New Trends in Performing Arts in Korea: The Convergence of Pansori and Korean Contemporary Dance by Yesol Seo, Hwihyun You, Austin Kang

“…The present study aimed to evaluate panelists’ perceptions of new trends in performing arts in Korea, focusing on the convergence of Pansori and Korean contemporary dance. …”
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Time, Discipline and Subjectivity: Performing Arts Worker Mobilisations in Italy during the Pandemic by Francesco Campolongo, Francesco E. Iannuzzi

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Studies of publics in a cultural institutions of performing arts: Teatro Agrícola of Alboraya by Franchesco León Pereira

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Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts by Dedi - Warsana, Hery - Supiarza, Erik Muhammad Pauhrizi, Irwan Sarbeni

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Self-determination “Without a Mask” in Performing Arts and in Their Perception in the 1960s-1980s by Tulchinskii Grigorii L.

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Quick Trust and Slow Time : Relational Innovations in Disability Performing Arts Practice by Bree Hadley, Eddie Paterson, Madeleine Little

“…In this article, we draw upon findings from a series of workshops with disabled artists around Australia, conducted as part of the ARC funded Disability in the Performing Arts in Australia: Beyond The Social Model project – known colloquially to its collaborators and participants as ‘The Last Avant Garde’ project ( <a data-untrusted="" href="https://lastavantgarde.com.au" id="d9650536e101" target="xrefwindow">https://lastavantgarde.com.au</a>) – to propose a new approach. …”
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Ethnomathematics: Exploration of Mathematics and Cultural Values in the Performing Arts of the Sasak Tribe Perisean by Lalu Muhammad Fauzi, Nila Hayati, Muhammad Gazali, Asri Fauzi

“…Thus, this study aims to explore the forms of mathematics and cultural values contained in the performing arts of perisean which can later be used as a source of contextual mathematics learning. …”
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Reflex motion : choreographing the design of a performing arts center in Hadley, Massachusetts by Bernert, Julia M

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'Quoting' minorities in Viet performing arts - a short history of musical subordination. by Jaehnichen, Gisa

“…We find marks of cultural exchange in many aspects of Viet performing arts such as song competitions, ritual music, instrumental entertainment, traditional theatre, and also in ‘classical’ vocal and instrumental compositions including their commercially and nationally motivated presentation. …”

Chinese performing art centre/ by Teh, Yih Zhi, 1995-, author 653952, Mahmud Mohd. Jusan, 1961-, supervisor 493525, Fakulti Alam Bina dan Ukur 619090

Subjects: “…Ethnic performing arts…”

Percikan seni / by Siti Zainon Ismail, 1949-

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Crowd-Driven Pattern Formation: Computational Strategies for Large-Scale Design and Assembly by Coelho, Marcelo, Grossman, Tovi

Subjects: “…Visual Arts and Performing Arts…”
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AKTIVITAS DAN PERAN PADUAN SUARA GELORA BAHANA PATRIA YOGYAKARTA DALAM MELESTARIKAN LAGU-LAGU PERJUANGAN INDONESIA by MINTARGO, WISNU

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Pengurusan pameran: Kajian ke atas pameran Seni Visual Gembala – Mana O Si Gembala di Galeri Seni Pelita Hati / Nurul Asyqin Mat Nasir by Mat Nasir, Nurul Asyqin

Subjects: “…The performing arts. Show business…”
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Kehadiran humor (jenaka) di dalam persembahan teater tradisional Mak Yong: Satu kajian terhadap watak Peran / Amirol Syawal Saleh by Saleh, Amirol Syawal

Subjects: “…The performing arts. Show business…”
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Jenis perancangan, strategi dan kesan pelaksanaan festival citrawarna Malaysia untuk mempromosikan budaya warisan / Siti Mariah Safiah Mahamood by Mahamood, Siti Mariah Safiah

Subjects: “…The performing arts. Show business…”
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The Taming of the (Arab-Islamic) Shrew: Fatin ‘Abdel Wahab re-frames Shakespeare's comedy for the Egyptian screen by Khoury, Y

Subjects: “…Recreational & performing arts…”

Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi by Santaella, Mayco A.

Subjects: “…Performing arts - Indonesia…”
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Architecture as a performing art / by Feuerstein, Marcia F., Read, Gray. editor

Exploring the Representation of Women in Technical Roles at a South African Performing Arts Entity by Lungisani Nkomo, Musawenkosi Donia Saurombe

“…Employment in the core functions of the performing arts entities is therefore still predominantly male. …”
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