“I Embrace You Brotherly, Friendly…” (Alexander Pleshcheyev’s Letters to Vasily Zhukovsky, 1809–1814) by Svetlana V. Berezkina, Nina L. Dmitrieva

“…During this period, Pleshcheyev was one of the closest poet’s friends, aware of all his personal and creative affairs. …”
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صورة المدينة في ديوان عبد العزيز المقالح by خالد عمر يسير

“…The researcher has also referred to the poet’s success in conveying his message to the reader, and what helped him to do that was a clear linguistic form, which we can say about it: “ easy but rather impossible “. …”
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BU YIL BU DAĞLARIN KARI ERİMEZ’ ADLI ESERİN MAKAMSAL ANALİZİ: FEYZULLAH ÇINAR İCRASI by Serkan KARAASLAN

“…Pir Sultan Abdal, one of the significant milestone of the Alevi-Bektashi faith, is a folk poet who is known to have lived in the 16th century. …”
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Prophetic praise in Andalusian poetry, the Almohad era by Munjed Bahjat

“…The prophetic praise reveals to us the close relationships and strong bonds between the personality of the Messenger (may God bless him and grant him peace) and the poets themselves. The magnitude of this influence was great through the large number of poets who praised the Messenger (PBUH) and the volume of this poetry in relation to their other poems - as they were not far from the largest source of Islamic law after the Holy Qur’an - the noble hadith which is the sum of the sayings of the Messenger (may God bless him and grant him peace) ) And his actions.…”
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French poems of Nikolay Gumilyov by Belavina, Ekaterina M.

“…At the turn of the nineteenth and twentieth centuries, the paths of many Russian poets crossed in Paris. It was there that Gumilyov met A. …”
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Instruments of Community by Ad Leerintveld, Jeroen Vandommele

“…It discusses the advent of the sonnet in the Renaissance literature of the Low Countries in the 1560s, showing how artists, scholars, and poets with connections to the Dutch refugee community in London became early adapters of this genre through their alba amicorum. …”
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Atsar al-Qur’an al-Karim fi al-Lughah wa al-Syi’r wa al-Natsr: Dirasah al-Adab al-‘Araby fi ‘Ashr Shadr al-Islam by Noza Aflisia, Badruzzaman M Yunus, Izzuddin Musthafa, Yusuf Ali Shaleh Atho

“…The Holy Qur'an has had a great impact on the language, styles, and contents of literary production of poets, orators, and the contents of their literary production. …”
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The Challenges of Translating Poetry from Arabic into Persian: Investigating the Poems by Nizar Qabbani, Badr Shakir al-Sayyab, and Nazik al-Malaika by Abdol Ali Alebooyeh

“…Mixture of the language of poetry with the poet’s feelings and its benefit from ambiguity and complexity as well as presence of elements such as rhythm, sentiments, and fantasy puts poetry at a higher position than prose, and accordingly adds more importance to its translation. …”
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Born in Translation and Iteration: On the Poetics of João Delgado by Lea Mauas, Diego Rotman

“…Delgado was a Portuguese-Argentinean poet, born in Lisbon circa 1920 (or not), who left Portugal as a political refugee for Buenos Aires. …”
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A search for absolute poetry (from pure poetry to nonpoetry: Bremond, Hlbina, Silan, and Groch) by Ján Gavura

“…In the early 1930s, a group of young Catholic poets entered the Slovak literary scene with a new approach to the creation of poetry derived from mysticism. …”
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Une lecture biographique de la poésie de Xu Lizhi by Beaton GALAFA

“…Thus, the poet’s lived experiences offer insights into the psychic state that underlies the literary ingenuity expressed in his poems. …”
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'falling awake': Peter Manson's Catachresis by Callie Gardner

“…However, the Roman rhetorician Quintilian admits (reluctantly and without offering up examples) that ‘poets are accustomed’ to breaking this rule and using catachresis for other reasons, as it seems they have always done. …”
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The struggle of life and death in the poetry of Imra Al Qais by Omar Al-Talib

“…The biggest proof of this is the life of conquest that they loved. The poets boasted of themselves and their people because they threw themselves into death without hesitation or fear. …”
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الشاعر القاسم بن هُتَيْمِل في آراء النقاد by علي حيدر, محمود أبو بكر

“…In this research, which briefly introduces the poet, there is a kind invitation to students and those interested in literature to pay attention toward the Southern Arabian Peninsula (Yemen), whose poets have not had what they deserve from study and attention, especially during the era of Arrasuli State. …”
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النرجسية وصورة الآخر في شعر عمر بن أبي ربيعة by أحمد ياسمين

“…This study attempts to identify the most prominent subjective features in the poetry of Omar as a famous poet who became a phenomenon in the field of poetic and literary creativity through mastering flirtation poets and poetry in his era. …”
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Eesti nõukogude loojak by Märt Väljataga

“…During this period, young philologists, poets, artists and essayists re-discovered the decadence of the fin-de-siècle and its Estonian expressions as a significant source of inspiration. …”
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الحوار في شعر عمر بن ربيعة by عبد القادر سكران

“… Dialogue in the Poetry of Omar Bin Rabia Whatever the poet is imitating others, he has a peculiarity that makes him unique during his imaginary imitations that he wears by his experiences selected from his reality, and as a culmination of this individual peculiarity of ancient Arabic poetry in its cognitive parts, we look at the element of “dialogue” in the poetry that Omar bin Abi Rabia employed and used as a means In most of his poems, he intended to reach his goal in the closest way, and by resorting to double linguistics in poetry, achieving at least two functions: the first is to draw close to the common people, and secondly, the poet took the admiration of the linguists who admitted to him the correctness of his language, so they protested his verses against some grammatical rules, and if this is the case with The ancient historians of Arabic literature in the modern era made him one of the great poets. …”
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الملامح الرومانسية في شعر حامد حسن. by محمد معلا حسن

“…Hamed Hassan belongs to a generation of poets who grew up according to the conventions of Classicism in Arabic poetry. …”
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Shabdiz and Golgon, Two Manifestations of Mithras and Bahram by Fozone Davani, Mohamad Feshraki, Mabobe Khorasani

“…The fame and glory of this historic horse brought it into the world of myths as far as many Persian literary works came out and many poets used it to create unique works. Since the name of Shabdiz is linked to night and darkness, it is a beautiful theme for the poet's imagination to fly in the night sky; however, the poet's imagination was not limited to the night sky, but the sky of the day, with its companionship, Golgon, was seized by him. …”
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Some questions concerning the name of the medieval turkic literary language by Т. Kydyr

“…Turkologists associate the name of the literary language of that era «Chagatai» with the fact that the poets of that era lived in the Chagatai ulus. However, poets of that time (Lutfi, Atai, Navoi, etc.) wrote that their works were written in the «Turkic language». …”
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