The Digital Marketing of Art by Salam Jabbar Chiad

“…It is still the preserve of certain civilized and knowledge environments, and from here this research comes with the aim of shedding light on the mechanisms of digitizing the contemporary art market that have been linked to the two variables of the growing idea of indirect marketing through the intermediary by companies, institutions or sites that specialize in marketing only, and the rapid development of the communicative digital world that has shaped Cybernetic support for marketing companies to benefit from the endless capabilities of linking all societal components with each other bypassing the restrictions of trade, sovereignty and privacy, so that these institutions have budgets that exceed the budgets of countries that are collected only through advertising, advertising, mediation, transportation and guaranteed delivery of products from the manufacturer to the consumer, and this has expanded The topic has become a comprehensive range of creative products, including the arts that have developed a deliberative circle And received it through that activity, and accordingly the search doors were designed - the first to show the websites of art marketing on the international information network, the second to define the technical requirements for the digital market and the third to read the reality of the digital market for art in the world, and that the theoretical limits of research are practically located on the sites of the World Wide Web of the Internet as of year 2000, the year of the practical beginning of art marketing and until the preparation of the research 2020, the research concludes with the illumination of this region, reveals its applied data, and invites contemporary Iraqi plastic art to participate in this club as an investment to distinguish plastic art in Iraq, as a technical product with international specifications. …”
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WOMEN MUSICIANS ON THE GREAT SELJUK CERAMICS by Feyzan GÖHER VURAL

“…It is possible to make use of many resources for illuminating historical and cultural events. The plastic art objects are also included in this resources. …”
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VALENCES OF CHOREOG RAPHIC ART IN THE FORMATION OF STUDENTS` AESTHETIC GUIDELINES by Dohotaru Maia

“…Choreography belongs to the spectacular, synthetic, space‑time forms of art that combine dance, music, dramaturgy (ballet) and plastic art. Dance, as well as any other art, also has its own characteristic means that reflect the real world through artistic imagery, thus emphasizing its specificity, which consists of transmitting human ideas and feelings through movements, gestures and mimics. …”
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La educación en el Museo del Prado. Education at the Museo del Prado. by Miguel Ángel Martínez Martínez

“…The present article introduces the reader-spectator to the learning spaces reproduced by painting, claiming the fact of plastic art works as an emotional manifestation and a social conception of the historic moment to which the artist belongs.…”
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Employing the Light Emitted by the Diode to Show the Aesthetics of Transparent Sculptures by Mostafa Boghdadi, Hanna habib ramla, Mohamed kamel El Hadidi

“…Technological development, the modern scientific revolution in electrons, and optical devices that depend in their use on the idea of wave transmission, this idea was employed in the field of plastic art, and it developed at a tremendous speed in Europe and America due to the uses of technological applications of this science. …”
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An Anthropomorphic Candelabrum from Amasra Museum by Kasım Oyarçin, Ersin Çelikbaş

“…This elaborated and highlighted in four directions child figure holds an important place in that it contains one of the most beautiful examples of Roman plastic art. The purpose of use, current situation, and general features of the candelabrum were emphasized within the scope of the study, and it was then evaluated in detail in terms of Roman plastic style and typology, as well as production technique. …”
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APPROACHING LANDSCAPES IN FINE ARTS, WITH YOUNG SCHOOLCHILDREN, THROUGH FLIPPED CLASSROOM STRATEGY. APPLICATIONS WITHIN THE CONTEXT OF eTWINNING PROJECTS by GABRIELA ILEANA CRIȘAN, ION ALBULESCU

“…We used the flipped classroom learning strategy in order to introduce the pupils to the Impressionist plastic art form of expression. The teaching experiment included five stages: initial testing, studying a tutorial at home, practicing painting techniques in the classroom, getting feedback from the teachers, and final assessment. …”
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Arktiline kunst by Jean-Loup Rousselot

“…Houston (born in 1921) was commissioned to create models of miniature plastic art, which could be used by the local population to produce miniature steatite figures. …”
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Between Haptics and Kinaesthetics: Body Experience in Some Contemporary Theories of Sculpture by Katarzyna Trzeciak

“…The text deals with the question about the perception of sculpture which is this kind of plastic art in which all human body is engaged in the process of perception. …”
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Construction of Non-inherited Digital Platform based on PEST-SWOT Model by Xiong Wenjing

