The Authentic Artwork? The Paris Review Author Interview by Becky Roach

“…The literary interview (a term which is used variously to refer to the interviewee, the content or the style of presentation) is so popular that one critic has complained that poets don’t write essays anymore, they give interviews (Bawer 424). …”
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Optima tu proprii nominis auctor: The semantics of female authorship in ancient Rome, from Sulpicia to Proba by Emily Hauser

“…By foregrounding the ‘subversive mask’ of female poetic speech in Rome, the paper uncovers a subtextual rhetoric of authorship where female poets both respond to and subvert male authorship paradigms. …”
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Les trois premières femmes de la Revue des langues romanes by Rose Blin-Mioch

“…In the early years of the RLaR (1870-1880), the Société des Langues Romanes allowed, thanks to its modern dialect section, a sort of creation notebook, the presence of three poets: Rose Anaïs Gras marries Roumanille, Félibresse Rose Anaïs; Lydie Wilson of Ricard, Na Dulciorela and Léontine Mathieu Goirand, Félibresse d´Arènes. …”
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LUÍS DE CAMÕES IN THE CROSSROADS OF A PORTUGUESE ANTHROPOPHAGY by Paulo Braz

“…Thus, this paper seeks to point out the contemporary work of Camões by the anthropophagic swallowing of the monument made of him – engendered by Portuguese poets of the twentieth and twenty-first centuries, including Jorge de Sena and Manuel de Freitas –, which entails a reading of Camões as a poet.…”
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La globalización: el olvido del dolor del mundo by Iñaki Marieta

“…Roots which make it become destiny of the Western world in its metaphysics and technological form, forgetting the essential grief which hides the triumph of the global connectivity. Only the poets’ word can name the fold of such destiny without being eliminated by the metaphysics: condition for Μνημοσύνη to activate the possibility of a new beginning.…”
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Micropolíticas de la edición y de la traducción : el caso de Colección Chapita by Santiago Venturini

“…In addition to the promotion of contemporary Argentinian poets, its catalogue includes two collections of translations: “Traducciones” and “Traducciones chapita”. …”
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Architettura e stile metrico dell’epillio Megara (Ps.-Mosch. IV) by Ester Cerbo

“…Particularly relevant is the metrical analysis of the poem’s hexamater: the metrical style is similar to that of Alexandrian poets, but with a few significant differences.…”
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César Vallejo y Gerardo Diego: una amistad poética humanísima by José Luis Bernal Salgado

“…In this paper, the personal and aesthetic relations between both poets are addressed, paying special attention to the role, and meaning of Vallejo’s work in the generation of '27 and the importance of Huidobro’s creationism and his environment in his poetry. …”

Protesta social y poesía. Brasil 2013-2018:Onde no mundo. Onde estão as bombas. by Susana Scramim

“…Through their writings, poets propose a historical experience of revolt. …”
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Najnowsze bułgarskie przekłady Czesława Miłosza by Kalina Bachnewa

“…Significant for the history of the reception of the Polish poet in Bulgaria are the book published in the Czesław Miłosz year: It (translated by Silvia Borisova and Kamen Rikev). …”
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Ostmitteleuropa und die Steppe. Annotationen zu einer ungewöhnlichen Beziehungsgeschichte by Christian Lübke

“…As such, this essay attempts a more complex examination of this problem and reveals some different aspects of the relationship, for example, the charter of warriors and guards by East Central European rulers, who, like painters and poets in modern times, might succumb to the fascination of the alterity of the Steppe.…”
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Existence of Expression in Aşık Ömer’s Ballad (Koşma) by Hasan KARACA

“…In order to talk about the languages and styles of the poets it is necessary to know the vocabulary they used. 24 poems (koşma) of Aşık Ömer who had lived in 17th century as a folk poet, was handled. …”
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Terminologia botaniczna w wybranych poematach romantycznych by Edward Stachurski

“…Botanical terms used by the poets are presented in quantitative and qualitative aspects. …”
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Aimeric de Peguillan, "En aquelh temps que·l reys mori N’Anfos" (BdT 10.26) by Francesco Saverio Annunziata

“…The new Emperor Frederick II, to whom the Meggia is dedicated, brought new hopes both to feudal lords and to poets. Aimeric de Peguillan expressed these expectations composing a song that is unique of its kind.…”
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Białoruska poezja protestu. Symbole, emocje i kontekst by Vera Monina, Barbara Weżgowiec

“… BELARUSIAN PROTEST POETRY: SYMBOLS, EMOTIONS AND CONTEXT The article discusses protest poetry written by Belarusians poets after the rigged elections on August 9, 2020 and during the so-called “Belarusian revolution”. …”
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POETRY IN THE MIRROR by Graça Videira Lopes

“…<p>Based on the work of some contemporary Portuguese poets, this study fo­cuses on the relationship between criticism and poetry at the beginning of our twenty-first century, these relations being as narrow as ambiguous. …”
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Kur'an'da "Birr" Kavramı Üzerine Semantik Bir Analiz by Mesut Okumuş

“…The content and meaning of the word that used at the cahiliyan poets has been changed fay the Qur’an. Thus, in addition to its horizontal dimension at the cahiliyan period, it acquired vertical that is a heavenly dimension and became a basic concept in the Qur’an, especially during the Medinean period. …”
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Мотив границы в польской и русской поэзии конца ХХ – начала ХХI вв. by Nina Barkovskaya

“…Motif of the border in Polish and Russian poetries at the end of XX and beginning of XXI century The Post-Soviet reality has identified mainstream motive of “border” in the works of Russian and Polish poets, defined both as external (national) and internal (psychological). …”
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Frankenstein bound and unbound: from Mary Shelley to Brian Aldiss by Luisa Fernanda Rodríguez Palomero

“…A case of exceptional acceptability is that of some topics bom around the most representative romantic poets. "Frankenstein" has been rewritten by Brian Aldiss, Frankenstein Unbound which was also transformed into a SF I will study in which terms the dialogue of B. …”
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A new reading in understanding metaphor by عهود حسين جبر

“…And they had views on this subject; their old opinions and rulings were printed on the poets, and their view tended towards the clarity of the metaphorical image, so they rejected any attempt at renewal and took a firm stand on the metaphorical images of Abu Tammam because they deviated from this clear avenue that they worshiped for metaphor. . …”
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