Percy Bysshe Shelley: The neglected genius by Bakić-Mirić Nataša M., Lončar-Vujnović Mirjana N.

Subjects: “…Percy Bysshe Shelley…”
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Two Sides of Egalitarianism: William Wordsworth and Percy Bysshe Shelley /Egalitaryanizmin İki Yüzü: William Wordsworth ve Percy Bysshe Shelley by Seçil Varal

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‘Time is flying’: Lyrical And Historical Time in the Poetry of Percy Bysshe Shelley by Cian DUFFY

“…The quotation in the title of this essay is taken from a manuscript fragment composed by the English Romantic poet Percy Bysshe Shelley a few weeks before his death in July 1822. …”
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Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas by Fabien Desset

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Percy Bysshe Shelley’s Italian Poems. Flotsams in the Canon, Fragments in a Corpus by Marco Canani

Subjects: “…Percy Bysshe Shelley; British Romanticism; Anglo-Italian studies; self-translation; canon…”
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‘Destroyer and Preserver’: the conservation of literary manuscripts by Jane Austen and Percy Bysshe Shelley by Honey, A, Gilroy, N

Percy Bysshe Shelley’s ‘I visit thee but thou art sadly changed’ by Bowers, W

“…The first line of Percy Bysshe Shelley’s ‘I visit thee but thou art sadly changed’ contains an allusion to Byron that allows for a reconsideration of this lyric blank verse fragment. …”

Percy Bysshe Shelley, «Hellas», introducción, traducción y notas de José Ruiz Mas by Burcu Gülüm Tekin

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Universality of Percy Bysshe Shelley and Faiz Ahmed Faiz ideological art: a comparative study by Salah, Saman, Jusoh@Yusoff, Yus'aiman

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A estética do medo no poema-'workshop' gótico “A shovel of his ashes took” (1816), de Percy Bysshe Shelley by Rogério Miguel Puga

“…This study deals with “A shovel of his ashes took” (1816), which Percy Bysshe Shelley might have composed after Lord Byron’s famous challenge, at Villa Diodati, as an ironic intertextual workshop-poem about gothic fear and terror aesthetics. …”
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La transtextualité et la transposition d’art comme outils d’étude de l’ekphrasis : l’exemple de Percy Bysshe Shelley by Fabien Desset

“…This paper will thus introduce, synthesise and formalise those two complementary critical tools, by focusing on Percy Bysshe Shelley, who already considered the transaesthetic character of his poetry when he described his brain as the ‘portfolio’ of works of art seen in Italy.…”
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« S. » ou « M. » ? Voyage et auctorialité dans Histoire d’un voyage de six semaines (1817), de Mary Shelley et Percy Bysshe Shelley by Anne Rouhette

“…History of a Six Weeks’ Tour is travel narrative written by Percy Bysshe Shelley and Mary Shelley in 1817 and raises two questions surrounding the literary authority and the collaborative creation of the work. …”
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La « méthode Serres » by Marc Porée

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Shelley's guitar: an exhibition of manuscripts, first editions and relics, to mark the bicentenary of the birth of Percy Bysshe Shelley, 1792–1992. The Bodleian Library, Oxford, 27 April–8 August 1992 by Barker-Benfield, BC

Apogée ou appendice ? « Mont Blanc » et le mont Blanc dans Histoire d’un voyage de six semaines, de Mary Shelley et Percy Bysshe Shelley (1817) by Anne Rouhette

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“...to poison and corrupt her soul”: Shelley’s Poetic Designs of Incest in The Cenci by Amadeus Kang-Po Chen

“…This paper examines Percy Bysshe Shelley’s designs of the father-daughter incest in his tragedy The Cenci. …”
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Angels of Punishment and the Sword of God: Symbols of Justice or Tyranny? by Emily Paterson-Morgan

“…The poets Lord Byron, Percy Bysshe Shelley, and Thomas Love Peacock, along with the artist J.M.W. …”
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Shape-shifters: Romantic-era representations of the child in the Wollstonecraft-Godwin family circle by Roy, M

“…Mary Shelley, and to a lesser extent, Percy Bysshe Shelley, adapt the radicalism of their predecessors’ literary representations of the child to suit their own altered socio-political contexts.…”

Le Grand tour de Shelley et la poésie de la Méditerranée by Liliana Pop

“…Starting from an investigation of this literary phenomenon, the study develops into an exploration of the early 19th century, with a focus on Percy Bysshe Shelley, whose poetry, while encompassing the literary tradition that had already developed, also discovers glowing new ways of refining it into climactic visual/ visionary arresting moments.…”
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“A bright erroneous dream”: The Shelley Memorial and the body of the poet by Calè, L, Evangelista, S

“…This article argues that Edward Onslow Ford’s Shelley Memorial at University College Oxford (inaugurated in 1893) played an important role in refashioning Percy Bysshe Shelley’s corpus at the turn of the century, particularly by enabling political and homoerotic readings of his works, and contributed to a distinctive fin-de-siècle reception of the Romantic poet. …”