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1061
Digital Distribution of Music and Media Innovations in Iranian Businesses (Case Study: Beeptunes.com)
Published 2018-10-01Get full text
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1062
DeviceD: Audience–dancer interaction via social media posts and wearable for haptic feedback
Published 2022-01-01Get full text
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1063
Cultural exploitation in Chinese politics: Reinterpreting Liu Sanjie
Published 2021-05-01“…He is also a critic and art consultant in the Chinese landscape performing arts industry. These professional roles have allowed privileged access to the top people in this industry. …”
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1064
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1065
Indlamu: An Image of Zulu Upper-class Culture of the Past
Published 2023-03-01Get full text
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1066
Sewing Frankenstein!! Instrumental Theatre in Austria between 1960 and 1980
Published 2023-05-01Get full text
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1067
Pengarusutamaan Pendidikan Karakter Anak Berkebutuhan Khusus Tunagrahita
Published 2024-01-01“…Results - The research shows that the implementation of character education for children with disabilities in SLB Negeri 2 Yogyakarta focuses on values that are adjusted to the independent curriculum, including 3S (Smile, Greeting, Greeting), routine prayers according to beliefs, flag ceremonies every Monday, playing the Indonesian national anthem every 10:00, praying dhuhur in congregation, visiting sick friends and condolences to the families of friends who died, performing arts, market day, using Javanese traditional clothes every Thursday, making art, and developing students' interests and talents in sports. …”
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1068
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1069
How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?
Published 2022-12-01“…While detecting the specifics of the interpretation of drama and theatre, the author uses eclectic tools offered by literary and performing arts studies to analyse the corpora of contemporary drama or no longer drama and performing practices. …”
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1070
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A person in the modern theatrical life of Ukraine: A journalistic perspective
Published 2023-11-01“…According to the results of a survey conducted among representatives of Ukrainian cultural journalism and representatives of the performing arts, an important role in the creative activity of a modern theatre person is the coverage of Ukrainian life, in particular, the realities of war, on the artistic stage. …”
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1073
Meningkatkan Keterampilan Bernyanyi Paduan Suara Siswa dengan Media Pembelajaran Software Encore
Published 2017-09-01Get full text
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1074
Uno sguardo su Castellucci, fra realtà, voce e spazi Intervista a Piersandra Di Matteo
Published 2019-04-01“…Collaboratrice teorica e dramaturga di Romeo Castellucci dal 2008, Piersandra Di Matteo affianca alla sua attività di curatrice nelle performing arts quella di ricerca e docenza presso l’Accademia di Belle Arti di Bologna. …”
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1075
Key considerations for an inclusive framework for youth with disabilities in post-apartheid South Africa
Published 2022-11-01“…Objectives: This article reflects on and highlights key considerations for an inclusive framework that facilitates access to opportunities for youth with disabilities in South Africa, which emanated from a study that explored how ongoing interaction with the performing arts can facilitate social and economic inclusion of youths with disabilities. …”
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1076
K Husově komponování s dvanáctitónovou řadou
Published 2012-12-01“…Before that, during his studies at the Prague Conservatoire and at the Academy of Performing Arts in Prague (1942-1947), the music by Schoenberg and his pupils was hardly heard anywhere. …”
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1078
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1079
Keeping the Tradition Alive: Analysing the Work of C. De S. Kulatillake
Published 2023-06-01“…Seven in-depth semistructured interviews were carried out at the University of the Visual and Performing Arts, Colombo 07, Sri Lanka, in September and November 2022. …”
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1080
Features of the Acting Style of O. Raidanov and G. Kozachenko in the Films “Svatannya Na Honcharivtsi” and “Lymerivna”
Published 2018-05-01“…The acting play by Raidanov and Kozachenko has been considered from a myth-poetic point of view that made it possible to conclude that folklore can be a platform for the performing arts of artists. The author reveals some specific features as an individual actor’s technique that formed the style of Raidanov and Kozachenko. …”
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