The study of mythological and ritualistic Aspects of lion and bull in two manuscripts of Kalila and Dimna (Ilkhanid and Timurid eras) by jalaledin soltankashefi, aseme hadavi nia

Subjects: “…persian mythology…”
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The mythological journey of the Kaknus and its place in Ottoman poetry by Aslı Aytaç

“…Divan poetry, mostly fed by the source of Persian mythology, also benefited from the mythological animals belonging to this culture. …”
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Review of the Similarities of the Sprite and the Sorceress in the Post-Shahnama Epics by reza satari, sogol khosravi

“…The sprite and the sorceress are among the mythological beings in Persian mythology and epic literature who sometimes are beside the epic hero and sometimes stand against him. …”
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the Textual Criticism of the SulaymÄn position and his Role in the Evolution of the Iranian Epic by فرزاد قائمی

“…The prophets of Israel became imbricatedwiththecharacters andmythsof ancient Persia, a fact which can, on the one hand, be ascribed to the efforts of Parsis and Muslims attached to ancient Persian culture to legitimise Persian mythology. On the other hand, to a gradual obliviousness to the fact that no actual historical connection existed. …”
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Archetypal Criticism of Roots of Mythical Dualism in Ferdowsiâs Shahnameh by m Haqiqi, r Satari

“…Gomizshan and Vazarshan are the names of two most important cycles of creation in Persian mythology during which the battle between two forces of goodness and vice reaches its most severe stage and at last leads to the final victory of the good over the vicious. …”
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L’ombra di Ahriman. La contraddittoriale essenza del male, dalla mitologia persiana alla cultura occidentale by Dariush Rahiminia

“…The contradictorial essence of evil, from Persian mythology to Western culture. At all time human beings have been questioning the possible origin controlling evil impulses and actions resulting from it. …”
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Study of the story of Platuz (the crucifying of Jesus Christ) in his work and measure it with other texts. by hamid ardestani rostami

“…Therefore, it could be said that Iranshan bin Abu al-Khair also used some Semitic and Islamic elements in Kush-Nama; however, he retained the original theme of Manichaean story as a part of Persian mythological references.…”
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