‘the strategy with cunning shows’: the aesthetics of spectacle in the plays of Robert Greene by Sager, J, Dr Jenny Emma Sager

“…Orlando’s behaviour, which rapidly alternates between that of a madman and that of a poet, forces the audience to contemplate the link between the mania of the mentally ill and the melancholia of the creative genius. …”

Passion of st. Vincentius: a little known redaction BHL 8631 and problems of its dating by Eugene Rosenblum

“…These features can also be found in works of Prudentius, which indicates that the redaction was composed in the time and place close to when and where this poet lived. The article thus gives additional arguments in support of Simonetti’s view, according to which the redaction BHL 8631 was made in the 4th century and, probably, in Hispania. …”
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WHAT TEACHERS MAKE : IN PRAISE OF THE GREATEST JOB IN THE WORLD / by Mali, Taylor, author 637282

Unknown Dobrolyubov: Russia and Italy in the Life of the Litarary Critic by I. V. Tolokonnikova

“…This poetic image has become strongly associated with Dobrolyubov’s personality, yet Dobrolyubov was much more than that: a witty satirizer, talented translator, author, and poet. M. G. Talalay’s book on Dobrolyubov’s Italian period depicts the distinguished critic not only as a versatile author, but also as a cultural phenomenon. …”
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Guide spirituel ou voleur de miel ? La figure de l’apiculteur dans la pensée occidentale by François Tavoillot, Pierre Henri-Tavoillot

“…We see the hero Aristaeus, initiator of beekeeping, having to resolve (already) the first disappearance of bees, caused by his confrontation with the fusional couple that constitutes Orpheus the poet and the nymph Eurydice. This myth allows us to go beyond the simple opposition between a "good person", the protector of bees, and a "bad person", the greedy predator, the ideal beekeeper being the one who manages to reconcile the productive bee and the symbolic bee, work and poetry, Aristaeus and Orpheus.…”
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„Pal/ palid” ca epitet metaforic în poezia lui Eminescu / „Pale/ pallid” as metaphorical epithet in Eminescu’s poetry by Dinu Moscal

“…Associating these adjectives with characters such as the Poet, the Monarch, the Sleep and the Demiurge, usually at an intuitive level, does not reveal the intended meaning. …”
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La préface de Robert Desoille by Jean-Luc Pouliquen

“… En essayant d’étudier les raisons pour lesquelles Gaston Bachelard n’a pas répondu favorablement à la demande qui lui avait été faite par le poète Pierre Oster, de préfacer un livre d’Hervey de Saint-Denys consacré aux rêves, on en vient à présenter ses rapports avec le mouvement surréaliste et la psychanalyse. …”
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La palabra inhabitable: Sarah Klassen y Simone Weil / Uninhabitable Words: Sarah Klassen and Simone Weil by Nieves Pascual Soler

“…ABSTRACT: This essay examines Sarah Klassen’s sixth book, Simone Weil: Songs of Hunger and Love (1999), a collection of poems and brief prose pieces where the Canadian poet lends her first person to Simone Weil, French philosopher and mystic suspicious of mysticism. …”
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Konstruowanie „ja” w twórczości Franciszka Karpińskiego na tle epoki i jej tendencji by Przemysław Górecki

“… Constructing the self in the literary work of Franciszek Karpiński against the background of the Enlightenment and its tendencies The presented paper provides analysis of the notion ‘autobiographism’ contextualised in the literary output of the Polish poet of the enlightenment, Franciszek Karpiński. …”
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La version en vers des Sonnets de Shakespeare par Ernest Lafond (1856) : défense de la poésie à l’âge de la prose by Line Cottegnies

“…The French Romantics showed little curiosity for Shakespeare as a poet, let alone as a sonneteer. The first translations of his works usually ignore his poems and these start making their entry into the complete works only towards the middle of the XIXth century. …”
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HETERONÍMIA E SINCERIDADE NA CRIAÇÃO DO PRIMEIRO FRADIQUE MENDES by Cristina PETRESCU

“… Heteronimy and sincerity in the creation of the first Fradique Mendes. The “tricephalic poet” Carlos Fradique Mendes, collective creation of the Generation of 1870 and synthesis of the ideals of this generation, was introduced to Portuguese literature as a unique heteronymical phenomenon. …”
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Virgil re-purposed in the Old French «Roman d’Eneas» by Raymond Cormier

