Petrarch in English: by Hodder, M

“…<p>This thesis is concerned with one key aspect of the reception of the vernacular poetry of Francesco Petrarca (Petrarch), namely translations and imitations of the Rerum vulgarium fragmenta (Rvf) and Triumphi in English. …”

Petrarch’s Early Manuscripts and Incunabula in the Oregon Petrarch Open Book by Massimo Lollini

Subjects: “…Philology, Petrarch, Humanism, Hypertext, Images…”
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Petrarch and the Significance of Dialogue by Aaron Chung, Charles Irwin

Subjects: “…Petrarch…”
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Petrarch and the Vision of Rome by Unn Falkeid

“…Petrarch’s enthusiasm for the eternal city is balanced by a deep sense of perishability and death. …”
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Petrarch: The first modern poet by Kostić Tatjana T.

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Cosmopolitan and Vernacular: Petrarch at Sea by Karla Mallette

Subjects: “…Petrarch…”
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Icons and idols in Dante and Petrarch by Rushworth, J

“…This essay explores the presence of a polarised thematic of icons and idols in the works of Dante and Petrarch. In Dante’s Vita nuova and Commedia, and in Petrarch’s Canzoniere and Latin letters, the Veronica – vera icon – of Christ is invoked in relation to the poet’s beloved either as an analogous model or as a point of opposition. …”

Petrarch's letters to classical authors by Hermans, HLC

“…Afterwards, Petrarch decided to write to the other ancient authors mentioned above. …”

In defense of negotium: Cicero answers Petrarch by Maristella Lorch

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Making flowers speak: Petrarch and idiorrhythmy by Southerden, F

“…This article brings Petrarch’s (1304–74) lyric poetry into dialogue with Barthes’s notion of “idiorrythmie” (idiorrhythmy) as outlined in his lecture course Comment vivre ensemble (How to Live Together). …”

Discourses of mourning in Dante, Petrarch, and Proust by Rushworth, JF

“…<p>This thesis interpolates medieval and modern authors and theorists, namely Dante, Petrarch, and Proust on the one hand, and Freud, Kristeva, and Derrida on the other. …”

Col·loqui «Fourteenth-Century Classicism: Bernat Metge and Petrarch» Conference «Fourteenth-Century Classicism: Bernat Metge and Petrarch» by Gemma Pellissa

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A Note on Christine de Pizan and Petrarch by Angus J. Kennedy

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Archival Investigations. Fracassetti and Valentinelli about Petrarch by Valentina Zimarino

“…This essay will deepen the figure of Giuseppe Fracassetti (1802–1883), a lawyer, historian and scholar from Fermo who published and translated Latin Letters of Petrarch (and more), and his archive at the Biblioteca Spezioli in Fermo, through the study of unpublished correspondence with Giuseppe Valentinelli, who was prefect of Biblioteca Marciana in Venezia and his precious interlocutor in the studies of Petrarch manuscripts.…”
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A “cavalier pensoso” between Machiavelli and Petrarch by Carlo Varotti

Subjects: “…Petrarch…”
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Petrarch commentary and exegesis in renaissance Italy: introduction by Gilson, S, Pich, F

Prolegomena to a New Lyric Petrarch in the Digital Future by Giuseppe Savoca

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The Representation of Petrarch in the Eighteenth-century <i>Encyclopédie</i> by Ana-Maria M'Enesti

Subjects: “…Petrarch…”
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Petrarkos recepcija Lietuvoje | Reception of Petrarch’s works in Lithuania by Eugenija Ulčinaitė

“…Lithuanian humanists of the 16th and the 17th centuries, such as Petrus Roysius, Andreas Volanus as well as the poet Mathias Casimirus Sarbievius, are known to have been in possession of the works of Petrarch. There seems to be no doubt that Lithuanian poets and intellectuals of the 19th and 20th centuries must have been familiar with Petrach’s works, at least with his famous Sonnets.Nevertheless the article states that a wider circle of Lithuanian readers is only vaguely familiar with Petrarch’s works as very few sonnets by Petrach and only several fragments of his Latin works have been translated into Lithuanian.…”
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Petrarch’s Poetics: From the Abyss of Representation to Creative Imitation by Luis Gonzalo Portugal

“…This article examines concepts such as creative imitation and the impossibility of representation in order to suggest an ethic of reading in Petrarch’s Canzoniere. Such ethics illuminate possible new relationships between Renaissance and Baroque…”
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