Image, ritual and urban form: Porto in the 16th Century by José Ferrão Afonso

“…In our Doctoral Thesis presented at the School of Architecture in Barcelona, we sought to demonstrate that the Plastic Arts were not the only field for the application of Luminist principles. …”
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Some Remarks on the Genesis of One of the Images of Early Medieval Art by Ilia R. Akhmedov

“…They are also similar to the figures of Sogdian mural and plastic arts. East Turkestan’s images reproduce the well-known patterns of the Buddhist art of Gandhara. …”
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Dynamism as a Fundamental Verb in the Work of the Abstract Expressionist School in Contemporary Painting by Ghosoun Abdullah Aleaydan

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Technology and materials and their impact on the Relief sculpture in the open-air museum display by Nahla mahmoud mohamed mahmoud matreed, ihab abdallah yossef

“…• Research SummaryThe last century witnessed successive artistic revolutions in the plastic arts - especially the art of sculpture - starting from the methods of performance, artistic content and raw materials used in formation through the great progress in the field of technology, so they were linked together to serve technology, and the harmony of art and science in the modern era had results, the most important of which were changes in artistic concepts that affected the art of relief sculpture clearly through the development in the form and expressive content of the sculptural work and the materials used in the implementation.The sculptors took advantage of this modern industrial technology to make metals and industrial plastics in the outdoor relief sculpture to create huge sculptural volumes while saving the mass of the material used and replacing the solid mass with space, especially in the free-standing outdoor sculpture work.Then the research deals with the relationship among the form ,material of the work and the place of presentation, where the artist must reconcile among the place, the design and the material, for each material has its natural, formal and technical properties that must be respected when implementing the work, what can be successfully implemented from one material cannot be implemented from another material - and if possible each has an impact on the final form of the work - intermediate materials have the task of helping to complete the design, and hard, long-lasting materials, which are the basis for the continue of sculpture throughout history.The art in the modern era tends to address purely plastic values, and the sculptor seeks to highlight the qualities of the material only, as the goal of art is not to conquer the material until it simulates some subjects, but rather to search for the form that is achieved in that material according to its nature and characteristics and its suitability and the place of presentation, and the task of the sculptor is Watching the arrangement of the material to transform that raw material into an aesthetic material that he adapts and reveals its truth and sensory richness.…”
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Amazigh art fees as an added aesthetic value to enrich glass art products by Nahed Osman, Mostafa Abdalrihim Mohamed, Walid Onsy

“…Amazighs have always been an open culture that is not closed in on itself, which, with its special character, contributed to the construction of the pillars of great civilizations and cultures, which in turn affected all kinds of plastic arts. Also, this art had a great impact in the field of applied arts, which can be used in the field of artistic glass design.…”
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Listening to music and its reflection on the artistic output of the students of the Department of Art Education by Samia Fadel Kaoud

“…The relationship between music and plastic arts can be viewed as an interdependent relationship, as they both develop imagination, focus and sensory perception, as well as the presence of some artistic concepts that music shares with the art of drawing, on this basis the rationale for this research aimed at identifying (the influence of music) was dealt with On the artistic output (drawing) of students of the Department of Art Education - College of Fine Arts) In the first chapter the problem of research, importance, terminology, boundaries and goal was addressed, and in the second chapter the researcher dealt with in the first topic the relationship between music and painting, and in the second topic the use of music in education. …”
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Graphic work between originality and technical development through the technical edition by Nageba elwafi

“…The art of printing is one of the most important and oldest arts, as cave dwellers practiced it in the past from the handprint of the palm of the hand or puffing of color or blood with a stick or a hollow bone above the palm of the hand on the walls of caves, then it was practiced by the artists of ancient civilizations to record their civilizations, then the inhabitants of European countries in an artistic way, then the world All of it, and not like the rest of plastic arts, to satisfy the artist's desire to express only what is inside, or to practice an activity only But he was associated with man throughout his life from the issuance of his birth certificate until his death certificate, passing through all daily activities during his journey on the surface of the earth, and with the technological progress, and the release of freedom to the artist's imagination, the arts came close to each other a lot, as some artists combine drawing, printing and sculpture.The artistic edition has proven its worth in preserving its existence as an artistic method throughout the previous ages, as well as being able to conform to many modern technologies, and make use of them, in addition to the continuous renewal, and the expression of all modern issues in sophisticated ways, without affecting the general meaning of the artistic edition. …”
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Vases, Caskets, and Decorative Lamps of the Leningrad Factory of Porcelain in 1956–1966: Context, Attribution, Interpretation by Olga Sergeevna Sapanzha

“…The first stage is filled with works of small plastic arts (second half of the 1950s). The second stage is associated with the interior, in which porcelain goods played the role of accents in the interior, emphasising empty space (first half of the 1960s). …”
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The constructional shifts in Picassos Ceramics Search by Muhammed Jassim Al- Obaidi