“…Finally, Pallas’ baldric (ripped off by Turnus once he slays the youth) is changed by the anonymous Old French poet to a finger ring. I attempt to offer suggested explanations for the three non-Virgilian embellishments. …”
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பாரதியார் பாடல்களில் பிள்ளைத்தமிழின் கூறுகள் / Elements of PillaittamiI in Bharatiyar Songs by திருமதி ந. தமிழரசி / Mrs. N. Tamilarasi

“…Bharatiyar is an unparalleled poet of the twentieth century. He also occupies an important place in the advent of modern literature. …”
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Senghor, Sémio-épistémocritique de la poétique de la personnalité négro-africaine by Noël SANOU

“…Cerner la figure polémique du Senghor dont les frasques théoriques et philosophiques présumées auront suscité la furia d’une jeunesse intellectuelle émergeant avec les indépendances, est le but de cette réflexion qui se propose un panorama des interrogations autour d’une positionépistémologique, une identité par lesquelles Senghor aurait fait entrer une épistémè dans le discours de la contestation sous la forme un vécu esthétique (de poète) et conceptuel (d’acteur) au mépris d’une négritude historique et dans l’histoire. …”

Movens sine motione: Espacio y acción en la poesía de Sulpicia by Agustín Ávila

“…There are those who claim that it is the only testimony of feminine writing from the Late Republic and, on the other hand, those who prefer to deem them the work of a male poet who assumes, like Propertius and Ovid did before, a feminine persona. …”
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De la prégnance des mythes bibliques à l’expression de la socio-culture haïtienne : une lecture mythocritique d’Une étrange Cathédrale dans la graisse des ténèbres de Frankétienne... by Daniel KADAI AGUIDJIRA

“…Résumé : Une étrange cathédrale dans la graisse des ténèbres est le cinquième mouvement de Les métamorphoses de l’oiseau schizophone, chef d’œuvre du poète haïtien Frankétienne. Dans cette œuvre, la récurrence excessive des mythes bibliques est à mesure de saisir l’esprit le moins attentif. …”
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Eesti antiigitõlke traditsioonid / Traditions of Estonian Translation from Ancient Greek and Latin by Janika Päll

“…The tradition of translating ancient Greek and Roman authors into Estonian is short, beginning with first attempts at the end of the 18 th century and the close adaptations of two Anacreontic poems (21 and 24) by the first Estonian poet Kristjan Jaak Peterson (in 1818), which remained in manuscript for a long time. …”
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Linguistic Stylistics of the novel “The Red mane mare’’ (Ān mādiyān-i surkhʹyāl) By Mahmoud Dowlatabadi by Shahreyar Hemmati, Ali Salimi, Hossein Abedi

“…The short and historical novel of“The Red mane mare’’(Ān mādiyān-i surkhʹyāl) By Mahmoud Dowlatabadi is an excerpt fromImru 'al-Qais life who is a romantic poet or songwriter during the ignorance era and it isdescription of the incident and story about a emotional - tribal vengeance (vendetta).In the form of the novel, author has linked a quasi-historical legend in the world of today.In terms of narrative language, this novel isdistinguishedfrom the other stories of Dowlatabadi due to features of the classic prose in it. …”
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On the History of Creation of the Akathist to St. Sergius of Radonezh: A Gifted Copy from the Library of Peter I by Vera G. Podkovyrova

“…The manuscript presented to Tsarevna Sophia Alekseyevna in 1689 contained one of the last works of the soon-to-be executed monk, favorite student of Simeon Polotsky, court poet and prominent figure of the theological and political group of the so-called Latinists (in the 1680s). …”
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Desanka Maksimović’s Engaged Medical Novel “The Open Window” (1954): Tuberculosis as a Social(ist) Issue by Stanislava Barać

“… Desanka Maksimović’s Engaged Medical Novel The Open Window (1954): Tuberculosis as a Social(ist) Issue  The Open Window (1954) is a novel written by the critically acclaimed and renowned poet Desanka Maksimović and continues in the same vein as her pre-war socially engaged short stories. …”
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