«TO EXPOSE OUR TERRIBLE AGE»: THE POETIC EPOS OF ELLA BOBROWA by Galina L. Nefagina

“…The poet, critic, translator Ella Bobrowa (1911–2012) belongs to the generation of those Soviet people who went through the horrors of the German occupation of Ukraine, through the refugee and Di-Pi camps and were forced to become second wave immigrants. …”
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Les Cordes du Langage: Réflexions sur la Créaction Poétique dans « Raturer Outre » d'Yves Bonnefoy by Amgad El-Zarif Atta

“…Sous la forme d'un sonnet, le poète a pu immortaliser, dans les poèmes de R.O, des idées, des concepts, des identités humaines, etc. …”
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Sufistic Metaphors in Şahidi’s Poems (ŞÂHİDÎ’NİN ŞİİRLERİNDE TASAVVUFİ METAFORLAR) by Nagehan UÇAN EKE

“…In consideration of his works titled Turkish and Persian Divan, Tuhfe-i Sahidi, Gulsen-i Vahdet, Gulsen-i Esrar, Mevlid and Gulsen-i Tevhid, sources agree that Sahidi was an enlightened individual and a master poet. The characteristics that render Sahidi important in the sufistic field are the language, way of expression, and narration technique he uses in his works that reflect his thoughts not only in practice but also in theory. …”
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THE CHAMELEON’S BLUSH AND THE POETIC IMAGINATION FROM SHAKESPEARE TO KEATS by Jonathan P. A. SELL

“…When English Romantic poet John Keats likened William Shakespeare to a chameleon, far from being original, he was tapping into a venerable tradition of drawing analogies between human beings and the colour-changing reptile. …”
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Jarir psyche through the art of antipodes by Jalil Faleh

“…Our academic studies in the history of literature are accustomed to adopting a set of news a Muslim subject that is heard over a generation after generation, along with a number of literary product poetry and prose studying a traditional study based on an explanation of the meanings and ideas without penetration into the depths of these texts and its internal world and the link between Its introductions and results, and without being guided by the foundations of the distinction between the benefit of this and its corrupt, the amount of this crown indicating the psyche of its owners through symbols and gossip, verbal indications and artistic structures, as well as the amount of correlation between the reality experienced by the poet and people and the contents of this literary crown. …”
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ANNE BRADSTREET'S ATTITUDE TOWARDS LOSS ATITUDE de Anne Bradstreet PARA PERDA by Maria Cristina Pimental Campos

“…-- @page { margin: 2cm } P { margin-bottom: 0.21cm } --> <p class="western" style="background: #ffffff none repeat scroll 0% 0%; text-indent: 1.02cm; margin-bottom: 0cm; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; line-height: 0.35cm;" align="JUSTIFY"><span style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><span lang="en-US">Anne Bradstreet's poems about loss illustrate a dogmatic and conflicting attitude between belief and non-belief. The poet's anxiety emerges from the tension between the </span></span></span><span style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><span lang="en-US">earthly and heavenly values. …”
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Attraverso gli studi spagnoli di Cesare de Lollis (1887-1924) by Diego Stefanelli

“…The most interesting of them is the article Classicismo e secentismo (1908) on Fernando de Herrera: De Lollis included the poet in the «heroic» poetry of classicismo, which he studied in several works (concerning especially French literature). …”
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William Shakespeare and Slovene dramatists (II) : J. Jurčič, F. Levstik, I. Cankar, O. Župančič, B. Kreft : (the makers of myths) by Mirko Jurak

“…The same kind of "enchantment" caught Oton Župančič, a Slovene poet, translator and dramatist, who had translated by 1924, when his Veronika Deseniška (Veronika of Desenice) appeared, several plays written by Shakespeare. …”
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Parole de femme en Ontario français : subjectivité, agentivité et transgression dans les Carnets de déraison de Guylaine Tousignant by Johanne Melançon

“…<p>Peu de femmes, et surtout peu de poètes, ont pris la parole en Ontario français dans les années 1970, 1980 et même 1990. …”
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The literary ballad in early nineteenth-century Russian literature by Katz, M

