At the Crossroads between Paris, Texas and the Buena Vista Social Club, Havana: Wim Wenders and Ry Cooder as Collaborators by Stephen Gregory

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Tanypus Dyari Coquillet: Pupa and Adult Exclusion by A. Arsène Girault

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A Supposed Cynipid Gall From the Roots of Goldenrod (Solidago) by A. Arsène Girault

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The Ambivalent Object(s) of America in Wim Wenders by Laurent Shervington

“…Such a position takes on a refined inflection in Paris, Texas (1982), in which the subject implicates themselves in their own fantasy, repeating the radical gesture from Hammett (1982) and forging a new relationship between subject and object.…”
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Nabokov and Wenders: Lost Landscapes and Found Meaning in the Age of the Sign Economy by Rhys Griffiths

“…The aim of this essay is a study of these postmodern realities as a product of the consumer society and the emergence and maturation of what Pamela Odih calls the 'sign economy' (126) in two texts from 'high epochs' of late capitalism, Nabokov's Lolita (1955) and Wim Wenders' Paris, Texas (1984). Paramount to the argument herein is Jameson's assertion that the 'formal features' of postmodernism (defined by the era of late capitalism) will 'express the deeper logic of that particular system' (1974). …”
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Cinema e arquitetura: variações do olhar, variedades de lugar by Leandro Forgiarini

“…A partir de exemplos de filmes em que os lugares expressam mais do que concepções cenográficas, como "L’heure d’été" (2008), "Visita ou Memórias e Confissões" (1982) e "Paris-Texas" (1984), o trabalho apresenta uma análise sobre a maneira como a arquitetura age na transformação do olhar do espectador indicando relações menos óbvia de espaço e propiciando uma experiência estética permeada pela fruição das várias possibilidades de composição do lugar.…”
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Reflecting the Hero's Confusion in Sartre's Existentialist Attitude: conditions of appearance and characteristics by Esmaeil Baniardalan, Ataollah Koopal, Saeideh Ajorbandian

“…The research method is qualitative and in order to reveal the research problem, the Paris-Texas film has been selected and analyzed as a case of study based on the purposeful selection. …”
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