Water rites : a city stage for Boston by Mansfield, Timothy Denton

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The edge of the stage by Purdie, Catherine

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De-centering culture : designing and arena for debate and transformation by Sanchez, Frances A. (Frances Aracelis), 1978-

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A dualidade artística do compositor-intérprete by Ricardo Barceló

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“2021: feitiço para ser invisível”, invenção, parceria e inventividade entre artistas by Jean Lopes, Tarcisio Torres Silva

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An Artificial Intelligence System for Automatic Recognition of Punches in Fourteenth-Century Panel Painting by Marco Zullich, Vanja Macovaz, Giovanni Pinna, Felice Andrea Pellegrino

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Pretty gross : aestheticized abjection in feminist video art, 1996-2009 by Watlington, Emily

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The new partner on the block : an unfamiliar role for arts and cultural organizations in community economic development by Lee, Helen Chongmin

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Performative monuments : public art, commemoration, and history in postwar Europe by Widrich, Mechtild.

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Transgression Now by Charlie Blake, Steen Christiansen

“…Other reference points include the charismatic influence of various distaff Anglophone figures such as Oscar Wilde, Aleister Crowley, Andy Warhol, Kathy Acker and William Burroughs, or the Viennese actionists, performance art globally, and the mid twentieth century emergence from African-American music of certain rock and roll stars with all their brazen sonic populism, intricate allusion, multiple epigones and self-consciously decadent analogues in hip hop, electronica, metal, or industrial and gothic music and culture (Blake, 2009, pp.76-90). …”
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