Sound Exposure of Choristers by Stephen M Dance, Georgia Zepidou

“…Rehearsals and performances were identified and measured using acoustic instrumentation to determine if the choristers, adult choir, choir master or organist were compliant with the Control of Noise at Work Regulations 2005. …”
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“Deutero-Gogol’s”: N.V. Gogol, O.M. Somov and the History of Two Articles in “Northern Bee” by Igor A. Vinogradov

“…The possible influence of “Organist Tomash” on the creation of Gogol's story “Taras Bulba” is noted. …”
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Editorial by Gabriel Jacobs

“…This is partly because the sound quality of the organ is not dependent on the organist: a two-year-old child who presses an organ key achieves no better or worse sound quality with that key than the most gifted organist. …”
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Precious Offerings from Pomerania: Three Concertos and a Sinfonia by Christian Michael Wolff (1707–1789) by Michael Talbot

“…Christian Michael Wolff, an organist from Szczecin, is a composer already known for his songs, accompanied sonatas, chorale preludes for organ and a motet, but his orchestral music, comprising three concertos and a sinfonia preserved in manuscripts in Stockholm, have hitherto been overlooked. …”
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The integration of Spanish and Portuguese organ music within the liturgy from the latter half of the sixteenth to the eighteenth century by Nelson, B

“…Indeed, there is no monograph about organists and organ music in the Iberian peninsula as a whole.…”

Alfred Khom in njegovo delovanje v Ljubljani by Matjaž Barbo

“…V obdobju 1849–1861 se je uveljavil v Ljubljani kot dirigent, skladatelj, organist, zborovodja in glasbeni učitelj. Sodobne kritike poudarjajo njegovo umetniško občutljivost, idejno ga zaznamuje uveljavitev nadnacionalne biti avstrijske kulturne enovitosti, ki presega jezikovne meje.…”
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The Organ Compositions of Bedřich Antonín Wiedermann by Jana Michálková Slimáčková

“…This article deals with the compositions of the Czech organist Bedřich Antonín Wiedermann (1883–1951), who, unlike his contemporaries, was also a composer. …”
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Foreign Musicians at the Transylvanian Court of Sigismund Báthory by Peter Király

“…The names of more than a dozen Italians are currently known, among them those of the composer and publisher Giovanni Battista Mosto of Udine, and the Venetian organist and composer Antonio Romanini. The employment of foreign musicians shares several features of the musical life of seventeenth-century Transylvanian courts, and that of Hungarian aristocratic families.…”
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On Hearing an Organ in a Weird Place by Nikita A. Kharlamov

“…I had a feeling that the organist was in a foul mood or perhaps not feeling too well. …”
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ANNA STREZEVA: BIOGRAPHICAL SKETCH by MUZÎCA TATIANA

“…The article is based on an interview with Anna Strezeva, a prominent organist, Honored Artist from the Republic of Moldova and head of the Musicology Department at the Serghei Rachmaninov Lyceum in Chisinau. …”
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Characteristics of an Outstanding Musical Talent - a Case Study by Tjaša Drovenik Adamec, Bojan Kovačič

“…The purpose of this study is to investigate the expression of thirty-two characteristics of a musically talented person in various life periods (from three to thirty-five years of age), in a case study of an internationally renowned musician and organist, Aleksey Vylegzhanin. The results show that the expression of the characteristics of his musical talent increased with age. …”
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Religion in the Home—The Sacred Songs of the Drawing Room by June Boyce-Tillman

“…This paper will examine in detail four examples of the genre—<i>The Lost Chord, The Holy City, Arise O Sun</i> and <i>The Volunteer Organist</i> to examine the spirituality of the genre in terms of the materials used, the musical construction, the value system underpinning it and the expressive character. …”
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CAMILLE SAINT-SAËNS’S CONCEPT OF “VIOLIN CONCERTO” by Cătălina GUŢANU

“…Charles Camille Saint–Saëns is a remarkable French composer, pianist, organist, conductor and musical critic from the second half of the 19th century. …”
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CREATION OF PRECONDITIONS FOR THE DEVELOPMENT OF INNOVATIVE ACTIVITY BASED ON THE FORMING OF ORGANIZATION MANAGEMENT STRUCTURE by N. Maslennikova

“…The conclusions are made about the necessity of the new organizational characteristics: organist type of the interaction with the external environment, individual type of relationship to person, resource-result criteria of department division, implementing of the elements of the matrix structure, competence and universalization of the specialists that works in project cross-functional teams, decreasing hierarchy levels, enhance the flatness of the structure as a result of greater openness and awareness, decentralization of the main management functions, centralization of the functions of the general management, creation of the management functions aimed to the correlation with the external environment…”
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CREATION OF PRECONDITIONS FOR THE DEVELOPMENT OF INNOVATIVE ACTIVITY BASED ON THE FORMING OF ORGANIZATION MANAGEMENT STRUCTURE by N. Maslennikova

“…The conclusions are made about the necessity of the new organizational characteristics: organist type of the interaction with the external environment, individual type of relationship to person, resource-result criteria of department division, implementing of the elements of the matrix structure, competence and universalization of the specialists that works in project cross-functional teams, decreasing hierarchy levels, enhance the flatness of the structure as a result of greater openness and awareness, decentralization of the main management functions, centralization of the functions of the general management, creation of the management functions aimed to the correlation with the external environment…”
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MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW by Noémi MIKLÓS

“…In the beginning of the essay one can find information regarding Dupré’s organist and teaching career, his organ works and organ methods. …”
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Duchovní hudba a česká hudební kultura v devadesátých letech minulého století by Eva Vičarová, Kateřina Janíčková

“…Since 1999, Varhaník (Organist) has been published. Recordings of sacred music and several monographs were published.…”
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Pogled na romana Volčje oči (1996) Vlada Žabota in Prikrita harmonija (2001) Katarine Marinčič by Franc ZADRAVEC

“…Epski subjekt romana Volčje noči (1996) je cerkovnik in organist Rafael Meden, zgodba se z njim začne in konča. …”
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CAMILLE SAINT-SAËNS’S CONCEPT OF “VIOLIN CONCERTO” by Cătălina GUŢANU

“…Charles Camille Saint–Saëns is a remarkable French composer, pianist, organist, conductor and musical critic from the second half of the 19th century. …”
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DER ERSTE SCHWELLKASTEN, DER NICHT DER ERSTE WAR by Balázs MÉHES

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