Published 2014-06-01
“…A lack of archival documents did not prevent the author proposing some interesting theses on the method
of construction and the possible models of reference, also in relation to the antiquarian culture of the architect (who was also the architect of the Gallery of Ercole and Lira in the destroyed Palazzo Torlonia in
piazza Venezia). Particular attention is paid to the spolia which were re-used in the ruin, among which, a part from the original complex of statues (classified by Carlo Gasparri and now displayed in the museum of the Casino dei Principi), two large fragments of a Domitian cornice, and a group of 15th century consoles, probably from the studio of Andrea Bregno, all stand out. …”
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