The semiology of the expressive semantics of the concept of constraint in contemporary ceramic art by wessam elhawwam

“…The study of contemporary ceramics is no longer limited to the study of techniques and skills of formation and treatments of various surfaces,but rather extended to include the study of philosophical aspects and the interpretation of symbols and connotations of philosophical ceramic works and their intellectual implicationsThrough the research,the researcher tries to shed light on the concept of the semology of expressive semantics of the concept of shackles in contemporary ceramics, including the elements (fetters, locks,chains) by exposing three axes:1- The first axis: semiology (the origin of the term,history,its definition)2- The second axis:semiology and the mark (plastic art and ceramic art)3- Application framework and business descriptionAnd the researcher concluded in it to define ceramic semiology as an analytical approach to reading the ceramic visual articulation, and analyzing the content of the visual message by decoding the symbols and signs that contain meanings through the processes of understanding, interpretation and perception.It is considered one of the arts that contain symbols and signs that can be analyzed according to the semiological approach.The researcher has foundUsing the analysis models of many thinkers interested in the process of analyzing the image according to the semiological method, including (Martin Jolly) (Jacobson) and (Laurent Gervereux).And based on the model of (Laurent Gerovero) in his analysis of the image according to the semiological approach ,the researcher extracted a set of steps to analyze the ceramic work in line with the special nature of the ceramic work…”
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"The Influence of the Bantoue Philosophy on African American Contemporary mural Painting " by Dina Yousri Soliman Dorgham

“…At the beginning of the twentieth century, modern trends appeared in plastic art; As a result of the discovery of African art, which quickly dominated the styles of European artists due to its originality and connection with human traditions and wisdom, it was a source of inspiration for most modern art schools such as symbolism, brutality, and cubism.began to exist at the hands of African-American artists who have African origins as a result of the immigration of their ancestors to America in the seventeenth century; Consequently, these artists were influenced by some ancient philosophies that contributed to the creation of many rules that the artist follows in the process of artistic creativity and made his works linked to place and creed, and among these philosophies (African Bantu philosophy); Which implies that the ancient African artists distinguish between what the senses perceive and what is. …”
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The preoccupations of the compressive references and their impact on the formations of postmodern art by Amal Nouri Abboud

“… The artistic process operates whether in general in all arts or specifically in one type of arts or one of the genres of arts types on the preoccupations of the pressing artistic references as the founder of the artistic work in the material formulations on the one hand and on the other hand as a translator to understand the artistic achievement in general and plastic art in particular and for the importance The researcher chose the title of her research tagged (the preoccupations of the pressing reference and its impact on the formations of postmodern arts). …”
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The Narrative Styles of the Transformations of the Concept of Hero's Image in Plastic Artworks by Akmal hamdi Ahmed Abdalla

“…The image of the hero plays in that visual narrative equation an ostensible role as the central figure in the artwork around which a group of other secondary elements revolve around which helps in highlighting the image of the hero and consolidating its concept with the recipient by expressing an event within the framework of the artwork, and from the above it is clear that the element The onion and his image in the artwork may include several different concepts that reflect the value of heroism and its meaning in the role embodied by this element in the work of art, and therefore the image of the hero is more than a central figure who plays a major role in the artwork.The research aims to uncover the narrative patterns of the transformations of the concept of the image of the hero in the plastic art work, while the problem of the research lies in the possibility of identify the narrative styles of the transformations of the concept of hero's image in plastic artworks?. …”
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African Heritage Vocabulary as a source of artistic insight in the field of decorative designs by Mohamed Elsbban

“…The research deals with the African heritage vocabulary because of its intellectual and philosophical content and design format that should be highlighted and its concept defined to contribute to deepening the cultural content that can be presented to the student and the plastic art connoisseur. The artistic vision from the research perspective does not stop at the limits of knowing the rules and foundations of artistic work only. …”
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The chaos theory as experimental Starting in developmental imagination to build contemorary paintings by Amany Farghal

“…The research recommends deepening the study of scientific theories and searching for innovative performance methods in various branches of plastic art in general and in the field of drawing and painting in particular .…”
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Sculpture orthodox tombstones. by Вікторія Феліксівна Ус

“…<em>The sculpture fund for the tombstones of the Kiev Necropolis, including the Lukianivsky Cemetery, is a rich but poorly researched material today. Samples of art of plastic art, namely sculpture, sacred monuments of the Lukyanovsky Memorial Reserve, many of which are in residual condition, are analyzed. …”
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La Transfiguración de Rafael : un mito plástico by Jesús Viñuales

“…</p><p>The mythological charge in a work of plastic art, is límited to the reproduction of a myth or a mythical legend which has been previously fixed on oral language or bay far written or literary. …”
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ANDRIC’S CRITICAL-ESSAYIST VIEWS ON ART by Slavica Juka, Ita Lučin

