Ludovico Ariosto's lyric poetry in the literary context of his time by Guassardo, G

“…</p> <p>The purpose of the thesis is to understand the relationship (both stylistic and thematic) between the <em>rime</em> and the context of lyric vernacular poetry of Ariosto’s time: I show how they are poised between fifteenth-century courtly Petrarchism and a more modern fashion, and furthermore bear the marks of a strong classical inspiration. …”

«Poesía y vida de corte: los sonetos en El Cortesano de Luis Milán» by Inés Ravasini

“…Luis Milán. Sonnet. Petrarchism. Spanish Poetry of 15th and 16th centuries. …”
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«Poesía y vida de corte: los sonetos en El Cortesano de Luis Milán» by Inés Ravasini

“…Luis Milán. Sonnet. Petrarchism. Spanish Poetry of 15th and 16th centuries. …”
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«Poesía y vida de corte: los sonetos en El Cortesano de Luis Milán» by Inés Ravasini

“…Luis Milán. Sonnet. Petrarchism. Spanish Poetry of 15th and 16th centuries. …”
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Popular Song Topics in the Dutch Republic by Alie Lassche

“…Two cultural trends are used as case studies: the role of Petrarchism, and the articulation of a patriotic identity in early modern Dutch song culture. …”
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"Seguir ardiendo y no sentir el mal": un acercamiento a la poética de Gaspara Stampa by María do Cebreiro Rábade Villar

“…The Rime present an ambiguous and complex poetry, because in them (sexual) gender becomes (anti)Petrarchal genre. The authoress’ voice “arde sin sentir el mal” [“burns without pain”], like the voices of those women who dare say anything between one line and another, because they have nothing to lose.…”
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L’Éloge de la laideur dans la littérature antipétrarquiste by Jean-Pierre Cavaillé

“…On the basis of the analysis of an academic discourse from the philosopher Antonio Rocco in paradoxical praise of ugliness (1630), we distinguish several ways of dealing with ugliness within the Italian literature of the sixteenth and seventeenth centuries, which maintain a relationship of opposition or perversion with the Platonic model of Petrarchism: Marinist poets praise the defective beauty (the beautiful old woman, beautiful woman lame, etc.); Tasso’s theme of the sincere and conscious love of an ugly woman; and the burlesque and misogynic eulogium of the ugly woman (Lorenzo il Magnifico, Berni, etc.). …”
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‘Love with excess of heat’: The Sonnet and Petrarchan Excess in the Late Elizabethan and Early Jacobean Periods by Rémi Vuillemin

“…This has led to a certain misconception of Petrarchism in general, and of the Petrarchan sonnet in particular, as a meaningless juxtaposition of clichés. …”
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«Esteban G. de Nájera y Juan Coloma» by Giovanni Caravaggi

“…Cancionero poetry. Romancero. Petrarchism. Zaragozan editions of the 16th century.  …”
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La polémica en torno a Góngora (1613-1630). El nacimiento de una nueva conciencia literaria by Mercedes Blanco

“…The expansive energy of Spain, which at the time could be considered the world’s foremost monarchy and which was constantly rounding out and consolidating its dominions, found an echo in the appropriation by Góngora and his followers of new classical models, drawing on Hellenism and late Latinity and on the expansion of poetic language beyond the boundaries set by Petrarchism, by Garcilaso and also by the best 16th-century Italian poets, Ariosto and Tasso. …”
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Primi accertamenti per l’edizione delle Per l’edizione delle «Fiamme» by Giorgio Forni

“…The Giovan Battista Giraldi Cinthio’s Fiamme is not an extemporary book of poetry constructed in a short time, but a lucid and thoughtful “canzoniere” (organic collection of poetry) that slowly takes shape in the footsteps of Bembian Petrarchism and arrives late at print in the mid-16th century. …”
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Introducción a la poesía neobarroca cubana y rioplatense by Néstor Perlongher

“…The Spanish baroque of the Golden Age, which immediately follows Petrarchism, differs from its remote American descendents. …”
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Petrarchismo e tragedia by Bernhard Huss

“…This article deals with the complex interrelation between Cinquecento tragedy as a newly established literary genre, strongly based on contemporary poetological reflexion, and the “orthodox” petrarchism founded by Pietro Bembo. Aristotle’s Poetics presuppose that literature must be written in an agreeable “sweet” style. …”
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"Furor poético": creación y preceptiva en los sonetos de Lope de Vega "Fervor Poético": Creation and Precept(ive) in Lope de Vega's Sonnets by Marisa Eugenia Elizalde

“…<br>The baroque poetry in Spain reveals the marks of traditionalism/petrarchism opposition, and it emerges from a textual space where tensions and the search for new patterns of expression become apparent. …”
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