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5961
Biodiversité et corporéité dans la poésie diasporique caribéenne: vers une esthétique écoféministe
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5962
عروض مختصرة
Published 2016-04-01“… • Iqbal: The Life Of A Poet, Philosopher And Politician. Zafar Anjum. Random House India. …”
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5963
O amor como instinto natural humano e animal nas poesias eróticas de Drummond e Augusto Oliveira
Published 2016-07-01“…Cette étude vise, avant tout, d’analyser la forte présence de l’érotisme littéraire dans les œuvres, sous la poussée de la critique comparative afin de démontrer comment les deux poètes décrivent dans ses poèmes érotiques, les visage de l’amour comme un acte instinctif de l’être humain parfois de l’animal. …”
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5964
Between music and ideologies: Croatian music criticism from the beginning to World War II
Published 2018-12-01“…The first music criticism in the Croatian language in the true sense of the word is generally considered a very comprehensive text by a poet Stanko Vraz (1810-51) about a performance of the first Croatian national opera Ljubav i zloba (Love and malice) by Vatroslav Lisinski (1819-54) from 1846. …”
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5965
La palabra inhabitable: Sarah Klassen y Simone Weil / Uninhabitable Words: Sarah Klassen and Simone Weil
Published 2013-02-01“…ABSTRACT This essay examines Sarah Klassen’s sixth book, Simone Weil: Songs of Hunger and Love (1999), a collection of poems and brief prose pieces where the Canadian poet lends her first person to Simone Weil, French philosopher and mystic suspicious of mysticism. …”
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5966
«Maria Balteira e i dadi (Pero Garcia Burgalês, 125,19)»
Published 2016-12-01“…According to the common interpretation of the text, the poet reprimands Maria for being accustomed to playing dice and cursing, and warns her against what could happen if she ever were to sleep with a honourable man (bon ome): she could curse in her sleep, which would cause her great shame. …”
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5967
Atlandi ookeani varjatud allhoovused
Published 2023-07-01“…In the first part of qualitative analysis, the intertextual ties between Smuul’s own lyrics and those by an Estonian popular poet of the turn of the century, Georg Eduard Luiga, are discussed. …”
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5968
Sarmiento s’arrête à Paris. Entre hôtels et salons mondains
Published 2007-11-01“…Dans ce parcours on trouve aussi un lieu d’étape qui jusqu’alors a échappé à l’examen des critiques de l’œuvre de Sarmiento : sa visite chez Mme Tastu. Celle-ci était poète dans sa jeunesse, et tenait un salon où, avant Sarmiento, s’étaient rendus des voyageurs tels que Alexandre von Humbolt, Jean-François Champollion, ou encore André-Marie Ampère.…”
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5969
Magic, paganism and Christianity in Sir Gawain and the Green Knight
Published 2018-01-01“…Magic in this romance is not merely a principle opposed to Christianity but an important indicator of social and historical circumstances used by the poet to highlight the dominant problems in the medieval society in which magic is inherently present. …”
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5970
Cándido María Trigueros, traductor de Metastasio y suversión castellana inédita de Endimione
Published 2009-11-01“…The learned translator’s admiration for the renowned Italian poet, whose production he knew very well, is paralleled by the indubitable ideological affinity between them, with a clearly moderate tendency within the Age of Enlightenment. …”
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5971
Gastronomic accounts of the Ancient Rome in the poem Dinner by V. S. Filimonov (1837)
Published 2023-05-01“…The dishes mentioned by the poet are not only of practical use, they are incorporated into the system of literary relationships, and become a source of intertextual connections and allusions. …”
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5972
Słowiańska Metryka Porównawcza. Ewolucja celów i metod badawczych
Published 2008-12-01“…They concern analysis and interpretation of the sign functions fulfilled by the verse systems, in particular metres, types of rhyme, in the work of a given poet or in the framework of the whole period of the literary history. …”
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5973
Syntaxe et signifiance de la parole conative dans la poésie Africaine Francophone
Published 2023-12-01“…It is undeniable that elements such as rhythm, symbol, and poetic imagery, along with other aesthetic devices in verbal creation, serve as means of captivating and elevating the discourse, enabling the poet to construct a message aimed at captivating and stirring the reader. …”
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5974
Solano Trindade: a poesia como arma humanizadora = Solano Trindade: poetry as weapon for humanization
Published 2010-01-01“…In his production, the poet gives his voice to the oppressed man (Negro or White), to denounce social injustice. …”
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5975
பேராசிரியர் பார்வையில் கவிமணியின் தமிழ்ப்பணி / Kavimani's Contribution to Tamil from the Perspective of Na. Subbu Reddiar...
Published 2022-11-01“…Through analysis, Professor Subbu Reddiar gives us the feeling of the poet who enjoyed nature and indepth philosoophy. …”
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5976
Movens sine motione: Espacio y acción en la poesía de Sulpicia
Published 2017-08-01“…There are those who claim that it is the only testimony of feminine writing from the Late Republic and, on the other hand, those who prefer to deem them the work of a male poet who assumes, like Propertius and Ovid did before, a feminine persona. …”
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5977
أبنية الأفعال في الأعمال الكاملة لفوزي عيسى دراسة وصفية تحليلية
Published 2023-10-01“…The preface focuses on defining the poet . As for the first chapter in terms of the construction of the active and the passive. …”
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5978
A Textlinguistic Analysis on Furug Ferruhzâd’s Story Kâbus
Published 2016-12-01“…In the twentieth century, although Furug Ferruhzâd (1935 -1967) who is one of the leading intellectuals and literary women of the contemporary Iranian literature is known as a poet, she produced also successful works on writing, painting, acting and directing. …”
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5979
Cándido María Trigueros, traductor de Metastasio y suversión castellana inédita de Endimione
Published 2009-11-01“…The learned translator’s admiration for the renowned Italian poet, whose production he knew very well, is paralleled by the indubitable ideological affinity between them, with a clearly moderate tendency within the Age of Enlightenment. …”
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5980
Le Paris d’Ardengo Soffici
Published 2008-01-01“…L’auteur, qui avait eu l’occasion de rencontrer Ardengo Soffici dans la dernière période de sa vie, par l’intermédiaire d’un autre grand futuriste, Primo Conti, s’arrête sur la période parisienne du florentin (1900-1907), connu surtout comme peintre, mais qui fut aussi écrivain et poète. Avec en poche l’argent pour acheter un billet de train, un aller simple, et deux sous pour les premiers jours, en compagnie de quelques camarades aussi courageux que lui, Soffici prit, justement au début du siècle dernier, la décision de partir pour Paris. …”
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