The aesthetics of the design idea and its communicative role in the graphic achievement by Intesar Rasmi Mousa, Dina Mohammed Inad, Sahar Ali Sarhan

“…The most important findings of the research are: 1- The concepts of aesthetic are relative and differ from person to person and from one situation to another. 2- The aesthetic in graphic design is an objective phenomenon, not moody or subjective as in the plastic art, and this appeared in all studied samples. 3- The aesthetic value of the thing is related to its functional and utilitarian value, especially in design, the aesthetic stems from its functional and utilitarian value and then comes other material values ​​and this appeared in all samples 4- The selected samples have provided unlimited global communication messages by employing visual messages that carry deep meanings and implications for the international community in their different languages, needs and ideas, so it was a universal language. 5- The aesthetic value in designing logos stems from its moral, heritage and human value. 6- The design ideas in the design of logos were distinguished by their clarity and simplicity of the idea, as they moved away from the complexity in proposing the design idea and this appeared in the all samples.…”
Get full text

Piet Mondrian, early Neo-Plastic compositions, and six principles of Neo-Plasticism by Fallahzadeh, Ali, Yousof, Ghulam Sarwar

“…Examining the past and recent literature published about Mondrian, some scholars examined the aesthetic evolution of Mondrian’s vision toward his Neo-Plastic art and theory within a historical context by depending on the influences he received from circle of thinkers, artists, and friends during his life. …”
Get full text

10. Creativity and Innovation in Visual Arts through Form and Space Having Symbolic Value by Iaţeşen Mihai – Cosmin

“…The psychological and sensory processes in works of plastic art are spatially configured in structures, which leads to self-confession. …”
Get full text

Paint 3D digital environment applications as a source for fashion design inspired by the Egyptian heritage by Doaa Ahmed, Amr HASSOUNA, Nesreen Hassan

“…The Mixed Media art used by more than one type of material and more than technology, and this concept has come to be called works of art used for more than one medium where the art of mixed media means that the combination of materials, tools, means and techniques to reach the work of plastic art. Media merging techniques contribute to the artist expressing his ideas in an innovative manner for using unconventional materials, materials and techniques. …”
Get full text

Creation in painting techniques using the elements of nature Fumage painting ( painting by soot or smoke ) by Ahmed Abd El Hameed El Shafei

“…When nature produces elements and materials, we must stop to contemplate what they produce from the elements and materials, think, and try to reformulate or subjugate them and make them engage in the arts, including plastic art, in order to produce an integrated work of the elements, as man is the son of nature resulting from nature and is his primary reference in all His artistic production is not only in the formative and aesthetic values but also in his material resources and material raw materials, as he used primitive man the components of nature to draw some magical symbols on the walls of the caves associated with his faith where it brings him livelihood or sympathies of his idols or helps him to attract his prey And come to him by wind or rain, or from another side, to defend himself against predators by using fats, animal blood, grease or oils resulting from combustion, and also by using charred wood used to light fires in order to cook food and for heating, which is like the coal weld used at the present time in drawing and then The ancient Egyptian artist used some earthen oxides, mixing them with some oils or chemicals to obtain a pure color with which he can add and make formative works that achieve his idea and communicate his message and immortalize his history and tales by art and by the coloring materials originating from nature.From here we conclude that nature is the main and main resource of technical resources, material or intellectual.And by using the primitive man for coal, the combustion process produced some black fumes called (with soot) or (soot) that had accumulated and calcified on the wall resulting from the combustion process to create a dark space on it and from here I tried to formulate this technique derived from nature to produce a fine artistic work in which the component elements For drawing art, which is the balance and diversity between the silhouettes and the harmony between the dark and the light where I used soot or flame resulting from the combustion process and received it on some different surfaces to achieve the various plastic values in an artistic framework and from the research I found that there are those who preceded me to the idea which is The artist SPAZUK has experimented with this technique and produced some complete…”
Get full text

The role of design in rooting mental images through digital portraiture and augmented reality technology (Art exhibition entitled "I am Egyptian") by Sarah Bedair Ibrahim Agag

“…As one of the means that support the educational role of plastic art exhibitions in general and the field of design in particular, and provide young girls with successful models to follow, serving as a role model for them and an incentive to build their future and the future of the nation.This study presents the art of digital portraiture and graphic art and its role in rooting the mental images of the idea of the ideal among young girls using augmented reality technology, and evaluating the use of exhibition visitors of this technology in order to improve the effectiveness and communicative efficiency of digital artwork. …”
Get full text