“…Meshchevsky, an almost forgotten poet, has recently been discovered and labelled Zhukovsky's "double"; an analysis of his only two published ballads shows that while he imitated Zhukovsky's intonations, interrupted narrative, and epithets, his highly artificial images and complicated syntax tended to obscure his meaning. …”

Islamic Art and Spirituality / by Hossein Nasr, Seyyed, 1933-, author 208503

Van Gogh : THE LIFE / by Naifeh, Steven, 1952-, author 647235, Smith, Gregory White, author 647236

Villena e Febrer sulle soglie dell’<em>Inferno</em> by Anna Benvenuti

“…At the end of a first appraisal of the texts under examination it is possible to assume that, even if the Catalan poet knew Italian better, his translation was probably of no use to Villena precisely because of the excessive liberties the former took with the text and also due to his reiterated resorting to Italianisms and Occitanisms. …”
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HAS-BAĞÇEDE 'AYŞ U TARAB'DA KLASİK TÜRK EDEBİYATININ İRANÎ MENŞEİ TEZİ by Bünyamin TAŞ

“…The first topic of Has-bağçede 'Ayş u Tarab is reserved for determining origin while the work itself handles, as its impressum and preface states, the leisure life of the Ottoman elite and its inseparable companions, poetry and poet. Halil Inalcik states that the tradition of majlis-e ‘ishrat, the most palpable location for the Ottoman elite’s leisure life, is basically an extension of pre-Islamic Iranian culture in terms of both structure and content. …”
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La schizophrénie et l’écriture féministe à travers «Blanc chaud » ou "Bayad sakhen" de Souhir El-Mosadafa et « Les silences de Lucie » de Alice Pasina Étude comparée by Manal El Sayed El Sayed Gharib

“…Parmi lesquelles nous avons choisi Souhir El-Mosadafa  ,poète, traductrice et romancière égyptienne et Alice Pasina (Karine Pasina de Simone) est professeure dans une école et écrivaine française. …”
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Les trahisons montréalaises dans Le manteau de la femme de l’Est by Simon Harel

“…La culture dite locale se doit d’être « branchée », « connectée » aux flux du mondialisme que représente une marche forcée, de plus en plus rapide, comme si le sujet post-identitaire se devait en quelque sorte de vivre dans un archipel, une métaspora (selon l’expression du poète Joël Desrosiers). Nous souhaitons interroger dans cet article les expressions têtues, parfois répétitives d’une pauvreté qui échappe à toute forme d’embourgeoisement et qui tient lieu de foyer de résistance (ce qu’est l’Est montréalais), alors que l’on promeut le principe salvateur de cette créativité mondialisée dans les nouvelles villes post-identitaires. …”
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To compare metaphysical thoughts of Molavi & Lobsang Rampa based on the idea of holographic world. by Mohammad Behnamfar, Zahra Khoshamen

“…Introduction Molavi Rumi is a thoughtful poet who has timelessly proposed new solutions to human beings challenges. …”
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STYLISTICS OF IMPRESSIONISM IN THE SONG CYCLES OF LESIA DYCHKO “PASTELS” AND “ENHARMONIC” ON THE POEMS BY PAVLO TYCHYNA by Oksana PYSMENNA, Svitlana MYSHKO, Kateryna CHEREVKO

“…The analyzed song cycles demonstrate the artist’s deep penetration into the figurative concept of the poet's free verses, reflecting its semantic properties by musical means. …”
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Potrawy na uczcie Nazydiena (Horatius, Saturae II 8) a "De re coquinaria" Apicjusza by Sławomir Wyszomirski

“…The other issue, which is still present, is proper understanding and interpretation of these fragments of Horace’s Saturae II 8 where the poet gives us a description of dishes prepared by Nasidien’s chefs. …”
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Meie saarelt Mnemosyne juurde. Saar kui omaelulooline kujund Bernard Kangro loomingus. From Our Island to Mnemosyne. The Island as an Autobiographical Figure in Bernard Kangro’s w... by Maarja Hollo

“…In order to establish a wider context for the relationship between the writer in exile, writing, and a sense of place there is a reference to the work and literary views of the German-speaking Jewish poet Paul Celan. The common basis for the comparison of the work of the two writers is their exile status, but they also share an understanding of the interrelationship between language and reality, a distinctive relationship with places and a sense of place as well as religiousness in their work. …”
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