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Los ecos de las spalliere con la Historia de Nastagio degli Onesti de Sandro Botticelli
Published 2021-11-01Subjects: Get full text
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Wiggling the Frame: “Philadelphia Assembled” and “Trainings for the Not-Yet”
Published 2021-10-01“…In a conversation between the artist Jeanne van Heeswijk, the artist and educator Damon Reaves and the organizer, educator, and Artistic Director of BAK, basis voor actuele kunst, Utrecht Maria Hlavajova, moderated by Mick Wilson, the methodologies, dynamics, circumstances, effects and challenges of two exceptional and highly considered exhibitionary processes–“Philadelphia Assembled” (Philadelphia Museum of Art, 2014-17) and “Trainings for the Not-Yet” (BAK, 2019-20)–are explored with particular reference to forms of becoming collective, and diverse modes of agency within exhibition.…”
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From Field to Museum
Published 2024-12-01“… By 1956, the Philadelphia Museum of Art had acquired a major collection of Indian sculpture from Stella Kramrisch and appointed her as the Curator for Indian art. …”
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Manet, museum, modernism: Michel Foucault and modernist art history
Published 2020-06-01Get full text
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Timing the Timeless
Published 2024-12-01“…Ritual Art in Tribe and Village, organized for the Philadelphia Museum of Art. By probing Kramrisch’s curatorial practice from conception to realization, it opens questions about her impact on canons and categories we continue to utilize today. …”
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A Reading for her. Omero letto da Alma-Tadema, tra innovazione iconografica e ricezione della cultura greca nell’Inghilterra vittoriana
Published 2024-12-01“… Il presente contributo si propone di analizzare il dipinto A Reading from Homer di Lawrence Alma-Tadema (1885, Philadelphia Museum of Art) puntando l’attenzione sull’innovazione iconografica che rielabora il tema ottocentesco del rapporto tra Omero e il suo pubblico in relazione alla ricezione della cultura greca e della questione omerica nell’Inghilterra vittoriana utilizzando una prospettiva di genere. …”
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copertina / cover
Published 2010-06-01“…He in turn re-translated this text into English under the title He who says yes. [2] 1912-1923, Philadelphia Museum of Art. [3] 1916, Scottish National Gallery of Modern Art, Edinburgh.…”
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