Representations of the body in the works of the artist Ali Al-Najjar (analytical study) by Rehab Hussein Ali, Salam Idwer Yaqoob Al-Loos

“…The twentieth century witnessed developments, transformations and artistic revolutions, including what was witnessed in Arab art, especially contemporary Iraqi plastic art, and as a result, research and studies have increased that dealt with its topics in different ways, which has become a presence that gave it its own language and unique discourse, especially the body, thus opening the way for its employment in composition, to become a form. …”
Get full text

Alienation in Contemporary Sculpture between the Works of Anthony Caro and Tony Cragg (A Comparative Study) by Jafar Sadik Ayyed Ali

“…The importance of the research is to identify the concept of alien forms in contemporary British sculpture, especially in the cases of Anthony Caro and Tony Cragg that this research is considered a knowledge research that has importance in highlighting the construction of contemporary sculptural form, and the processes of alienation in the plastic art achievement. The temporal and spatial limits of the research are from 1965 to 2014 with all the materials, methods and techniques of modern sculpture in Britain. …”
Get full text

Combining the Arabic character with the digital image and its role in graphic output – experiences and results by Aida Jokhosha

“…As part of wide spread technological advancements, many artists have been seeking to formulate Arabic script using computer software added to digital images to produce graphic design and plastic art as well due to the desired speed to accomplish such tasks.The researcher embarked on digital experimentation by integrating Arabic letters with digital images she created to produce a series of digital graphic design work.The problem of the research materializes in the question of how far digital technology would create graphics and plastic design artwork through the process experimentation leading to innovative design units that would attain equal standing with work purely produced by hand in the traditional way.Objectives of the Research1. …”
Get full text

Utilization Level of Assessment Strategies among Arts Education Teachers of Elementary Stage by Monther Sameh Mohmmad Al Atoum, Mowafaq Ali Sharif Alsaggar, Taiesir Hamdi Ahmad Tubaishat

Get full text

Calendar curriculum material history of civilization in the design department by Fatima Abdullah Omran

“…The curriculum of (History of the Art) in the college of Art Education / dept. of plastic art education and ceramic as the other curriculums and due to the subject of history of the art develop the knowledge, taste and experiment for art studier also this subject has a direct relation with practical educational activities like colors and growth the knowledge of the student in field of contents and symbols and evidences of meaning in old , medium and contemporary arts, due to the fact that this curriculum has been applied since long time more than four years, and there was not any improvement occurred to it as the best knowledge of the researcher, that urged her to take this subject into study in order to know the points of power and weakness existed in the curriculum, notice that the aim of the research is to determine the points of weakness and power in the subject of history of the art as the targets, items and content. …”
Get full text

The aesthetic emotional expression of piano music art in the background of Internet of things by Xianhua Zhang, Qin Kang

“…Artwork, generally refers to the work of plastic art. Artwork is divided into many categories, pottery art, traditional Chinese painting, abstract painting, musical instrument, sculpture, cultural relic sculpture, sandstone, imitation sandstone, ornaments, iron art, copper art, stainless steel sculpture and so on. …”
Get full text

Archaeological research at Pietroasa Mică – Gruiu Dării (2019–2020). The Late Eneolithic period by Grigoraș, L., Munteanu, R., Garvăn, D., Dumitrașcu, V.

“…Numerous and varied archaeological materials were discovered in the Eneolithic depositions of S11 : pottery sherds (Cucuteni B2 and alike Cernavoda Ic) ; vessels ; zoomorphic and anthropomorphic plastic art ; loom weights ; tools made of hard materials (stone, bone and antler) ; adornments and/or pendants ; various items of uncertain functionalities. …”

فاعلية النقطة ودلالاتها في التصميم الطباعي (الملصق انموذجاً) Effectiveness and implications of point in the Graphic Design (label as a model)... by Motaz Inad Gazwan معتز عناد غزوان

“…The second section was studying point specialist in the philosophy of Plastic art. The third section has included the study of the point in Graphic Design. …”
Get full text

Using Kiln Boats to Reuse Marine Plastics by Shuo-Fang Liu, Tzu-Chieh Lee, Maggie McMillin, Yuan-Tai Li, Yun Li, Yuan-Chin Hsu

Get full text

About neolithic authenticity of finds from Belica by Antonović Dragana, Perić Slaviša

“…The objects of “Neolithic plastic art” from Belica, made from baked clay, stone and bone, have been arriving at the Regional Museum in Jagodina since 1991. …”
Get full text