“…Andric tried to argue for the character of a work of art very boldly through on one side, the person and work of one of the greatest protagonists of Spanish plastic art – Goya, and on the other side the figure of the protagonist of Italian renaissance – Petrarch. …”
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The Modernization of Mosaic Art in Turkey by Hülya VURNAL İKİZGÜL

“…In the 1960s Bedri Rahmi Eyüboğlu transferred the Plastic Art to architecture through the mosaic, as a pioneer. …”
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Equilibrium and rhythm in Piet Mondrian’s Neo-Plastic compositions by Fallahzadeh, Ali, Gamache, Geneviève

“…An important modern artistic movement of the twentieth century is Piet Mondrian’s Neo-Plastic art and theory. From 1917 to 1944 and concurrent with the creation of his Neo-Plastic paintings, he explained his esthetic principles of Neo-Plasticism in writings, though posteriori to the act of painting. …”

Equilibrium and rhythm in Piet Mondrian’s Neo-Plastic compositions by Ali Fallahzadeh, Geneviève Gamache

“…An important modern artistic movement of the twentieth century is Piet Mondrian’s Neo-Plastic art and theory. From 1917 to 1944 and concurrent with the creation of his Neo-Plastic paintings, he explained his esthetic principles of Neo-Plasticism in writings, though posteriori to the act of painting. …”
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“The Sacrificial Ram”: Golden Statue in the History of Art by Karimov Samir K., Agalarzade Anar M.

“…This statue, a rare, small example of plastic art, was taken from a destroyed grave in the south-east of Azerbaijan, in the territory of Lerik district, and was handed over to the Museum of History in 2012. …”
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The Spoken Word, the Book and the Image in the Work of Evangelization by Jerzy Strzelczyk

“…Winfried-Boniface in the face of death at the hands of a pagan Frisian, the episode with a manuscript in the story of Anskar’s mission written by Rimbert). The role of the plastic art representations (images) during the missions is much less frequently mentioned in the sources. …”
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The Philosophical and formation Dimensions of Reductionist Art As a Source of Inspiration for Innovative Ceramic Shapes for Art Education Students by Reham Elsheref

“…Research Summary :Reductionist art contains many aesthetic and artistic values, expressive and symbolic, and despite the simplicity of reductionist art, it is considered a revolution against the classical style in plastic art. In building ceramic work, the research problem lies in: To what extent can the philosophical and plastic dimensions of reductionist art be used in teaching ceramic formation skills and producing innovative ceramic works inspired by it among art education students. …”
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Penalizing the forgery of a work of art in the Polish legal system: notes de lege lata and postulates de lege ferenda by Anna Gerecka-Żołyńska

“…The concept of ‘work of art’ has been narrowed down to works of plastic art for the purpose of the article and in this text is understood as an independent object separated from other objects of individual and independent specificity, being man-made, possessing aesthetic value, and expressing emotional qualities (Gołaszewska, Zarys estetyki. …”
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The visual and the invisible in graphic design by نهي سعيد رضوان

“…The invisible is one of the explanatory thinking necessities that accompany the constructive propositions of the visual elements within the graphic design space.search problemIn its essence, plastic art is the result of its realization, and it is one of the important means of communication in human life. …”
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Decorative formulations for the surface of ceramic products to achieve an aesthetic quality by Mohamed El-Shabrawy Shabrawy

“…The researcher has reached through this research to conclusions, the most important of which is that the modern methods used in the production of the ceramic model depend on high levels of technology for the general standards and foundations for the quality of ceramic products a great impact on enriching the artistic work, and in the end the researcher recommends the necessity to organize workshops in the field of art, Ceramic sculpture between the artists of the West and the artists of the Arab world, doing more research on the role of scientific development in the development of plastic art and the art of ceramics in particular, and the necessity of linking with scientific and technological progress and making use of the data of modern technologies, adapting them for the benefit of artistic work, teaching and training students of the ceramic department on scientific foundations to keep up with the latest developments in science and technology in the production of the ceramic model.…”
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Monumental art in the context of historical memory: the fate of the works of Juan de Avalos in Spain and Paraguay by Ekaterina Grantseva, Nadezhda Kudeyarova

“…Monumental art is a special sphere of plastic art, a fusion of architecture and sculpture, which is closely related to the ideological guidelines of the era. …”
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The dialectic of religious and worldly reality in Maher Harbi's drawings by frdos behnam yashoa

“… Maher Harbi's drawings have taken an aesthetic and artistic dimension that leads to creating an approach between what is religious and mundane, between religious and mundane, with the techniques of plastic art, and this is what led the researcher to address this topic and stand on the realistic controversy based on the religious and the secular. …”
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