Russian Rhizome of American Modernism: Concerning the Problem of Henry Miller’s Anarchism by Andrey A. Astvatsaturov, Olga V. Voytsekhovskaya

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The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism by Christian Fuchs

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Towards an intellectual history of evolutionary economics: competition and struggle versus cooperation and mutual aid by JOHN HALL, SVETLANA KIRDINA-CHANDLER

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Cooperation versus Competition in Works of Russian Evolutionists by Svetlana G. Kirdina-Chandler, John Hall

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Pierre Kropotkine et la loi naturelle de l’entraide : le fondement d’un droit nouveau ? by Claire Vachet

“…The anarchist and geographer Peter Kropotkin refers to mutual aid to justify anarchism. …”
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Composition and Dynamics of Plant- and Soil-Associated Microbial Communities in Forest and Agricultural Ecosystems by Tim Dumonceaux

“…Peter Kropotkin (1842–1921) is well known as an anarchist intellectual, an amiable mass of contradictions who loved humanity and was highly regarded in academic and intellectual circles, yet also penned “fiery peans to violence” in <i>Le Révolté</i>, the anarchist journal he established with Elisée Reclus in the 1870s [...]…”
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THEORY OF RUSSIAN ANARCHISM IN WEST GERMAN HISTORIOGRAPHY IN THE LATE 1960S-1980S by N A Zhukova

“…The object of research of the article is the German studies of the late 1960s-1980s regarding the anarchic theories of Mikhail Bakunin and Peter Kropotkin. The purposes of this article are to determine the causes of surge of interest in this subject among the specialists from West Germany, to show general trends of German studies and to define schools of West German historiography of Russian theoretical anarchism. …”
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Bauhaus Totaltheater: creators, principles, practice by Олександр Клековкін

“…The most important of them occurred due to the rebellious, scandalous social orientation of Futurism, Dadaism and promotional art, which was based on anarchist ideas, direct quotation of Mikhail Bakunin and Peter Kropotkin. Unlike them, Bauhaus’s stage ideas were based on a technologically arranged and pragmatically market-oriented approach.…”
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