Persian art : lost treasures / by 379427 Loukonine, Vladimir, Ivanov, A. A. (Anatolii Alekseevich)

The Arab origins of Persians arts by Adil Aboo

Subjects: Get full text

Musealisation and ethno-cultural stereotypes in Persian art: the case of Baluch carpets ca. 1870s – 1930s by Kassiani Kagouridi

“…The scope is to refine Baluch weavings as museum objects and delineate how tribal carpets were integrated in museums within ethno-cultural stereotypes in Persian art and the re-discussion between ‘fine’ and ‘applied’ arts. …”
Get full text

A Twenty-Year Retrospect on ‘The Mirage of Islamic Art’: Polarising Islamic art, consolidating Persian art by Yuka Kadoi

Subjects: Get full text

‘Das Problem der persischen Kunst‘, a translation edited with an introduction by Yuka Kadoi by Josef Strzygowski, Yuka Kadoi

Subjects: “…persian art…”
Get full text

West-östlich diplomacy and connoisseurship in the late Habsburg Empire: Baron Albert Eperjesy and his dispersed collection of Persian art by Iván Szántó

Subjects: Get full text

A Comparative Study of Griffin Motif in Iran and Greece by BITA MESBAH, Sara Shadrokh

Subjects: Get full text

Notes on the formation of Persian art collections at the Museo Nazionale d’Arte Orientale ‘Giuseppe Tucci’, its research and expositions activities in Rome and its missions in Iran by Paola D’Amore, Michael Jung

Subjects: Get full text

Arthur Upham Pope and his “research methods in Muhammadan art”: Persian carpets by Yuka Kadoi

Subjects: Get full text

Dining & Death: interdisciplinary perspectives on the 'Funerary Banquet' in ancient art, burial and belief

Subjects:

Persian gardens and pavilions : reflections in history, poetry and the arts / by Gharipour, Mohammad, author

The Variety of Arabesque-Rococo Patterns Applied in Naseri Furniture in Iran A Case Study: Decorations of Furniture in Bagh-e-Afifabad and in Narenjestan of Shiraz by Parisa Shad Qhazvini, Sima Pak Seresht Esmaeeli, Farimah Fatemi

“…The term modern Iranian art, coming to the fore from the late Naseri era, refers to an integration of European patterns into decorative elements of the Persian art represented in a wide variety of art forms. …”
Get full text

A Comparative Study on the Symbolism of the Painting of the Creation of Mankind from the Masnavi Manavi Collection and the Painting of the Acquaintance of St. Mary and Gabriel from... by Fatemeh Kiani, Hasan Bolkhari Ghahi, Mohammad Ali Rajabi

“…Thus Persian art constantly moved with its literary counterpart and represented the words of divine and theological phenomena. …”
Get full text

Caylus, Winckelmann, and the art of “Persian” gems by Melissa Eppihimer

“…Although early modern European travellers and antiquarians frequently engaged with the ruins of Persepolis when contemplating Persian antiquity, the pioneering art historians of the eighteenth century turned to engraved gems for their studies of ancient Persian art. In the major published works of Anne-Claude-Phillipe, comte de Caylus and Johann Joachim Winckelmann, the so-called ‘Persian’ gems provided empirical evidence of the art of this lesser known corner of the ancient world. …”
Get full text

Friedrich Sarre and the discovery of Seljuk Anatolia by Patricia Blessing

“…Crucially, Sarre’s study of Seljuk architecture is rooted in the late nineteenth-century appreciation of Persian art, rather in the later focus on a unified Turkish identity that became pervasive in the late 1920s, following ideological shifts after the foundation of the Republic of Turkey.…”
Get full text

Kurt Erdmann (1901-1964) by Jens Kröger

“…Beginning with European architecture and paintings he developed a special interest for ancient Persian art as well as medieval and early modern Middle Eastern art. …”
Get full text

Eric Schroeder: maverick polymath by Robert Hillenbrand

“…The article surveys the life and output of Eric Schroeder (1904-71), who served from 1938 as (mainly honorary) Keeper of Persian Art at the Fogg Museum of Art, Harvard University, mounting choice exhibitions and greatly expanding the collection of paintings. …”
Get full text

A matter of timing: the modern history of a ‘Sasanian’ silver plate from Rashy by Andrea Luigi Corsi

“…Three parameters are considered for discussing this plate: iconography, manufacturing technique and provenance, and all of them are contextualised in the period of the great exhibitions of Persian Art (between the 1930s and the 1960s). The outcome of these exhibitions, besides stimulating scholarly research on previously understudied artistic productions, was the consequent rising interest by museums and private collectors in art objects from the ancient Iranian world. …”
Get full text

An Anthology of Philosophy in Persia. From the School of Illumination to Philosophical Mysticism / by Nasr, Seyyed Hossein, editor 266192, Aminrazavi, Mehdi, 1957- editor 652142

“…The West has seen surveys of Persian art and anthologies of Persian literature, but this work is the first to present a millennial tradition of philosophy in Persia in the form of translated selections and introductory sections for each period and figure. …”

Aʽẓam Naẓarkarde, ‘Painter and artist of the Âstân-e Qods during the Afsharid period' by András Barati

“…Although the translations of important scholarship on art history across the different European languages are increasingly common, the same cannot be said about the invaluable articles and books published in non-European languages. In the case of Persian art, the results of research conducted by scholars writing in Persian, Arabic or Turkish, are often inaccessible for many Western scholars. …”
Get full text