“…With the massive presence of the critical approaches &, artistical School, movements, methods, Concepts, & theories, which came to take its chance from arts in general view & the plastic arts in special view. The Searches of fine arts & what this methods present from excitement become the point for many questions, & go to the purposes to be useful. …”
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role of movement in the visual perception of the meaning of fantasies from the viewpoint of the artist and the recipient by Eman Fekry Mohamed Okasha Okasha

“…The great French poet (Baudelaire) says an opinion characterized by a lot of immunity and scientific accuracy, he considered imagination as the basis of any creativity, especially in the field of plastic arts, as he says: (The main characteristic that characterizes the artist, is not watching but imagination, imagination is in the arts. …”
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A New Approach for Software Cost Estimation with a Hybrid Tabu Search and Invasive Weed Optimization Algorithms by Hoshmen Murad Mohamedyusf, Hawar Othman Sharif, Mazen Ismaeel Ghareb

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The technical mediator in contemporary Iraqi formation by Hikmat Saber Hardan, Jawad Abdul-Kadhim Farhan Al-Zaidi

“…The second topic dealt with technical media and their impact on the plastic arts, and the third topic focused on the technical medium and the mechanisms of its manifestation in contemporary Iraqi painting, and the third chapter, which included samples of the sample numbered (3), was a model representing the work of three Iraqi artists, while the fourth chapter included the results of the research. …”
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The Egyptian Environment as an Inspiring Source for The Design of Handcrafted Textile Fabrics, Executed in a Tapestry Style (Applied on Women’s Clothes) by Nervana Lotfy

“…The environment affected plastic arts in general, and textile design in particular, and environmental influences were reflected in techniques, materials and tools, as well as textile designs inspired by the elements in the surrounding environment.The research focused on creating textile designs inspired by the surrounding environment, and implementing them in a manual tapestry method, through the use of a frame loom, and exposure to the style of wefts that are not extended on a simple loom, in addition to the use of various materials and traditional applied methods, to achieve the artistic vision of the work and produce it in an innovative way, with the aim of Creating textile designs from the environment, and producing fabrics with high aesthetic values in the style of hand tapestry, using a frame loom, as well as raising the capabilities of designers to make handwoven textiles, and employing them as added textile pieces for women's clothing.Through the course of the course "Environmental Studies and Sciences", the third year - (Higher Institute of Applied Arts - 6th of October), the researcher introduced the students to the concept of the environment and its relationship with the artist, and how to benefit from the surrounding environment in the field of textile design. …”
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PROBLEMS OF MONUMENTAL SCULPTURE SYNTHESIS IN ENSEMBLES OF THE CITY OF MAKHACHKALA by T. S. Gamidov

“…The urban development of Makhachkala, involving high density residential areas and a profusion of monuments in the ring roads and squares, requires a special, creatively sensitive approach to problems of synthesis of architecture and plastic arts, on which both the harmonious appearance of urban ensembles and a comfortable living environment depends. …”
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Art therapy in eating disorders. A systematic review of literature by F. Trably, P. Gorwood, L. Di Lodovico

“… Introduction Art-therapy (encompassing plastic arts, music, theather and writing) is a promising and acceptable management strategy of eating disorders (ED). …”
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The Construction of “Party Building + Curriculum Civics” Education Model for Chinese Grassroots Party Organizations in the Context of “Internet+” by Huang Guodong

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Aesthetic and plastic values of bio-art as a source for textile printing design Arthroscopy Exhibition "Stances between Vital Art and Covid 19 by Shaimaa Shaker

“…Bio-art is one of the branches of arts that is based on the amalgamation of plastic arts and biological sciences, as it uses living tissues, bacterial media, genetic sciences, and biological processes as artistic tools, and decorative units from which the artist derives his design ideas, especially as it is one of the latest trends in art. …”
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Arabic letters as a formative element in contemporary murals in the Arab world and their role in preserving heritage and identity by Amira Sarwat mohamed mostafa

“…Arabic calligraphy has always been one of the most important elements of plastic art creativity in the various types of visual arts. …”
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Enriching evening clothes using aesthetics of smocking style in the design on dress stand by Rania Nabil Atia, Amani Abdullah Al-Duraimih

“…The design on the dress stand is one of the plastic arts that need an artistic sense, aesthetic taste and the ability to imagine using fabric materials to express artistic creativity in the form of fashion, especially for evening wear. …”
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A contemporary vision of the concept of Nubian heritage in the interior design of tourism facilities by Wael Kamel

“…Artistic, industrial, agricultural and even emotional.The civilized nations no longer viewed their heritage and heritage from traditional and folk art as merely beautiful (plastic) arts that have no utilitarian and functional value to them. …”
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