Pierre Boulez, Latin America, and the European Avant-Garde After 1950 by Cristina Losada

“… Recognized as a critic, composer, teacher, conductor and impresario, Pierre Boulez left a huge footprint that defined the trajectory of European concert music during the second half of the twentieth century. …”
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Intermedialità e sinmedialità nella videoarte contemporanea: Robert Cahen e Pierre Boulez by Raffaele Pozzi

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PIERRE BOULEZ-GILLES DELEUZE: IDEAS PARA UNA LÓGICA DE LA SENSACIÓN SONORA by Ricardo Espinoza-Lolas, Boris Alvarado

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Musik als Sprache oder strukturalistisches denken in der Musik am Beispiel Pierre Boulez by Dobretsberger Barbara

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Lambert Dousson, Une manière de penser et de sentir : Essai sur Pierre Boulez by Edward Campbell

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De las artes plásticas a la música: Pierre Boulez, a la escultura de Paul Klee by J. J. Nattiez

“…Then, we discuss a text by Pierre Boulez on Paul Klee, which does not exclusively espouse any of these four approaches, but rather explores all of them. …”
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Boulezova racionalna serialna organizacija in Cageovo naključje – enakost različnega by Gregor Pompe

Subjects: “…pierre boulez…”
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Zum Begriff der Wucherung bei Pierre Boulez am Beispiel der douze notations (1945) und der notations pour orchestre (1978) by Andreas Zeißig

Subjects: “…Pierre Boulez…”
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Stravinsky and the post-war generation in France: Aspects of influence by Campbell Edward

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Structural Procedures in the piece A Twilight's Song by Matthias Pintscher by Levy Oliveira, João Pedro Oliveira

“…Using as reference the film A Lesson by Pierre Boulez and texts by Steve McAdams, Kaija Saariaho and Panayiotis Kokoras, we aim to discover which techniques were used to achieve the overall form of the work.…”
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Variations V: "Escaping Stagnation" Through Movement of Signification by Elizabeth Hoover

“…Following Edgard Varese's Hyperprism, Pierre Boulez's Improvisation sur Mallarme II, and Elliot Carter's Second String Quartet, Variations V contrasted greatly in composition and media with the pieces of the first half of the Philharmonic's program. …”
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Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools by Vinícius Cesar de Oliveira, Thales Roel P. Pessanha

“…This takes place from a dialogue between the ideas of authors and composers, such as Gilbert Simondon, Helmut Lachenmann, and Pierre Boulez about technical frameworks and their implications in musical practice. …”
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Reviews & Comments

“…La matière du temps</em> </span><span>[Michela Deni, p. 193] </span><span>• </span><strong>Lucia Angelino </strong><span>(ed.), </span><em>Quand le geste fait sens </em><span>[Fabrice Bourlez, p. 195] </span><span>• </span><strong>Pierre Boulez</strong><span>, </span><strong>Jean-Pierre Changeux</strong><span>, </span><strong>Philippe Manoury</strong><span>, </span><em>Les neu- rones enchantés. …”
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