Pauline Kael, il cinema moderno e la società di massa by Andrea Campana

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Silent Majority, Violent Majority: The Counter-Revolution in 70s Cinema by Peter Andrew Novick

“…Don Siegel’s Dirty Harry (1971), famously labeled «fascist» by prominent film critic Pauline Kael, nonetheless represented something new and unique—the “Silent Majority’s” entry into liberal New Hollywood, a veritable counter-reformation to the new social movements having sprung up in the late Sixties and early Seventies. …”
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