structures. …”
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Regional Filmmaking After Jia Zhangke by Mei Yang

“…In line with Doreen Massey’s proposition for a spatial turn in theoretical conceptions, I argue that Ying Liang’s exploration of relational cinematic space, between on-screen and offscreen, from selfhood to nation, continues to challenge the legitimacy of the foretold metanarrative of national progression in which the countryside and inland cities belong to a bygone time that ought to be replaced in a forward-looking timeline. …”
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Queering the Gaze: Visualizing Desire in Lacanian Film Theory by Grace McNealy

“…These tools more successfully capture the mechanisms of queer gazing both on and offscreen, allowing us to better view queer cinema and spectatorship and disrupting the privileging of “representation” in contemporary LGBT discourse.…”
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Les jeux de la spectature : paratextes cinématographiques des années vingt et archéologie du virtuel by Fabrice Lyczba

“…Drawing both from a semio-pragmatic analysis of modes of film reception and a narratological approach to the transactional value of paratexts, this article aims at describing the offscreen expansion of Hollywood fiction through this paratextual discursive formation of realism and to analyze it as an effort to virtualize reality and transform the space of film reception into a game interface.…”
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Hands in the machine by Saige Walton

“…Through their foregrounding of the hands (onscreen and offscreen), Deren and Menken enact a desubjectified, gestural cinema.…”
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La démultiplication des points de vue ou le récit audiovisuel diffracté. Pour une théorie de la répétition narrative, entre POV-Sequel et effet Rashomon by Valentine Robert

“…Using dozens of examples, the author identifies three different kinds of application of these narrative repetitions and variations:- The "perceptive complement" aims at revealing the offscreen and hidden sides of the story, which has to be re-examined in order to be better understood. …”
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Hap-Tech Narration and the Postphenomenological Film by Daniel Paul O’Brien

“…It considers what David Bordwell has called the surrogate body: the concept in which viewers step into the role of an offscreen protagonist. In numerous films, this style invites the spectator to see and feel through the eyes and movement of a particular type of surrogate character, which as I argue, predominantly consists of killers, victims or socially inept characters. …”
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重绘马共影像的人民记忆， 以廖克发导演的《不即不离》和《菠萝蜜》为例 = Remapping the popular memory of the Malayan Communist Party : a case study of absent without leave and Boluomi by Lau Kek Huat... by 刘颖慧 Law, Ying Hui

“…As the films portray the emotional aspects subjectively and use the language of the film lens such as the masks and offscreen, the director remapped the popular memory during the anti-colonial period of the MCP and transformed the demonized narrative of the MCP into a human nature way.…”
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