“…At the same time, convenient ways of inquiry exchange and utilization are provided to realize the digital preservation and sharing of Jiaodong dough plastic resources, so as to achieve the purpose of inheritance and dissemination of Jiaodong dough plastic art.…”
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The Eleventh-­Twelfth Century Silver Medallion from Nizhnii Arkhyz by Victor Nikolaevich Chkhaidze

“…This article analyses one of the few items of fine Christian plastic art originating from the territory of Alania. …”
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Iconography of Peace Сongresses during the Formation of the Westphallian System by Liudmila Ivonina

“…In fact, the European Congress was a carefully designed triumph of Рeace within the continent, which required considerable funds, was widely covered in the press and glorified in celebrations, paintings, plastic art, release of commemorative medals, poetry and even fashion. …”
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“Egyptian Statue”, Revealed in the South-Eastern Region of Azerbaijan, in the system of Ancient Cultural and Trade Relations by Samir K. Karimov, Anar M. Agalarzade

“…The discovery also contributes to the creation of certain ideas about the small plastic art of that period. It is possible that complex archaeological studies in the region will reveal new artifacts of such art.…”
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Problematic employ magical realism in Arab cinema Nadine Labaki's Film (HLA Lewin) example by Yasser Khudair Obaid

“…Magical realism potential bulwark plastic art and literature، and won great fame and Research cash innumerable، and like other currents of literary found his outlet in the art of cinema، quoted cinema of literature magical realism and influenced his concepts، and Arab cinema، it was necessary to have a vulnerability to stream، either Tools employing magical realism، unintentionally since the early beginnings dating back to the time of World Wars I and II، or in deliberate more mature in the twenty-first century، due to the emergence of film-makers more aware and culture، and more friction global currents.       …”
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The Body of Art by Shelton Waldrep

“…The piece ends with a discussion of androgyny and hermaphroditism as they relate to the expression of gender in plastic art, especially the notion that all representations of the body necessarily include a gender spectrum within one figure. …”
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الأبعاد التربوية والفنية للأعمال الجماعية في الجداريات النحتية by Taha Hassan Massad alghabashi

“…With the artist's interest in environmental aesthetics and environmental aesthetics, he was able to create aesthetic and creative murals with the aim of raising the visual perception of the environment, not with fixed concepts or methods and trends of plastic art.Fine artists seek to develop collective behavior and raise public taste through murals through a visual form. …”
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The original set designs for Bodas de sangre and Yerma: written and built spaces by Aaron Jara-Calabuig

“…Manuel Fontanals, Santiago Ontañón, and Siegfried Burmann were leading figures in Spanish and foreign theatrical plastic art during the Second Spanish Republic and the following years. …”
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Egyptian rural heritage as an entry point to decorative design by Jihan Elsayed Hussein Ali Abduldayem

“…Therefore, it was necessary to support the students and continue to provide them with visual and intellectual insights into their national heritage.By using the experimental and analytical method, the resercher clarified the relationship between design principles and plastic art and she helps the art education students to be aware about the aesthetic values of their Egyptian rural heritage as one of the features of the Egyptian artistic identity. …”
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Design of printing Clothes Appurtenances by application of The Minimal Art by nanees gamal mohamed, mays fikri, Nevin Farouk Hussein

“…Reduction art contains many aesthetic and artistic expressive and symbolic values, and despite the simplicity of reductionist art, it is a revolution in the classical style in plastic art, the problem of research lies in how to benefit from artistic treatments of some works of Al-Khazali artists to create print designs for clothing supplements that uplift the general taste For the Egyptian productThe research aims to open new horizons for designs complementary to printing clothingThe results of the research are summarized in the existence of a positive relationship between the formal artistic treatments of some works of reductionist artists and the supplementation of clothing, as well as the employment of design experiments for complementary printing clothing inspired by reductionist art that imparts aesthetic and utilitarian values ​​to it.Statement of the Problem:The design of printing clothing complementary fabrics retains some artistic patterns and traditional solutions, so the research tends to experiment through the application of reductionist art to arrive at print values ​​with the aim of presenting a new formative vision that enriches clothing supplements, and from here the research problem can be formulated in the following question:How can some of the works of shorthand artists be used to introduce new styles of print designs to supplement clothing?…”
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The Technical Dimension of the Works of Artists Robert Rauschenberg and Jasper Johns by Nawras Hameed Majeed

“…The research entitled (The Technical Dimension of the Works of Artists Rauschenberg and Jasper Jones) dealt with the nature of the concept of technology and the mechanisms of its operation in plastic art, The research come in four chapters. The first chapter: The methodological framework of the research, in which the research problem was presented, the importance of research and the need for it, and the goal and limits of the research. …”
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